A recording of tadpoles in my pond in manchester uk. You can hear them scraping against the hydrophone hoping to find algae. The tadpoles were very quiet and hence the recording is a bit hissy.
An sfx for games or film where i grabbed an old book, opened it, broswed it a bit and closed it. It can be edited for a longer or shorter sequence as the track is well separated.
A side street in a city with a little bit traffic. Atmo was needed for a short animation movie and it was recorded with a large diaphragm condenser microphone which is not usual but it was needed quick.
It's a sound of jack plug being pushed in. Recorded with a zoom h2 via usb into ardour 2. Edited and converted to flac with ardour. Originally a 48khz/16-bit wav file.
Simple experiment reorganizing the onesoundperday2018 january soundpack qu-bit nebulae 2 module and a bunch of modulation. Here are the original sounds:https://freesound. Org/people/cabled_mess/packs/27630/.
Various click sounds similar to the plastic butt of an assault rifle hitting beltbuckles, etc. Recorded with akg 451 with ck 61 capsule through neve 1272 preamp and apogee a/d at 48khz, 16-bit.
Some weird horns i recorded at the hamburg port anniversary 2013. This horns are the weird, powerless ones, i believe. Unfortunately a little bit muddled with people nearby me.
This is an example of importing raw data into audacity. This is three geometrical object saved as bmp format and then opened in audacity. The size of the file is 5633kb. Imported as raw data, signed 16-bit pcm, big-endian, stereo.
Close up on the wood. A log splitter is working in the forest. The wood is splitting. Recorded with 2 em172 in ab setuprecorded on sounddevice mixpre6wave stereo 24 bits 48khzfrance, june 2022.
Drum break from easin' in by edwin starr. Processed a bit with a eq and a compressor. Best used for hip-hop but it's also fine with anything else. 87bpm creative commons 0.
32 bit float pcm2822kbps1. 44mb file sizedecently low noise floorraw, unedited/non-noise filtered. Specifically made from an arizona sweet tea 12 oz. Can.
Small and fast wavelet because of the wind on a lake, close up. France, 2005. Recorded with abortf set up of two octava mc12recorded on fostex fr2wave stereo, 16 bits 48khz.
Scrunching the collar of my sweet leatha bomber jacket for some stretching/straining sounds. Also flapped it around a bit, apologies for the peaks in that part. Recorded on sony pcm-d50.
Same sound as connersaw8's "coach whistle," but the factory noise has been removed from the background. Additionally, the amplitude has been dropped a bit with a touch of reverb thrown in to round out the ending.
The sounds of a suburb in the evening with the peaceful sound of crickets, distant traffic, and birds all at the same time. There is a bit of wind noise in the middle section of the recording.
I recorded several different guitar riffs played on an eastern, egyptian music scale and then multi-tracked the recordings. Polished the rendered audio a bit with reverbs as well.
2-bars tambourine loop with a dragged groove inspired by d'angelo. Recorded with an electro-voice n/d468 for les jeux sont funk track "westbrook". 24 bits 48khz version.
Doorbell: digital door bell, chime, ringing. Synthesised electric sound; augmented third(b-g), wireless home door bell. Recorded with zoom h4n. 24 bit, 48khz. Converted to flac.
I recorded this with my yamaha pocketrak. I edited it in sony vegas and rendered to 3 tracks. A late summer rain storm with a bit of thunder towards the end of the recording. Please comment on what you will use it for. :^).
Various foley click sounds similar to the plastic butt of an assault rifle hitting beltbuckles, etc. Recorded with akg 451 with ck 61 capsule through neve 1272 preamp and apogee a/d at 48khz, 16-bit.
Been recorded by a friend shouting like a nazgul. Its an inward-scream, useful for lotr-like songs or movies. Little bit of reverb and no one will hear any difference ;).
My, rather extreme, attempt at creating a super-square sound on the d50. Only single notes played and, as always, no external effects and direct recording without overdubs (stereo 16 bit, 44. 1 khz).
Mixture of electronic and mechanical siren systems from three neighbouring cities during a tornado warning in eastern iowa. The wind hadn't really picked up yet but there is quite a bit of rain. Eerie yet relaxing.
Bits of metal being scraped and cracked against various surfaces. Can be hard to listen to at times. Use in a scary movie or anywhere you need to create a disturbing, uneasy effect.
Walking in a path covered by thin log shells. Recorded with iphone 6s in a park outside of berlinprocessed a bit with pro-tools (remove wind sound)44khz.
Crystal wineglass filled a bit with water. Moving the finger around the top for making the special noice. Use a zoom h1 for recording. Recorded in 24/96khz.
A short intro (longer variation). Perfect for games and films with retro or classical sci-fi style. Sound is completely free, it was made in lmms using zynaddsubfx (both open source and free).
6 horses arriving from far away. Gallop on desert stones. Hooves crossing microphone on the floor. Palmyre, syria, 2007. Recorded with stereo xy audiotechnica at822 microphonerecorded on tascam dap148 khz, 16 bits.
Sound of water being poured into a cup, recorded at 15cm. From source with a shure ksm 137 microphone, connected to avid mbox pro 3 interface. Recording daw, reaper 5. File:. Wav 48khz 24 bit.
