48 безкоштовних аудіофайлів для "Compound"

Compound duple drum pattern: divides two beats into three. Created by Hyacinth (talk) using Sibelius 5.

Simple and compound major third (major third and major tenth).

12/8 drum pattern.

Major thirteenth on F

Minor tenth on C - As MIDI

Minor thirteenth on F, as MIDI

Octave and Minor third on C

*Major ninth on C = D'. Equal-tempered: 214/12:1 = 1400 cents. MIDI pitch bend: none

*Major tenth on C = E'. Equal-tempered: 216/12:1 = 1600 cents. MIDI pitch bend: none

9/8 drum pattern.

Octave on C. 32/1: 6000 cents.

Octave on C. 32/1: 6000 cents.

Octave on C. 16/1: 4800 cents.

Octave on C. 1/8: 3600 cents.

Octave on C. 1/4: 2400 cents.

Octave on C. 8/1: 3600 cents.

Eighth octave on C. 16/1: 4800 cents.

*Perfect fifteenth on C = C". Just: 4:1 = 2400 cents. Equal-tempered: 22:1 = 2400 cents. MIDI pitch bend: none

Compound minor third on C (Augmented ninth), MIDI

*Octave, fourth, and just chromatic semitone/Compound just augmented fourth on C = F♯ (Ben Johnston's notation). 50:18 = 1768.72 cents.

*Decade on A on C. Just: 10:1 = 3986.313714 cents. Limit: 5-limit. MIDI pitch bend: 79,59

*Decade on C. 10:1 = 3986.31 cents. Limit: 5-limit. MIDI pitch bend: 79,59 (5/4 = 386.31 cents = 3986.31 - (1200*3).)

*Octave minus syntonic comma on C = C-. Just: 160/81 = 1178.49 cents. Limit: 5-limit. MIDI pitch bend: 15,89 on M7

*Tritave (compound just perfect fifth) on C = G'. 3:1 = 1901.96 cents. Limit: 3-limit. Play by clarinets.

Tritave dyad (interval)

Octave on C. 64/1: 7200 cents.

Octave on C. 16/1: 4800 cents.

*Tritave (compound just perfect fifth) on C = G'. 3:1 = 1901.96 cents. Limit: 3-limit. MIDI pitch bend: 80,64

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit.

*Octave and septimal chromatic semitone on C = D♭ (Ben Johnston's notation). Just: 21:10 = 1284.47 cents. Limit: 7-limit. Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on 4,91 for 1284.472656 cents rather than 1200.

*Bohlen-Pierce scale: interval between C and B on C = B. Just: 25/18 = 568.72 cents. Limit: 5-limit. MIDI pitch bend: 127,53

*Bohlen-Pierce scale: interval between C and J on C = J. Just: 15/14 = 119.44 cents. Limit: 7-limit. MIDI pitch bend: 29,70

9 steps in just A12 on middle C: 23/10 = D = 1441.96 cents.

*Classic augmented eleventh on C = F♯'. 25/18 = 1768.72 cents. Limit: 5-limit. MIDI pitch bend: 127,53 MIDI.

*Septimal minor third on C = E♭ (Ben Johnston's notation). 7:6 = 266.87 cents. Limit: 7-limit.

*Bohlen-Pierce scale: interval between C and A on C = A. Just: 7/6 = 266.87 cents. Limit: 7-limit. MIDI pitch bend: 51,53

An arrow being knocked, drawn and shot into a target from a compound bow.

Ambient recording at shwedagon pagoda in rangoon.

Two-cylinder compound steam engine running in ship's engine room. Paddle steamer ship (meissen) built in 1885, dresden-blasewitzrecording location: dresden / germany - 11. 09. 2021.

For a computer game the robot sound, reminding the well-known r2d2 was necessary. To create such sound it turned out similar means (a compound of synthetic and natural soundings in processing).

Compound just perfect fifth on C. Also the 833 cents scale step 16 (2). 1901.96 cents. 3/1

5 25 {\displaystyle {\sqrt[{25}]{5}}} = 5:11/25 = 111.45 cents. Interval used in Stockhausen's Studie II, a compound just major third (5/1) divided into 25 equal parts.

Sounds created to illustrate spinning atoms in a microscopic compound.

Compound edit to make a buzz. . . Crack! created for stage play requiring audible power failure cue.

Stereo. Jingly, rattly attack with nice compound ringing aftertone. Made with the tines of a hand tiller. Stereo, at4045 and 4050.

Actual recording of a compound bow (child size) with an aluminum shaft arrow, blunt tip on a plastic and foam target. Approx. 9:30am, on a sunny brisk morning.

A compound of other sounds crated for my sci fi sitcom, this was supposed to be the sound of a landing dropship's bay doors opening to let out some over enthusiastic marines. I reckon it could work for a variety of industrial type noises.

This sweet sound is recorded during my nightshift from sa. 2. Sept. 2006 to the 3. Sept. Producing the sonntagszeitung(newspaper) at tamedia printing compound. I recorded at 22:15 during vordruck prosses. The baby did run at 80'000 ex. Per. H. Holding the mic from my h 340 iriver in front of the delivery system. Zürich switzerland.