"Sol" için 80 telifsiz ses dosyası

Piano sol note.

Acorde sol numa guitarra acústica.

Note "sol" played by a piano.

Titles says it.

Extrait de air sur la corde de sol de jean-sébastien bach en 8-bit.

Very unprofessional sol note of a regular flute. Used for python programming training on digital signal processing subject. Not aimed for sound usage.

Food court, mall, plaza del sol.

Ibanez 170bass ook ibanez.

Dormiro sol, extrait de l'opéra Don Carlos de Giuseppe Verdi (1813-1901) interprété par Fédor Chaliapine (1873-1938) en 1922

Samples from a recording of me. . . Its poetry, sol / art, lol.

Simple violin playing a g riff, recorded by a phone and processed on logic pro x.

A MIDI file of "The Streets of Cairo, or the Poor Little Country Maid"

Steps on the floor made with a pair of swedish clogs. Recorded by a zoom2 device. Projet “bruitages” coordonné par josé carrasco, classe de jérôme euphrosine au lycée français de barcelone, hiver 2013.

Diseño de sonido de la voz de un alien para el #retosemanal de radio-arte. Com.

MIDI of "Ut Queant Laxis", an 8th century hymn best known for being the basis for Ut-Re-Mi-Fa-Sol-La, later modified to the familiar Do-Re-Mi-Fa-Sol-La-Ti. Each line begins with a note that moves up the scale from Do to La (Ti not being used in music of that period).

I played arbitrary co-soundings on the mystic scale (it becomes mystic arabian if you mimic arabian music; otherwise is sounds european). I applied 300 hz steep low pass (eq) on an inverse sawtooth soundwave generator. I applied many delay effects in tandem. Created on fruity loops and re-equed on wavelab. Mystic(has three submodes, scale-shifts [same intervals, overall shifted]). • do, re#, mi, sol, sol#, si• do, do#, mi, fa, sol#, la• do#, re, fa, fa# la, la#. (semitonally/fret steps: 0, +1, +3, +1, +3, +1, +3). (si = ti, do = c). It is chordable.

A reverse-instrumented mix of commander robot's clean sol 1 sample. I think i went a little too far with all that reverb though. . .

Cuerdas al aire de un charango Richter (temple natural: 1º mi, 2º la, 3º mi, 4º do, 5º sol).

Example of a tonal answer in J.S. Bach's Fugue no. 16 in G minor, BWV 861, from the Well-Tempered Clavier, Book 1 Comienzo de ejemplo de una respuesta tonal en una exposición fugada. este fichero Midi corresponde a la exposición de la Fuga número 16 en Sol menor (BWV 861) extraído del libro 1 de la obra El clave bien temperado de Juan Sebastián Bach

MIDI of "Ut Queant Laxis", an 8th century hymn best known for being the basis for Ut-Re-Mi-Fa-Sol-La, later modified to the familiar Do-Re-Mi-Fa-Sol-La-Ti. Each line begins with a note that moves up the scale from Do to La (Ti not being used in music of that period).

Sound of small waves rolling in from the mediterranean sea along the costa del sol in spain. Some wind may be heard blowing over the mic heads.

Ballade No. 1 in G minor, op. 23 Italiano: Ballata n° 1 in Sol minore, Opera 23

This is my first recording using my binaural mic. I took a walk to meet my wife for lunch and decided to record it. It was windy outside, and even with the standard foam wind protection, you can still hear some wind rumble. It might be fixed using some low cut filtering but i wanted to post it as is. This take started inside my recording studio and ended in a fairly large avenue with lots of traffic (cars and motorcycles). There is a pause on the recording by 01:59, when i had to change the mic cable position. Signal chain: roland cs-10em (with foam windscreen) > sony pcm-m10 (rec level: manual, at about 3,5; mic sensitivity: low; limiter: off; low cut filter: disabled).

Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MT 60/145:4:3

This is a very small part of a song of mine called cyanean rocks. I used. Tempo: 140 bpmsguitar: prs se santana - guitar strings: ernie ball rps 10 slinkybass: vst cobra satin - bass strings: 3 vst, 1 fenderamp: yamaha thr 10 - select aco,a gentle amount of chorus & delayprogramms: fl8, wavelab 6drums: dw, tama. I do not tune my guitar and bass with the standard tuning. Veiler's personal tuning for guitar. Mi bass -remains-> mi bassla -becomes-> sol thin string - it is a sol string like the classic solre -becomes->do# the closest to re stringsol -remains-> sol, and it is exactly the same with the upper sol- buy extrasi -becomes-> do# the closest to si stringmi cantini -remains-> mi cantini. You must perform intonational adjustment to the bridge saddlesif your guitar has permanent bridge saddles - it sounds like ass. If you don't know what intonational adjustment of the bridge saddlesgo ask a guitarist because you are not - even if you say so. [we fix the harmonics - we focus in the octave tuning usually usinghex key = allen key]. In some guitars we may have to fix the harmonics once a month. If you don't know anything, search it on wikipedia. You have to throw away the la string. You have to purchase an extra sol to replace the unused la string. If you don't understand that, please don't speak to me, i hate idiots. Effects: phase deleting 25 ms of the right channel(if you destroy a critical drum-attack remix it to the right channel). Please brush your teeth!!!.

Italiano: Suite No. 3 in Sol maggiore, Op. 55. Orchestral Suite No. 3 in G major, Op. 55. Composed by Tchaikovsky in 1884.

Bullfighters enter the plaza de toros in estepona, andalucia, spain. The band plays and the people applaud the various cuadrillas - this included el fandi, one of spain's most famous bullfighters.

A bowl throw on a wood floor, and roll on the floorun bol lancé sur un parquet en bois qui y roule ensuite. Recorded with a zoom h2n - cleaned.

Description de base : sound created with audacityajout de 3 sinusoides correspondant aux notes : do, mi, sol. Ajout ensuite de trois silences de 0. 5 sec pendant les notes. Typologie de schaeffer : itération tonique (n''). Morphologiemasse : groupe de sons tonique (accord)grain : lissedynamique : abrupteprofil mélodique : variation scalaire.

Sveriges Radios folkmusikinspelningar. Färöarnaresan 1959 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: M59/12528:15:4

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:29:5

Sveriges Radios folkmusikinspelningar. Hälsinglands- och Härjedalsresan 1960 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MT 60/120:5:5

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:31:1

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:48:9

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:49:8

Sound editor recorded a 5 second countdown leader including the following:-left and right channel split tones recorded at -6db max-3 second countdown (3, 2 - with 1 frame tone). Can be very useful in cueing editing segments meant to be synchronized in a program or show leader. Produced and voiced by:jeremy gossettgossett productions, llc. .

A set of tones to help determine left and right outputs in a system. Set in a loop, this is useful for checking out stereo playback and headphone systems.

Dynastar fullband spectrum iso synchronous table mirror axis left.

Dynastar fullband spectrum iso synchronous table mirror axis left.

Dynastar fullband spectrum iso synchronous table mirror axis left.

Dynastar fullband spectrum iso synchronous table mirror axis left.