24 безкоштовних аудіофайлів для "Великі Пальці Вгору"

A clear thumb-in-the-mouth pop.

Real kalimba recorded from build-in pickup.

Recorded by audiotechnica clip mic.

This is a uk drill piano feel free to use it.

Primitive african handmade kalimba. Recorded by audiotechnica.

Thumbing through a book. Recorded with cakewalk vs-20 + ntg2.

This is a little melody on my kalimba. You can use it for example for a quiz, intro, outro, or meditation masterclass. Hope you can use or just enjoy it.

One of a series of recordings of me snapping my fingers. I've recorded myself finger snapping with one, two, and three fingers. These work nicely for certain kinds of ui buttons, and they might sound great as hand percussion in a music track. Recorded with a tascam dr-40x.

Kalimba thumb piano - high c note.

Ron and anne, kate and chris. Jim and loraine. . . . . Tom and richie, jake and hannah. Myself, laura. And my sister.

Kitchen cabinet.

Kitchen cabinet.

Kitchen cabinet.

Kitchen cabinet.

Kitchen cabinet.

Kitchen cabinet.

Kitchen cabinet.

K. Y. Elektro tweaker.

An angry synthesized dog and cat going at it. Tweak the mods.

Recording of a kalimba (pentatonic).

Sounds of a heavy battery falling onto the grass. You can really hear the deep bass thud.

Sounds of a heavy battery falling onto the grass. You can really hear the deep bass thud.

5 sounds - the first is original, the next 4 are edited sounds. If you want to use this sound, you have to cut out the section you like. Instrument - cheap, simple kalimba. Recorded. . . By phone :p (xiaomi a2 litle)edited in audacity.

Clean, dry recording of a smartphone touchscreen being rapidly tapped as if a message was being written on it. Could just as easily be used as sounds from using (writing, playing mobile games, browsing, etc) a tablet or really any relatively small touchscreen device. Tapping speed and length between taps varies throughout the recording, but overall i tried to make it sound as natural as possible while still offering options for more granular placement. Recorded with an akg p170 into a tascam 208i audio interface at 48khz/24-bit. Microphone was positioned 5-6 inches away from source. A 120hz high-pass filter was applied to remove unnecessarily pronounced bass frequencies.