180 безкоштовних аудіофайлів для "Модуль"

Over forward upside down.

Experimentation with the harmmod m4l plugin in ableton live. No effects or post-processing was applied to the sound except normalization.

White noise aplitude modulation mix.

Female voice sample "burn" modulated.

Female voice band filtered "tion" sample remix modulated.

Female voice band filtered "tion" sample remix modulated.

Female voice sample "night" modulated.

Synthesizer samples processeswith amplitude modulation.

Synthesizer setting with amplitude and frecuency modulation.

Synthesizer setting processed and remixed.

Female chorus with pulse modulation remix.

Female chorus processed, remixed and amplitude modulated.

Female chorus processed and remixed.

Mixed chorus processed and remixed.

Female chorus processed and remixed.

Female chorus processed, remixed and amplitude modulated.

Simple frequency modulation with one carrier, changing basic feedback parameters.

Here's a basic example of working in subtractive synthesis: adding oscillators, changing waveforms, filtering, adjusting portamento.

Some effects picking from vst called crystal.

A simple loop with the progression c, g, g#, a#.

This is my audio recording for ame 111 module 5.

Simple stutter effect created by altering the rate of an lfo modulation various noise sources. Added additional granular processing.

Testing/documening my nonlinearcircuits timbre!. "this is basically a clone of the buchla timbre found in the easel. ". Sound:1. Sine wave not going throught wave folder2. Sine wave though wave folder3. Triangle though wave folder4. Square through wave folder5. Saw through wave folder. An lfo is modulating the bias. No, when going through the folder the there is never a sinus wave. . . Next time. . . Also it is a matter of calibration. I should check it out.

Formatted for use in the make noise morphagene. This is the modulated and demodulated vocal track demonstrated in the video "demodulating signals with moddemix" available at https://youtu. Be/b3kt1fguq74.

Voice feedback modulation.

Chorus processed, remixed, filtered and amplitude modulation.

Whisper personreaperrecord at 44100 hz16 bits.

Sequential circuits pro one (analog synthesizer) self modulating.

Volume boost on the am (amplitude modulation) band static wave.

A guitar through defective self-modulating delay. The time potentiometer went "bad" after years of hard twisting and abuse, and now it warbles and pitch-shifts on it's own. It's very temperamental, though. The pedal is a johnson "ead-2 analog echo delay". May be useful for an outro or something! let me know if you use it, i'd love to hear the results!.

Moth-organ is a forgotten instrument. Sad, because it's amasingly useful, and a professional (which i am not)can create many interesting variations. I play only three tones, but listen, it's a cool little thing. I used the best available: hohner 'rheingold'.

Fixed version of my "amplitudemodulation" sound -- this one should download properly. Me fiddling with the tuning knob on a radio, in am mode.

Flip across the am radio dial through a range with some high-pitched sing in the static (and intermittent indistinguishable voices).

High-pitched flip across the am radio dial. Good intro-type recording.

What can i say. . . Its trippy.

A reverse vocal whit some reverb good sound for pad modulated chord.

Wodden vibrating sound.

A pad with some crazy lfo modulations on one of the filters.

A synthesizer track using modulation that is very suited for various soundtrack compositions.

An odd sounding voice saying "two weeks later" - kinda had a monty python-esque feel in mind when i made it.

A recording of a room-ambience (cad m179) that was processed in reaper using a reverb with strong modulation.

Self modulating a standard doepfer a-110 vco. We are listening to a square wave. I'm modulating with a sinus. I'm wiggling pwm and the degree of self modulation (and attack and decay). Spring reverb and analog delay from stomp box.

A patch with nonlinearcircuits jerkoff ("chaos circuit based on the jerk equation and its electronic implementation by jc sprott") in the center. I had a question that needed an answer. Is jerkoff a stable lfo when not using the input to disturb the rythm?my answer is. It can be relatively stable, but sometimes it is wobbling around. The recording is from a wobbly jerkoff. One output to osc cv in and another to a vcf vc in. The third output goes to a comparator. The comparator generates a trigger every time the cv is passing the threshold level.

Rich early-morning flip across the a. M. Radio dial.

Poorly tuned am station with several signals battling to come through at the 1600 khz setting.

A modulated bass guitar sound.

The name almost says it all. Some synth attuned a certain pitching way, with some amount and rate lfo speed up and down.

I made this sound with my microkorg, making lfo1 and lfo2 hella fast, and made them modulate the pitch and amplitude, respectively, at full strength. The values for the frequencies i don't know, but it is fun to dive in to a synth and try to replicate the sounds that you're hearing.

Testing/documenting my bartonmusicalcircuits (bmc21) full wave dual rectifier. "this is an all analog synthesizer module used to alter the timbre and create new harmonic content. " using the fact that it's a dual. 2 sinus waves through both of the rectifiers, through a filter and a little spring reverb.

Noises that i made with a synth. They pretty dry sounding didn't add much to them just basic eq with a low cut and sometimes different shapes to shape them a bit. Thats it just some "raw noises".