3,141 Royalty-Free Audio Tracks for "Wavetable Bass"

classic electronic bass sound, created in synthmaster 2. 9 with wavetables created in waveedit. Various modulations in filters and oscillators, phaser effect, lofi and equalizer.

Alberti bass in Thomas Attwood's Sonatina in G Major opening.

Equivalent Alberti bass patterns for 4/4 and 3/4 time signatures: 4/4 version.

Typical Walking Bass

Example of Albertini bass from Mozart's Sonate Opus KV 331 - Variation 6, measures 13-16 (instead of 13-15 so as to allow an end on the tonic).It seems like Alberti bass, but it isn't!

Equivalent Alberti bass patterns for 4/4 and 3/4 time signatures: 3/4 version.

Lament bass from Vivaldi's motet "O qui coeli terraeque serenitas" RV 631, Aria No. 2. Created by Hyacinth (talk) 22:25, 18 April 2010 using Sibelius 5.

Chromatic fourth: lament bass bassline in Dm (D-C♯-C(♮)-B-B♭-A).

Tonally coherent harmonization from Beethoven's C-Minor Variations (1806).

Typical boogie woogie bassline on 8 bar blues progression in C, chord roots in red.

Created from my home-built wavetable synthesizer, and recorded in audacity.

Made with a wavetable softsynth. Let me know if you like it and/or use it if you want to.

A little wavetable synthesis sample.

Cat sound wavetable in xfer serum with filters and lfos.

Synth emulation of a banjohttps://freesound. Org/people/paulmessier/sounds/268979/.

Standard Walking bass of a Boogie

Made with a wavetable softsynth. Let me know if you like it and/or use it if you want to.

Sample of serum patch i made using wavetables of my voice modulated, with lots of effects. Serum in studio one 5.

Created from my home-built wavetable synthesizer, and recorded in audacity.

Wavetable generated.

Listen closely - the m sounds unbelieveable solid and consistent. Generator: waldorf mconverter: rme babyface.

Example for a simple straightforward walking bass line over a 12-bar blues scheme

The opening of Vth of Beethoven's Seven Variations on "God Save the King" WoO 78 (1804) introduces Alberti bass patterns.

Sixteen-bar progression - repeating variety: third section's first half repeated twice.

Four on the floor on the bass drum. Created by Hyacinth (talk) 00:21, 6 February 2012 (UTC) using Sibelius 5.

Dido's Lament ground bass, m. 1-6. See: File:Dido's_Lament_ground_bass.png

Richard Temple, the original Mikado, sings "A more humane Mikado" from Gilbert and Sullivan's The Mikado

Waves from the prophet vs synth, rendered as single-cycle waveforms and formatted for use in the make noise soundhack morphagene.

Some loops i made in reaktor. They're made using a little wavetable-based synth which i built from scratch; the wavetable contains 32 home-grown waveforms, and the synth's parameters and effects are controlled by a bank of 16 sequencers. Good for glitch/minimal techno, and there are some nice individual bleeps/percussive sounds in there too. Enjoy!.

Modified version of loop1, small melodic loop. If u like this, perhaps u also like my tunes on sc: http://soundcloud. Com/beverlyhillsboy check it out! cheers :).

Sound created by synthmaster one with wavetables created by me in waveedit, 24lp filter, chorus, delay fx and differents modulations, is a very impressive sound ideally made for dark gloomy and desolate environments. I would appreciate it if you show me what you did with him.

Double bass drum beat based on a standard rock backbeat pattern with a sixteenth note roll.

Sound made with codex wavetable synth plugin.

Loop with a lot of reverb. If u like this, perhaps u also like my tunes on sc: http://soundcloud. Com/beverlyhillsboy check it out! cheers :).

24 bit 44. 1 10+ minutes of mono modular noise maddness. I particularly like 9:57 to the end. Excellent for wavetable creation, cutting up for sound design, or just listening to fm synthesis noise based mostly in zerocillator.

Oh, better far to live and die from The Pirates of Penzance

Sound made with codex wavetable synth plugin.

Bach's "Crucifixus", B Minor Mass ground bass.

Title: en:Roland MC-202 Creator: Sven Buresch for Wikipedia Description: simple song arrangement using en:Roland's en:MC-202 for the filter hookline, en:SH-101 for the bass and en:TR-808 for drums; no additional effects. Sequencing was done with en:Steinberg en:Cubase SX 2.2; MC-202 and SH-101 had been connected via Harms en:MIDI/CV-Interface, en:TR-808 (Kenton MIDI modified) via Steinberg Midex8. Copyright dispute? Re: MC202 audio exampes Hi. http://en.wikipedia.org/wiki/Image:Mc202example.ogg and http://en.wikipedia.org/wiki/Image:Discobotter.ogg both were written, performed and recorded by myself. I am the copyright owner and I chose to have it PD for Wikipedia as there were no listening examples. If you doubt we can make music at all check out our myspace: [1] - another tune with a 202 on it or go to [2] - loads of noise with 202,303,404's and so on ;)) Hope this helps. Cheers, Sven. --audioschotter.net 13:38, 31 May 2007 (UTC)

Alberti bass in the opening of Clementi's Sonatina in G, Op. 36, No. 2.

Sawtooth for sampling or custom wavetable.

Released in 1989, the ensoniq vfx synthesizer was ensoniq's early take on wavetables, called transwaves in ensoniqs' perlance. The machine was a digital six oscillator hybrid rompler and additive with several of the waveforms being wavetables. Modulation settings allowed you to scan thru the waveforms for evolving sounds such as this pad. The vfx-sd was much the same synthesizer, but added a sequencer.

Drone sounds generated with the black wavetable vco.

Bach C minor Passacaglia ground bass

Opening of Mozart's piano sonata K545. Created by Hyacinth (talk) 01:48, 31 October 2011 (UTC) using Sibelius.

Here's another vocal sample of "reaction" ran thru audioterm into a waldorf blofeld as a wavetable. Scanning the position of the wavetable is done by the mod wheel so it's fun to play. Not a sampler, not a vocoder! this one is in d.

Here's a vocal sample of "hydrochloric acid" ran through audioterm and sent to a waldorf blofeld as a wavetable. The blofeld pitches up and then scans the wavetable (via mod wheel, so it's fun), which plays out what you hear here, plus a fair bit of outboard verb. Sounds like a vocoder but it's not. As opposed to traditional samplers the pitch is independent of the playback rate / length of the sample.

Ｗｏｒｋ　Ｍｕｓｉｃ by Anonymous420

Ｃｏｗｏｒｋ　Ｐａｒｔｙ　Ｔｉｍｅ by Anonymous420

Ｔｉｍｅ　ｔｏ　raise by Anonymous420