Recorded me bashing on the buttons of my snes controller, as there weren't really any sound effects on here that captured the kind of button mashing i wanted, so i did my own!.
A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.
A person playing a game on a ps4, handling the remote/controller with some combinations of movement and actions was recorded with a zoom h6 recorder, using the xy capsule.
Morceau d'improvisation à la guitare électrique par Arthur P. (11 ans et quelques) pour l'émission Culture(s) Numérique(s) numéro 11 (juin 2019) sur Radio Pluriel. Publié ici avec son accord.
I wrote this some time back, well before covid hit the world and like many, suspected there was more at play than what we saw. Now in 2023, the uk government are to implement 15-minute cities. This is what the poem refers - the human herd.
Creating slight variations in a simple beat with control voltage. All analog gear in my modular synth. Slightly "mastered" in audacity (normalization, compression, limiter).
