1 491 безкоштовний аудіофайл для "Experimental"

I pushed the tempo of a bunch of stuff in ampify as high up as they could go, then sped it up and took the pitch up two octaves. This was the result.

The result of trying to disturb a sequence. I'm playing with a double vc switch. Whats wrong is right in the modular synth world. Good for me. And it's a loop!.

There was a big storm in my city and i opened the windows to feel the draught. I nearly closed my door. I left a little bit space only and i recorded the sound of this little space:).

Zlob diode chaos. X output - pan left "alto voice"y output - pan right "soprano voice"z output - pan center "bass voice" (no cv input to vco)trigger out - controls noise. This is a recording that makes a chaos explorer happy.

2023. 04. 07. Created from on of my existing samples using rx10,. It's always nice to hear what projects you use these sounds for. Let me know. ;-). One more thing. Maybe check out my links, perhaps you'll find something you like. :o). Fiverr: https://www. Fiverr. Com/cabled_mess.

5 quantussy cells controlling 2 oscillators, 1 wave folder, 1 filter and 1 drum module (bmc analog drum). Even the pitch of the drum is controlled by one of the quantussy cells. The drum sound to fed to the feedback in on doepfer a-199 spring reverb.

This is a tone that i generated using my electric fender strat through one of my vintage amplifiers in my studio. Works well as a sample for composing soundscapes with it - i've used these tones in maschine and other sequencing/midi based instruments to create some interesting orchestral arrangements with the tones.

A seven note scale (c c# d# f f# g# a#) over separate octaves. Some notes repeat in the same octave, but are slightly different samples. Each note starts on the grid of 100bpm. Recorded the samples a few years ago. From memory the original sounds are sections of acoustic guitar notes, manipulated, pitched and fx added.

This is my second "stonerscape" that i've uploaded, the first being "creep jam". This atmosphere gives off a dark and brooding feel, my interpretation of what one may experience in a deep, suspended animation state. Get yourself properly prepared (if legal in your area), use good quality headphones, and relax in a comfortable, laid back position in a darkened room.

I took a clip from the audio i recorded of wax paper crinkling, cut a segment from it, played it backwards, put it on loop, layered it with the original, and this is what i got. There is an somewhat syncopated pattern to the sounds, but the audio is cut off before it makes a full cycle. Enjoy.

Patch consiting of- jupiter storm- jerkoff- filter- 2 x lfo- mixer- (spring reverb). Jupiter storm and jerkoff is in a "weak feedback loop". . . Purpose with patch is to evaluate the quality of the generative sounds/musicit will never repeat it self but there is some cyclic repetitionone cycle is about 50 sec - goodonly short sounds - badamplitude variation - badpitch variation - goodtimbre variation - okaymusical value - low to mediumentertaining - medium.

I found two melodies in gis_sweden's excellent "you deserve it - friday randomness ii"http://freesound. Org/people/gis_sweden/sounds/362508/. And quantized them into a 92 bpm 4/4 thing. Each melody is presented panned, with and without a beat, then simultaneously. It's sort of an accidental counterpoint. I also messed up his nice analog sound into some harsh digital junk. There's a lot of high frequency energy here so watch it, and apologies to mr. Fletcher, mr. Munson and their daughter, curve.

Ambient experimental song thing that i made.

Algorithmic modular music program ver. 2 (man2v2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. Admit, the spring reverb makes a nice job!. 00 rem -------------- man2_2019 --------------00 rem ------------------ v2 -----------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)00 rem line 08 in ver. 103 rnd frq lfo_1 (run speed)00 rem [less secitive for cv change]04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)00 rem [added some offset with attenuverter]06 trg short env (vco_2): rnd pitch @ eoc (vco_2)00 rem [long env in ver. 1 - with long env i seldom reach eoc]07 if (lfo_2 = high) then goto 01 [= reset]00 rem line 02 in ver. 108 [07] trg short env (vco_3): rnd pitch @ eoc (vco_3)00 rem line 07 in ver. 100 rem [long env in ver. 1 - with long env i seldom reach eoc]10 goto 01.

Made with omnisphere.

Arturia minibrute + korg m3 drums135 bpm.

Done in harmor.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Glitched drumloop made from beatbox samples.

Short alien voice made from field recording.

Playing some echoing notes on my guitar.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Sound effect made with the mouthefekt dźwiękowy wykonany ustami.

Playing with krell. Modular synth sounds. Unedited.

Sound next to a high voltage supply, it came out of an experiment.

Two small connected feedback systems playing for you.

Daw: ableton live 10. I used vital and some post processing to create these.

A bowed and plucked setar, and iranian stringed instrument. Creepy squeaky and atmospheric.

A high pitched click sound processed and repeated in progressively smaller chronological intervals -- easier just to listen!.

A without tremolo print of the former: http://www. Freesound. Org/people/nabz871/sounds/274608/.

An unlikely patch. . . I think it will loop fine. But who wants it looping?.

Home-made accidental glitch made by rendering on editing software whilst messing with the source file. Don't try this at home.

Imagine a sort of metal dinosaur or monsterthis is a sound made by sliding or scratching an overdriving microphone on various cymbals.

Imagine a sort of metal dinosaur or monsterthis is a sound made by sliding or scratching an overdriving microphone on various cymbals.

Imagine a sort of metal dinosaur or monsterthis is a sound made by sliding or scratching an overdriving microphone on various cymbals.

Imagine a sort of metal dinosaur or monsterthis is a sound made by sliding or scratching an overdriving microphone on various cymbals.

It was voice samples vocoded and re-processed many times in different programs. Mainly alot of delay and reverb but some vocoding as well.

After some confused techno days i'm back with machine composition. This is a basic patch on my analog modular synth.

A very short excerpt from a piece of music i started to make but abandoned. The clip is percussion and female vocal with effects. I used both abelton live 9 and reaper for the original piece.

Playing with quantussy cells in vcv-rack, creating generative music. I call in machine composition, but this time its done on a virtual modular. Hmmm no 100 should have been done on a real modular. . .

Same program as in https://freesound. Org/s/457868/ butthe main clock (lfo_2) frequency is about 1hz. It's a minor scale?! as have split the octave in 5 equal parts. This strange scale sounds like a sort of minor scale.

Basicly the same patch ashttps://www. Freesound. Org/people/gis_sweden/sounds/395016/. I let it play for a while then i start "doing things". . . It's not beautiful but its what it sounds like when you playwith a modular synth. Think i'm done with this patch. Unpatching time.

Made sometime during 2017. Excerpts from my experiments with sinusoidal waves, homemade distortion effects, digital reverb, room reverb, and speaker->mic->pc feedback. Several effect parameters are controlled via an ekg setup called the "infernal gadget" which i constructed between 2010-2011 and used for several improvised music sessions.

My first excursion into the ambient realm. My friends mimeophon, o-ctrl, morphagene, x-pan, erbe-verbe and the omnipresent clouds took me to somewhere i never thought i'd venture. Basically a very simple sound source, sped up and slowed down in segments, granulated and pasted back together. Quite a wet mix. Shake the drops off afterwards. . .

I'm trying hard to learn/understand nlc genie. Bought the module 3rd hand. . . At least. Trying to replicate the sounds from andrews demo videos are to learn. 2 tri lfos to in1/2 and in2/3. Out- to wave folder and out+ to cv in on vco. The bass drum like sound is another story. But modulated by a nlc sloth. . .

Feedback loop involving jupiter storm, a-147-2vcdlfo and a-101-1 vactrol vcfcv injected from 2 x sloth and intellijel quadra expander in quadra moodsome spring reverb. After ~1min i switch "noise core disruptor" (jupiter storm) off. Evaluation of patch/soundone cycle is about 28 sec - goodonly short sounds - badamplitude variation - goodpitch variation - goodtimbre variation - goodmusical value - low to mediumentertaining - high, or what?. Merry christmas! :-).

2hp osc is fm modulating bermuda (using fm in). Pitch cv to osc is controlled by sloth and attenuverter. The bermuda tri output singnal is shaped by doepfer vactrol vcf. The vcf is modulated by sloth (cv in 1) and jerkoff (cv in 2). The noise it from dan, going to polivioks vcf. Polivoks is modulated by sloth. Output from vcf is going to vca controlled by another sloth.

Algorithmic modular music program (man3_2019). The computer is my analog modular synth. 00 rem -------------- man3_2019 --------------00 rem man3 - modular algorithm no 300 rem the steps/command lines, 01 to 08, are steps on a step sequencer00 rem main clock (lfo_2) 3hz00 rem the cv sequencer (seq) are tuned to an octave split in 5 equal parts. 00 rem seq has its own clock00 rem lfo_2 controls vco_2 via vca_2 and vca_300 rem lfo_3 controls wave shaper and vcf00 rem vco_1 tuned to 150hz sin -> wave shaper00 rem vco_2 tuned to 150hz tri00 rem vco_3 tuned to 75hz sqr -> vcf00 rem ----------------------------------------01 sampl lfo_1 -> vca_1 (vco_1)02 sampl seq -> vco_203 sampl lfo_1 -> vca_2 (vca_3) : rem [lfo_2 -> vca_2 -> vca_3 (vco_2)]04 sampl seq -> vco_105 trg -> noise -> delay_106 sampl seq -> vco_307 trg -> env (vco_3)08 trg -> noise -> delay_110 goto 01.

Experimental panning 4 note sequence with superimposed skydiving vocals from arbhar. Passed through usual effects. Rendered at 48khz 32 bit fp in reaper for morphagene with markers. Enjoy!.