106 Royalty-Free Audio Tracks for "Wolf Pack"

A mean fifth (sine waves of 300 Hz and 448.6Hz) followed by a wolf fifth (300 Hz and 459.37Hz); intervals occur in quarter-comma meantone temperament.

1st release date: 1938 1st recording date: 29 August 1937 Place of recording: EMI Studio No.1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Hugo Wolf (1860-1903) Lyricist(s): Robert Reinick (1805-1852) Music arranger(s): none Conductor: none Performer(s): Tenor: Helge Rosvaenge (1897-1972), Pianoforte: Gerald Moore (1899-1987) Vocal range: Tenor with pianoforte accompaniment Title/Work: Gesellenlied Content: - Genre(s): Tone poem

*Wolf fifth on C = G- (Ben Johnston's notation). 40:27 = 680.45 cents. Limit: 5-limit.

A very large wolf pack howling late at night before a hunt

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Eduard Mörike (1804-1875) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Um Mitternacht Music genre: Tone poem

Label: His Master's Voice Cat. no.: DB 2706 Order number: 2RA 858 Matrix/StamperID: 2RA858 -I- 1st release date: 1936 1st recording date: 4 November 1935 Place of recording: unknown Author(s)/Composer(s): Hugo Wolf (1860-1903) Lyricist(s): Eduard Mörike (1804-1875) Performer(s): Herbert Jansen, Baritone (1892-1965) and Michael Raucheisen, Pianoforte (1869-1984) Vocal range: Baritone solo with pianoforte accompaniment Title/Work: Vergangenheit Content: The Hugo Wolf Society Vol. 6 Genre(s): Tone poem Comments: RCM and ELP

1st release date: 1933 1st recording date: 31 May 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performers: John McCormack (Tenor) (1884-1945), Edwin Schneider (Pianoforte) (1874-1958) Work: Beherzigung Content: Ach, was soll der Mensch verlangen?

1st release date: 1933 1st recording date: 31 May 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performers: John McCormack (Tenor) (1884-1945), Edwin Schneider (Pianoforte) (1874-1958) Work: Ganymed Content: Wie im Morgenglanze

*Wolf fourth on C = F+ (Ben Johnston's notation). 27:20 = 519.55 cents. Limit: 5-limit.

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Johann Wolfgang von Goethe (1749-1832) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Grenzen der Menschheit (Part 2) Music genre: Tone poem

1st release date: 1933 1st recording date: 19 November 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer: Alexandra Trianti (soprano) (1901-1977), Coenraad V. Bos (pianoforte) (1875-1955) Work: (a) Die Spröde - (b) Die Bekehrte Genre: Tone poem

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Johann Wolfgang von Goethe (1749-1832) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Grenzen der Menschheit (Part 1) Music genre: Tone poem

1st release date: 1933 1st recording date: 19 November 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer: Alexandra Trianti (soprano) (1901-1977), Coenraad V. Bos (pianoforte) (1875-1955) Work: (a) Blumengruss - (b) Gleich und gleich - (c) Frühling übers Jahr Genre: Tone poem

1st recording date: 1935? 1st release date: 1936? Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Alles endet, was entstehet

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Fühlt meine Seele (Fühlt meine Seele das ersehnte Licht) Music genre: Tone poem

1st recording date: 1935? 1st release date: 1936? Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Wohl denk' ich oft (Wohl denk ich oft an mein vergangnes Leben)

Dusk wolf sound.

The sound of a wolf howling, or crying.

The sound of a wolt after being hurt.

The sound of a wolf growling.

The sound of an restless animal.

Recorded with zoom h5 48khz 24bit on location hexentanzplatz harz / thale.

Wolf howl.

Wolf.

Wolves howling - recorded at wolf haven international - a wolf sanctuary in washingtonstate.

My dog is very tiny, but his howl is pitch shifted with reverb. He looks like a grey fox but howls like a wolf. The sfx is distant howling wolf calls.

Sound of howling wolves.

Eerie sound of a wind turbine spinning.

A quick little wolf whistle i recorded for use in a recent project.

A raining day in the forest with wold, owls and someone cutting woods.

Recording of husky dog howling. Hard disk recorder, 48khz 24bit.

Got tired of not being able to find any so i made my own, enjoy.

Various takes of a cat call / wolf whistle. Recorded in studio.

I've recorded that sound for my website to use as a notification sfx. U can use it for free in any project.

A whistle sound effect.

Representational approaches to field recording are bullshit. On another day i will explain why i feel this to be the case. But it centers around a critique of the distinction between representation/reality, along with a critique of the concept of mediation. Mechanical openings, heartfelt wanderings was recorded with a tascam dr100mkii and a rode shotgun mic. One sound taken from the 'microblocks, vol. 1' percussive found sound sample-pack. The sample-pack features 135 unique field recordings culled from the ordinary soundscapes of santa cruz, ca. Find and download (for free) the rest of the sample pack here: https://fieldrecordingworkinggroup. Bandcamp. Com/releases. The sample pack comes with an accompanying essay describing the method, politics and historical context of the sample-pack.

This is a sample made for a pack of dogs in the musical chitty chitty bang bang. This was made from various videos of dogs and pounds.

A solitary wolf howls in the cooper creek drainage, wrangell - st. Elias national park. The creek, itself, is an aufeis-filled reverberate acoustic environment.

Sound i made for a dogscape story.

Recorded a small dog barking to rival the large dog howl/bark i already have up. Sm57 48khz protools (slight compression).

Set of my 1yo husky growling, barking sounds. Use wherever u want.

A medium size pack of wolves about 6 or 7 howling and moaning at the moon at dusk. You can also hear the crickets and a few birds

The last sips of a juice box through a straw.

For "young frankenstein" i recorded three cast members howling. For play back, i'd vary speakers, delay, volume and echo effects to get a nice surround and spooky sound, that sounded a little different each time.

Single wolf howls with slight echo so it sounds distant.

A generic wolf-whistle for all your lechery needs.

Recording of my alaskan malamute barking.

Dog snarling i did using my voice and reversing the track. Good for evil dog, wolf.