1 491 безкоштовний аудіофайл для "Experimental"

Some filtered shaker-like rhythm.

Arturia minibrute + korg m3 + drums88 bpm.

The ambient music for your project.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly.

Glitched and stuttering synth tune.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Arturia minibrute + korg m3 drumskey of cm110 bpm.

Vcv rack loop.

Some output from a custom instrument i programmed in maxmsp.

Synth sfx loop. 110 bpmkey of cm. Doctor dreamchipjune 2020.

More feedback patching. Everything goes around. . .

Hold the siren, its a glitch!.

Synth loop created with novation circuit. 110 bpmkey of cm. Doctor dreamchipjune 2020.

Playing with the feedbacks from a mic to speakers around the noisy computer cooling fan.

Let chaos rule. . . Long recording. Yes. I had to leave for some minutes.

Making shift register with sample and hold modules!.

The sound of horror, factory style. Created with 3 synthesizers: v-station, tyrell (freeware vsti) & plex (freeware vsti). .

Electronic remix of "the seasons - oktober" by tchaikovsky. Created using:korg minilogue xd. Doctor dreamchipportland, oroctober 2019.

This sound is from absynth synthesiser. I found a really nice preset and after i tweaked that until it went mad:).

This piece is controlled by attenuated noise. It has a pulse. Slow, but a pulse.

Machine composed electronic music - or experimental generative atonalelectronic music made with an analog modular synth. Some results from two machine composition recording sessions. The modular is a machine. I compose the patch. The modular/machine composes the music. I don't want to call it auto composition, algorithmic compositionor generative. This is machine composition!. Track list1) känner igen2) form3) nästan 194) symetri5) växlingar. Https://www. Youtube. Com/watch?v=xhv0rkdjzg0.

Amateur guitar play from an old cassette (memorex 120, 1 of 2) recorded in 1984 when i was 15. Plucking 1 or 2 strings to a tune of my own making. This was an experimental recording session, using two tape recording machines. (ghetto blaster & hi-fi tower) take - 3 with takes 1 & 2 impositions playing, creating a final 3 track recording. Two previous takes (two track recording) playing, while recording a third track.

A cool little sound i accidentally made with vocodex using my voice. It's very bass-heavy when played at lower octaves. Made with fl studio 10enjoy!.

Messing with alternate tuning and various capo positions and came up with this sonic youth sort of jam, maybe you'll find it inspirational or useful!.

Just some recording of a dried, brittle chili pepper with little seeds inside - up way way close to the mic (a zoom h2n). Some suggested sound design use cases: run this through granular fx for a nice drone texture. Use as an impulse response for a convolution reverb (then run tones through the convolution). Use as a trigger in vcv rack, allowing it's peaks to fire off samples or synth pulses. Or just use it plain within your next experimental acousmatic piece hit single.

Processed guitar flageolets. Sometimes detuned. Added reverb and tape delay. This is the base only - you have to edit it according to your needs.

Vocals through arbhar processed through microcosm and erbe-verb. Plucks from rings and plaits. Panning via x-pan and stereo strip (divkid). Rendered in reaper at 48khz 32 bit fp for morphagene. Enjoy!.

Ambient flavour of africa with synthetic vocals. Dpo into qmmg o-ctrl sequenced. Mixed with morphagene sample. Effects erbe-verb combined with mosaic of microcosm. Rendered at 48khz 32bit stereo with reaper. Enjoy!.

Created and formatted for the make noise morphagene, this reel is divided into three sections with like sounds clustered together for ease of navigation. The first group of splices are glitchy, percussive, experimental, modular snippets. The middle third consists of melodic and chordal washes. The final cluster is a series of field recordings taken from a recent trip to beirut, lebanon, with a cut up inspired splice at the very end. Collectively, i hope this sonic material will inspire the user to mangle, manipulate, and deconstruct to taste.

This is a variation of this sound. Http://www. Freesound. Org/people/hiddenpersuader/sounds/157774/. By hiddenpersuader. I just took it and did some relevant panning to it.

This is a small pack of sci-fi sfx that sound like sweeps from an alien origin. Feel free to use them however you like. Please support my youtube channel to say thanks youtube. Com/jvmyka.

Arbhar granulised vocals into microcosm via erbe-verb. X-pan and stereo strip. Plaits supplies percussion. Sequence from o-ctrl. 48khz 32 bit fp rendering in reaper for morphagene fans out there. Enjoy!.

I record my modular synth performing. I select parts - silence to silence - under 30 seconds. Machine composition - human selection. Warning this is very electronic. . . I'm patching up quantussy cells to make this. Much work for. . . What?.

Now finally! my two neuron patch idea has a sound. It's like music to a graphic score. My score is this:https://www. Muffwiggler. Com/forum/userpix2/27319_2_neurons_not_so_small_1. Jpg. Maybe both score and its sound is bad. . . But i'm happy :-).

Ancient bits of sound i had rendered a long time ago for a friend's music project i secretly collaborated on ;). These are old programmed synthesizers with heavy effects, each one slightly different. And they're perfectly loopable if you want!.

A re-mix of this::https://freesound. Org/s/331180/. Added and echo to the end of the arp phrase, then made a beat in the caustic beatbox, then made a baseline in the modular. Left the stems at the end. √π÷¶∆℅£.

Syn city #10 is a generative music nft. All the music is created by this nft. This is one of its first tracks: syn city. All the music is cc0: feel free to use it without asking for everything you want.

Syn city #10 is a generative music nft. All the music is created by this nft. This is one of its first tracks: the lake. All the music is cc0: feel free to use it without asking for everything you want.

Patch with dynamics and variation - or should i call it variations? anyway,working on how to create variations and dynamics in a generative modular patch. I like the silence. . . It sounds like the electronic music of the 60th. I use the same kind of tools. An analog modular synth.

I have made a patch that generates drones. Lets call this generative. . . I use feedback on my spring reverb. I only use one filter. The drone is structured by a triangle lfo and 2 comparators. It's tricky to balance the patch to give varying and interesting results. The drone is made with a 100% analog modular synth.

**warning**: do not play this sound with full volume on speakers with an amplifier; you risk damaging the driver through exertion. Format: wav - 24 bit, 44. 1khz [mono] - loopabledescription:a 30 second long pure sine wave of 14hz, at a constant spl level of -5 decibels. The audio file is loopable with a coherent crossing point from end to beginning. If you would like to read up on the infrasound phenomenon go here:http://goo. Gl/gmbsvm. Methodology:synthesis generation in sound forge pro macosx. -------------. This can be used for experimental purposes. I used infrasound in a horror film; attempting to create a physical sense of terror with the motion picture at specific times. It is believed by some that a high enough amplitude of infrasound can be used as a weapon. -------------. If you like or dislike this sound, please comment on your thoughts :). Reminder:this sound is licenced under cc0 [public domain] - so you are free to use and abuse it. I wouldn't mind a credit though if you're feeling generous. . .

This is a little 'electronic eurorack modular synth jam'. I am singularly the one recording, producing/ posting and composing/ compiling the works as it is recorded. The date was september 04th, 2021 and it has an ''as-is'' no alteration. . Touching up. . Or thus otherwise that the uploading and steam compression did during the posting and uploading process but - take it kindly please. Lol. I would like to hear your honest options in comments as this is not anything like the music i usually do - much less dare to upload lol! ha!. Thnaks!.

Modular synth patch where two envelopes are involved in a chase. There could have been a rhythm, but i let chaos disturb theharmony. The triangle wave sounds are "distorted" in a wave rectifier. Kind of metallic sound? interesting. The kind of patch only an owner to a modular synth findany interest in. Maybe a little more interesting then theprevious sound. . . This has an ambient feel. Why?answer: different wave forms, changed envelopes and reverb. A lot of reverb. Do you find any use for some part of this sound let me know!the "ground/root pith" is 122hz. . . Almost a b. . . But not really. I tune my oscillators without caring about "real" tones. The quantizer makes the steps between tones.

Mystic train atmo thriller soundscape experimental music - eq mastered.

Happy experimental ethno jazz vocal instruments dance cinematic music 120bpm mastered.

Shortwave wide-band digital emission recorded on july 15, 2014 at 15:17 utc in am mode using 2 instances of the online remote controllable short-wave receiver located at the amateur radio club etgd at the university of twente the netherlands. Left channel was recorded below the central frequency, at a frequency of 10187khz, right channel was recorded above the central frequency, at 10191khz. This was an experiment to see if selective fading would create stereo effects, as the lower frequency part of the transmission would be heard better in the left channel, and the higher frequency component would be heard better on the right. I used goldwave to put the separate recordings into 2 channels of the same file, after i synched the recordings by ear at 1/16 playback speed using a set of 2 particularly strong lightning static crashes as a guide, trimming off everything that came before the first strike in both original recordings, then inserting silence in the range of a few milliseconds until the stereo separation was as close to zero as i could get it. I wasn't as successful at that as i've been with experiments with voice recordings from simultaneous broadcasts on 2 wavelengths that i haven't posted here.

Korg m3 + arturia minibrute + 808.

Electric saw sound,by frankumjay.

Semplice esperimento con gli armonici del do.

Just a wee ambient sound!. Jarred gibb.