289 безкоштовних аудіофайлів для "Third"

The third piece of the surviving fragments of Nannerl's music book.

First bars from Ludwig van Beethoven's Piano Sonata No. 31, Op. 110, third movement

The symmetry of Webern's tone row from Variations, Op. 30, is apparent from the equivalent, P1=IR1 and R12=I12, and thus reduced number of row forms, two, P and R, plus transpositions. Consisting of three related tetrachords: a and c consisting of two minor seconds and one minor third and b consisting of two minor thirds and one minor second. Notes 4-7 and 6-9 also consist of two minor seconds and one minor third. Created by Hyacinth (talk) 23:25, 19 October 2010 using Sibelius 5.

Elevator (ste-7-. Wav) ~ elevator. Recorded at beihang training center (beihang university, beijing) at the third floor. Date: november 2nd 2015 at 19. 00 p. M with zoom h4n rec.

Diagonal barre chord: major seventh chord on G. The first finger fingers both the second fret on the first four strings and the third fret on the sixth string.

Excerpt from the third movement of the concerto poloniosy by Georg Philipp Telemann

Three sets of stacked third, one whole step apart, panned left right and center. Originally intended for meditation. Sounds a bit like early 80's horror film music.

Recorded in germany, magdeburg out of a window on the third floor at afternoon. Some people talking, birds are tweeting and a bus is driving by. Sorry for mp3.

I cobbled some sound effects together to get the sound of footsteps on a rickety metal staircase for the third episode of bloody bold irresolute. It can also work for bridges.

Die Wollust dieser Welt ist Zucker unter Gallen (Krieger 1657 / Fritsch 1679) nach dem Darmstädter Gesangbuch von 1698

Mid-afternoon activities between malaga's narrow streets. From the perspective of a third floor balcony. Recorded with a zoom h2recorded in 48khz 24bit wavestereo left-right.

Environment recorded in tel aviv, on shabbat's day. Taken from a building´s third floor, three blocks from the sea. Recorded with a tascam dr-680 and a sennheiser mkh-66 microphone.

The third installment of reading the titles from spam emails, including such revelations as "she loves it bigger and longer" and "jay leno found taking drugs. ".

Environment recorded in tel aviv, on shabbat's day. Taken from a building´s third floor, three blocks from the sea. Recorded with a tascam dr-680 and a sennheiser mkh-66 microphone.

5 25 {\displaystyle {\sqrt[{25}]{5}}} = 5:11/25 = 111.45 cents. Interval used in Stockhausen's Studie II, a compound just major third (5/1) divided into 25 equal parts.

Picardy third example from Johann Sebastian Bach's cantata Ich habe genug, BWV 82 in G Minor at a cadence in the right-hand of a realised continuo part Created by Hyacinth (talk) 22:13, 13 July 2011 (UTC) using Sibelius 5.

A cartoon type message, prompt, notifier sound. Good for games. First is a stereo stack with a slight pitch offset on the right channel. Second is a mono version. Third has some reverb and delay.

A small test i did to see if i can emulate many games' futuristic computerized voice ui systems. 1st is a (terrible) pseudo british accent, second my regular voice modified, and third a heavily modified robotic sounding voice.

For this third sound i used a plastic bottle that i typed in rhythm a table. I applied a dissolve, a development of the basses and changed the height. Then i truncated the silences and made a dissolve in closure.

Ausschnitte aus Beethovens Klaviersonate Nr. 31, op. 110, Dritter Satz Excerpts from the third movement of Ludwig van Beethoven's Piano Sonata No. 31, Op. 110

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Third test sample using 2 ntg3's for seperate left and right audio channels. Recorded using fostex fr2-le, mogami neglex quad xlr cables. Aircraft were about 10-20ft about microphones.

Walking down donner third floor hallway in the morning. A door can be heard closing, then a water cooler, and finally the restroom and showers. Recorded on stanford university campus, ca.

O Gott, du frommer Gott, dritte Melodie, auch für viele andere Texte verwendet, zB Evang. Gesangbuch Bayern-Thüringen Nr. 643

Bagpiper practicing in high park august 2, 2021 afternooni separated it into three sections to get rid of some wind. There's a bit of wind, especially in the third part. Recorded with h4n.

A heavy thunderstorm, mid-afternoon, after a long heatwave. The third and last lightening strike was about 100 meters from the microphone. You can just about hear the click (impulse response) of air being ionized just before the thunder.

Played around with nexus and found this piano which sounds like zelda music. Used "kshmr_ambiance_drone_16_f" from kshmrs third "free-to-use" soundpack for background ambiance. Bpm: nonechord: i don't know chords i just used notes that sounded cool.

Two distinct claps of thunder. The third clap was a once in a lifetime capture as the lightning can be distinctly heard as it splits the nearby air. I recorded this in flat rock north carolina atop pinnacle mountain. I've geotagged the location.

Me saying 'will you tell the girls about the murder rate of squirrels in third world countries, for a friend who likes scots accents. For more info, go to http://wp. Me/p2lkjm-7p.

*Nine quarter tones/supermajor third on C = E/F. Equal-tempered: 29/24=3/8:1 = 450 cents. MIDI pitch bend: 0,80 Preceded by:File:Seven quarter tones on C.mid

This is the third part of four sounds of a cessna 152. Here is the flight. At about 2’00’’, we can ear the engine slow down. Recorded on 2017/10/21 around the namur aero club with an olympus ls 100.

Opening and closing different types of windows. First one is a roof-light. Second one is a standard house window. Third one is tilting the standard house window and fourth one is a cellar window out of metal.

Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.

Bird call in north central massachusetts, in a wooded area within a city. Sound is up in a tree. I suspect it is baby bird calling to a parent, and the softer response is from a different tree. There is a third bird, possibly unrelated.

The third and final movement of the suite Looking Upward by John Philip Sousa, "Mars and Venus", played by the U.S. Marine Band for the album Semper Fidelis: Music of John Philip Sousa

Third movement of Gustav Holst's Second Suite in F for Military Band, featuring the folk song "A Blacksmith Courted Me".

Was frag ich nach der Welt, Schlusschoral der gleichnamigen Kantate BWV 94 von J. S. Bach

Group kmm-ambient field recording of faint construction, leaves, birds, and the usual sounds of a college campus. Recorded from third floor dorm room, pointed directly at ground, and recorded with a zoom h4 handheld recorder, high gain. Normalized in peak pro 6.

Pentax k1000 load film and shutter clicks. The first one with 1 second of exposure. The second one with 1/8s. The third and fourth - 1/125s. The last 2 clicks with 1/1000s. Recorded with h4n, 24/48.

We wanted to add some tape delay to a piano track we were recording. This is an artifact that came from routing the third delay track back to the source track. Essentially, a quick two second feedback loop. Recorded with a peluso p12 and an akg 414.

Here's a recording i did from the third floor balcony of my hotel room in the hyde park area of london. It was a noisy spot, but very atmospheric and ideal for recording street sounds, especially in stereo. Recorded on a tascam dr-40.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

Made with audacity. Copy and paste it 4 times. The first track should not been changed. Change the pitch to +3 on the second track. Change the pitch to -3 on the third track. Change the pitch to -7 on the forth track. And change the pitch to -9 on the fifth track.

Rainy day in the city of tel aviv, israel. Some rain outside with light traffic and people. Recorded from a third-floor window during daytime. Recorded with zoom h5 with its built-in stereo xy mics.

In order, the first sound is the turning of a doorknob and opening an exterior door; the second is the closing and latching of the same door; the third is the engagement of a deadbolt lock, and the fourth is the disengagement of the deadbolt. Recorded with an iphone and external microphone.

I recorded using a zoom h6 with an xy mic and foam screen and tripod. I recorded various zip sounds at a slow pace and then fast pace in front of the mic. The first zip is from a jacket, the second is a travel bag, and the third is from a pencil case. Recorded for a school project for a sfx library.

Recorded from a third-floor room. Stood in the room about 3 feet (1 meter) from an open window. Outside there is rain and light city traffic. Recorded with zoom h5 with its built-in stereo xy mics.

A field recording of light rain as it falls steadily in a hilly suburban area near the sea shore. The microphone was placed on a third-story roof window in the framing of a plexiglass/plastic skylight facing the opposing street. You can hear the rain falling onto the roof, plastic window pane, and deck below. An unedited 1 minute sample.

Recording of knocking on three kinds of glass for effect of tapping on window (recorded as foley for characters tapping on viewer's screen from the inside). First is damped thick glass, second is undamped thick glass, third is double-glazed window pane. Knocks separated to allow reverb and dynamics to damp down between them, background noise lightly cleaned.