275 Royalty-Free Audio Tracks for "York"

Waiting in line at the department of motor vehicles endlessly waiting for my number to be called. Recorded on zoom h1. Note: all of my sounds can be used for whatever purpose you want. No copyright, no royalties. It if makes you a millionaire, that's great!. I would love to know how you used them, so if you can, feel free to drop my a line :).

A mostly mellow recording of the streets around east village, new york city. Recorded on thanksgiving '22 so the streets were a lot more empty than usual. By the way, the reverb you hear at the end of the clip is the natural reverb off the surrounding buildings of a woman who was talking quite loudly - she was around the corner from where i was standing.

Song: "Sus ojos se cerraron".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Orq: Terig Tucci.- Record: Victor BVE-89225/1, New York, 19/MAR/1935. Tema: "Sus ojos se cerraron".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantor: Carlos Gardel; Orq: Terig Tucci.- Grab.: Victor BVE-89225/1, 19/MAR/1935.

Sergei Rachmaninoff performing his own Prelude in C-sharp minor (Op. 3, No. 2). The composition was first published in the Russian Empire and this recording was first released in the United States in December 1920 by Edison Records. It was performed in New York City, April 24, 1919.

Jaroslav Jezek was born in Prague 1906 and studied at the Prague Conservatory, graduating in 1927. He studied music during the period of the new freedom with its' influence of American jazz and dance on Czech composers which can certainly be seen in Jezek's works. From '28-38, Jezek composed music for 20 plays and revues performed at the Liberated Theater where absurdities of the times-moral hypocrisy, the mistakes of democracies and the inanities of totalitarianism-especially of the Nazis, were humorously skewered. He composed waltzes, tangos, charlestons, rhumbas, and jazz for his admiring Czech audiences. During WWII he moved to New York, possibly because his past criticisms of the Nazi Party would have landed him in prison. He continued to compose there in 1939-41. He died in New York in 1942. The Bugatti Step was written to commemorate Czech racing car driver Eliska Junkova's 2nd place finish in a Swiss mountain race in '27 in her huge Bugatti touring car, seen at 2:08 in this vid. Thanks to former yt contributor KSPM who originally uploaded this music and introduced me to Jezek.

We recorded this sound while our trip through hawaii. You can watch the travel video about hawaii here: https://youtu. Be/v9yfon_noxiyou can use this sound in your project regardless if it is commercial or non-commercial but it would be awesome if you could tag my instagram account somewhere in the description:https://www. Instagram. Com/florianreichelt/all sound effects have been recorded with the h4n pro: https://amzn. To/2pacyyrleave a comment and tell me for which project you used it!! :)by the way - have you guys already checked out my latest travel video about japan?if not you should definitely watch it: https://youtu. Be/qcgmpwx4dxq. The city, the people and the overall culture are absolutely outstanding and they inspire you to travel as well. Stock footage isn't dead! make 2000$/month via blackbox!register now: http://bit. Ly/stockblackbox. Keywords: underground, subway, metro, train, station, ambience, tube, locomotive, berlin, stuttgart, ubahn, u-bahn, zug, s-bahn, platform, travel, london, new york, frankfurt, berlin, stuttgart, shanghai.

Enrico Caruso (as Doctor Faust) and Marcel Journet (as Méphistophélès) perform "O merveille! ... A moi les plaisirs" from Charles Gounod's opera Faust (1859), in this 1910 Victor Recording. This is Matrix C-8555, recorded 16/1/1910 in New York, and released under a variety of labels. (http://victor.library.ucsb.edu/matrixDetail.php?id=200008638 full details).

Recorded in june 2016 on a new york city subway train approaching the last stop (34th street–hudson yards) on the 7 train line. Mta thank you announcement at the station and for all passengers to alight. Recorded with a zoom h2n in 4-channel mode - this is the xy recording only (msg me if you want the raw ms recording!), without a windshield. File has not been modified.

El dúo Montes y Manrique llenó de historia la música peruana al ser los primeros peruanos en registrar sonoramente la música popular peruana a través de grabaciones que hicieron en 1911 en la ciudad de New York. Pero muy poco es lo que se ha escrito, menos investigado, sobre dichas grabaciones que el dúo Montes y Manrique llevó a cabo, a pesar de la importancia que tiene dentro de la historia de la música peruana.

This is a field recording from a window on a street corner in williamsburg, brooklyn, during a summer afternoon in august 2019. This is a short clip of a single distant horn honk from a car. This is a short clip intended to be a background texture for sound design, longer version also available. Recorded with a neumann stereo pair into the sound devices 633.

Unrestored version. Enrico Caruso, Frieda Hempel, Maria Duchêne, Andrés de Segurola, and Léon Rothier perform "È scherzo od è follia" from Giuseppe Verdi's Un ballo in maschera (1859), in this 1915 Victor Recording. This is Matrix C-14660, recorded 3 April 1914 in New York City, and released under a variety of labels. ([http://victor.library.ucsb.edu/matrixDetail.php?id=200014967 full details).

Enrico Caruso und Nellie Melba singen das Duett "O soave fanciulla" aus Giacomo Puccinis Oper La Bohème. Enrico Caruso and Nellie Melba singing the duet "O soave fanciulla" from Giacomo Puccini's 1896 opera La bohème. It was recorded in New York on 24 March 1907 (Victor C4326 95200) – http://victor.library.ucsb.edu/matrixDetail.php?id=200006039.Length: 2 minutes 9 seconds; size: 2.47 megabytes.

Over 3 minutes of loud motorcycles streaming by revving their engines plus sirens and horns during an insane motorcade of bikes and choppers that temporarily took over streets of the westside highway. Sirens are not police but are from bikes in the motorcade. Includes people talking and crowd noise in the background, some distant helicopter and followed up by some very relaxing chimes in the park that's adjacent the highway. Recorded september 2022.

Night-time wide angle stereo recording of manhattan, as heard from across the east river, the recorder was kindly allowed access to the veranda of the riverview restaurant & lounge in long island city and is facing the manhattan skyline. Some noises of the restaurant can be heard in the background, very subdued, the quiet lapping of the east river can be heard in the foreground, and manhattan bustle and traffic on the fdr drive is in the wide range. Recorded in march 2012 with a zoom h2, mics set to 90° dispersion.

Enrico Caruso, Frieda Hempel, Maria Duchêne, Andrés de Segurola, and Léon Rothier perform "È scherzo od è follia" from Giuseppe Verdi's Un ballo in maschera (1859), in this 1915 Victor Recording. This is Matrix C-14660, recorded 3 April 1914 in New York City, and released under a variety of labels. (full details).

1st release date: January 1942 1st recording date: 9 May 1940 Place of recording: Carnegie Hall (Studio), New York City (United States) Author(s)/Composer(s): Johannes Brahms (1833-1897) Performer(s): Piano: Vladimir Horowitz (1903-1989) and the NBC Symphony Orchestra Vocal range: instrumental Title/Work: Piano Concerto No. 2 in B-flat major, Op. 83 Content: 4th movement (Conclusion): Allegretto grazioso Genre(s): Piano concert

1st release date: January 1942 1st recording date: 9 May 1940 Place of recording: Carnegie Hall (Studio), New York City (United States) Author(s)/Composer(s): Johannes Brahms (1833-1897) Performer(s): Piano: Vladimir Horowitz (1903-1989) and the NBC Symphony Orchestra Vocal range: instrumental Title/Work: Piano Concerto No. 2 in B-flat major, Op. 83 Content: 4th movement (Part 2): Allegretto grazioso Genre(s): Piano concert

Live recording. Uday Shankar and his company of hindu dancers and musicians: Vishnudass Shirali, Sisir Sovan, Rabindra (Ravi Shankar), Dulal Sen, Nagen Dey, Brijo Behari. Čeština: Skladba Raga Tilanga (1937), na sitár hraje Ravi Šankar při své návštěvě New Yorku. Raga Tilanga (1937), Ravi Shankar's first recording, in New York, during a tour organized by his elder brother Uday Shankar. हिन्दी: राग तिलंग (१९३७), बड़े भाई उदय शंकर द्वारा आयोजित एक दौरे के दौरान रवि शंकर की न्यूयॉर्क में पहली रिकॉर्डिंग। Македонски: Рага Тиланга (1937) — првата снимена изведба на истакнатиот индиски класичен музичар Рави Шанкар (1920 - 2012). Raga Tilanga – pierwsze nagranie Ravi Shankara zarejestrowane w 1937 roku w Nowym Jorku podczas tournee grupy tanecznej jego starszego brata, Uday Shankara.

The staten island ferry "molinari" on final approach into st. George, staten island, late in the afternoon on april 04, 2021. The recording was made from the rear port side of the upper deck (where people are supposed to be quiet, but clearly don't obey the rules). Although the ambience is the in the public domain, the docking announcement over the pa system may need to be licensed through the dot. Note: this is a raw recording from a zoom h4n using the on-board x-y microphone. No processing has taken place. Ste-034. Wav, ambiance session on april 04, 2021.

This is a recording of all in-flight announcements from a flight attendant, the first officer and captain during a flight from atlanta to new york on august 17, 2018, recorded directly from the headphone jack at my seat with a zoom h1n. Each clip is separated by a few seconds of silence. For authenticity, i left all the dc voltage spikes and electronic noise in place. This may be useful if you want an authentic announcement without the acoustics, i. E. Use your own speaker sims or impulse responses to fit into an existing sound design environment. I never did figure out why the first officer said "hello. . . Are you back there? hello? hello?" but it has been captured anyway.

A binaural recording of mallard ducks at a fishing lake in the wilds of north yorkshire (near helmsley). There is an unexpected pheasant 'take-off' at 1:24. Recorded using a home-made pair of primo em172 binaural mics into a zoom h2. N.

O Canada English Weir 1928 Amicus No.: 31400413 Performer Heading: Johnson, Edward, 1878-1959 Performer: Edward Johnson, Tenor with Orchestra assisted by Male Quartet Title: O Canada [sound recording] / Weir, lyrics ; Lavallée, music Composer Heading: Weir, Robert Stanley, 1856-1926; Lavallée, Calixa Generic Label: Victor Transcribed Label: Victor Numbers: Issue no.: 24005 Matrix no.: [BVE45612] Take no.: 3 Side no.: B Notes: Distributor: RCA Victor Company Limited., Montreal Manufacturer: RCA Victor Company Limited, Québec (Province) Recorded: [7 Jun 1928], New York, Victor Talking Machine Co Released: [ca Sep 1928] Issue Type: primary label Comments: Text transcribed from label/Texte transcrit de l'étiquette: Licensed under Canadian patent no 160997 for sale at current catalog price by authorized dealers. No other person shall sell, expose or offer this record for sale or exchange; Not licensed for Radio Broadcast. Additional information/information additionnelle: BVE preceding the matrix no. indicates a 10" electric recording. Discographical reference: The Tenor of his Time : Edward Johnson of the Met, matrix, number, recording date Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Songs ; National songs--Canada; Chansons nationales--Canada Location: 78/10 16010 Web source: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31400413

Quartet: "Bella figlia dell' amore" from Giuseppe Verdi's opera Rigoletto (1851), performed by Enrico Caruso (the Duke of Mantua), Louise Homer (Maddalena), Bessie Abott (Gilda), and Antonio Scotti (Rigoletto). This is Victor Records Matrix C-4259, recorded on 20 February 1907 in New York City, and released under a variety of labels (full details) “..Bella figlia dell'amore”, cuarteto de la ópera lírica “Rigoletto” de Giuseppe Verdi. La pieza, de una grabación de la ópera de 1907 de la casa discográfica Victor Records, siendo protagonistas Enrico Caruso, Bessie Abott, Louise Homer y Antonio Scotti. Bella figlia dell'amore, de Rigoletto de Giuseppe Verdi. Enregistrement de 1907, avec Enrico Caruso, Bessie Abott, Louise Homer et Antonio Scotti. Italiano: “Un dì se ben rammentomi ...Bella figlia dell'amore”, quartetto dall'opera lirica “Rigoletto” di Giuseppe Verdi. Il pezzo, da una registrazione dell'opera del 1907 a cura della casa discografica Victor Records, vede protagonisti Enrico Caruso, Bessie Abott, Louise Homer e Antonio Scotti. Македонски: „Убава ќерко на љубовта“ (Bella figlia dell'amore) од операта „Риголето“ од Џузепе Верди во изведба на Енрико Карузо, Беси Абот, Луиз Хомер и Антонио Шоти (снимка од 1907 г.) "Bella figlia dell'amore" из Риголетто Джузеппе Верди. В 1907 студия Victor Records записала исполнение Энрико Карузо, Бесси Аботт, Луизы Гомер и Антонио Скотти. Tiếng Việt: "Bella figlia dell'amore" trích trong vở Rigoletto của Giuseppe Verdi. Bản thu thanh năm 1907 của hãng Victor Records với các giọng hát của Enrico Caruso, Bessie Abott, Louise Homer và Antonio Scotti.

This piece was produced using a text-to-speech program on a "rant" by francis e. Dec. Mr. Dec was a disbarred lawyer from new york state who spent the balance of his adult life writing and publishing rants against a global conspiracy that had removed him from the legal profession, controlled the white house for decades, performed clandestine medical operations on the entire population of earth and worked for a malevolent entity called the "world wide communist gangster computer god". Mr. Dec appears to have hated just about every religious, racial, ethnic, professional and political group that he was aware of. Although i have tried to maintain the syntax and general flow of this rant; i have taken the liberty of removing the more offensive passages and phrases. Since the development and widespread use of anti-psychotic drugs in north america, schizophrenic creativity of this level of complexity has become harder to find. Street ranters are an endangered species but my memories of them include the unusually stiff, declamatory and repetitious cadence of their speeches. Curiously, a speech-to-text program mimics some of these features. I hope that the irony in using a computer voice cuts two ways. Mr. Dec's rants are in the public domain. To his credit he was very open source with his work. My use of dec's writings should not be construed as advocacy for his views nor as an endorsement of how our society currently treats persons labeled as schizophrenic. The wikipedia entry on francis e. Dec is a good and balanced starting point if you are interested in the life and work of this very unique and unfortunate man. I leave the listener with this quote by g. K. Chesterton-. "the madman is not the man who has lost his reason, the madman is the man who has lost everything except his reason. ". --.

If there is one man, white western historyhas neglected, it must be james baldwin (1924 - 1987)known to many as writer, novellist, essayistplaywright, poet. . . Surely unknown to all asactivist, as frontfighter, as luchador of theanti-xenophobic anti-discrimination discoursin general & more specific of the north-american'negro'. His father was a slave & as a childat the tender age of 10, he was teased and abusedby 2 new york police officers, an instance of the racistharassment by the nypd that he would experience againas a teenager and document in his essays. Why isn't his history & discours teached at school ?. Anno 2020, i learn to know him & his eloquent rhetoricalcapabilities through the also fenomenal moving & breath-takingperformance of tawiah + myrrh for the refraction festival, takingplace online of course, due to the ever infamous covid-19. . . An audiovisual délice, in which visual artist myrrh, places tawiahin subtle superposition with james baldwin & his 1965 debate with mr. Buckley ! in the cambridge union ! !! ! ! ! while performinglive one of the most delicate concerts i have seen during corona. . . A must see+hear _ _ _ https://www. Youtube. Com/watch?v=h5l2lssdzro. Being totally absorbed by this performance, i discover as an artist myselfone of the reasons i bind so much with this piece of music is that i myselflike to use the same harmonies, apparently, which i did indeed in 2015https://soundcloud. Com/torturado/eternal-void-the-fall-back& in the mid nineties, that is 1990's. . . A long forgotten piece of me, performed that time during my ritcs studies, as my band torturado, no recordings from then helas online, but gracias a la discovery of tawiah+myrrh & james baldwin picked up again what i remembered from that time & made a 2020 version of it. . . A small visual document of this: https://vimeo. Com/450004585. As from the moment, i discovered james baldwin, i integrated also his powerful 1965 debate in my performances during covid times. . . To spread his word ! to inspire others, to confront others. . . I told myself covid or corona is not going to stop me playing & performing music, which comes natural to me, so i looked for ways to perform outside, in plain nature, with batteries. . . Guitars, 9v fx, fx without 9v compartment, battery based amplifiers, battery based kassette walkmans. . . & it is on kassette that i put an edited full version of the james baldwin vs buckley debate of 1965. . . For this exercice of the sound design formation, we had to upload a sound that intrigues, well, james baldwin eloquent voice, litteral & metaphorically inspired & triggered me. . . Also the sound of electro-magnetic technology called tape is something i have always been fond of. . . So i made an edit of an edit of the james baldwin debate of +- 10 minutes !. Spread the word !a+. Actually this could also serve the exercice of recording a sound that comes from a certain place, or is part of a bigger thing , or personificates a certain place. . .