2 370 безкоштовних аудіофайлів для "Tracks"

John Philip Sousa's "The Rifle Regiment" (1886) as performed by the United States Marine Band. Track 29 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

King Champagne from Die Fledermaus by Johann Strauss II performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 16 from Wintertime (1999).

John Philip Sousa's "Imperial Edward" (1902) as performed by the United States Marine Band. Track 61 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Anchor and Star" (1918) as performed by the United States Marine Band. Track 81 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Gladiator" (1886) as performed by the United States Marine Band. Track 28 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

Lest We Forget performed by the Concert Band of the United States Air Force Heartland of America Band. Featuring the Omaha Symphonic Chorus. Track 12 from Beyond the Horizon (1997).

Freischutz Quickstep performed by the Concert Band of the United States Air National Guard Band of the Southwest. Track 2 from American Songs (2005).

John Philip Sousa's "Wedding March" (1918) as performed by the United States Marine Band. Track 89 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Lambs' March" (1914) as performed by the United States Marine Band. Track 71 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Invincible Eagle" (1901) as performed by the United States Marine Band. Track 59 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Chantyman's March" (1918) as performed by the United States Marine Band. Track 83 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Right Left" (1883) as performed by the United States Marine Band. Track 21 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Across the Danube" (1877) as performed by the United States Marine Band. Track 4 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Homeward Bound" (1891-1892) as performed by the United States Marine Band. Track 42 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Recognition" (1880) as performed by the United States Marine Band. Track 10 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Powhatan's Daughter" (1907) as performed by the United States Marine Band. Track 65 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Wisconsin Forward Forever" (1917) as performed by the United States Marine Band. Track 80 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

Wachet Auf! ("Wachet auf, ruft uns die Stimme", BWV 140) performed by the Stellar Brass of the United States Air Force Band of the Rockies. Track 6 from Brassfare (2000).

John Philip Sousa's "Liberty Loan" (1917) as performed by the United States Marine Band. Track 76 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "On the Campus" (1920) as performed by the United States Marine Band. Track 92 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "National Fencibles" (1888) as performed by the United States Marine Band. Track 33 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Gallant Seventh" (1922) as performed by the United States Marine Band. Track 95 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Loyal Legion" (1890) as performed by the United States Marine Band. Track 41 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Invincible Eagle" (1901) as performed by the United States Marine Band. Track 59 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

Chord progression played on a kurzweil 2500rs synthesizer in a-minor key. The mood is dreamlike, melancholic and nostalgic. The instrument is a mix of piano and strings and ends with a long reverb tail. Could fit a soundtrack or an ambient track.

Are you trying to tell a dark tale with your track? street pop tunez delivers a bass sound for your library that will compliment your desires. Works in all daws.

This is a one minute soundwalk of walking around the football and track field at loyola high school. To a majority of the time, you can hear venice to your right as well as construction on the field happening behind the bleachers.

Do you see the light!?i ask you. . . Do you see the light?if you need a little help this is the track for you!. An angelic choir from a yamaha keyboard recorded with audacity. My seventh recording. No acknowledgement necessary, i understand. Thank you, have fun!.

A sample of 4 quick hammered notes (a,b,d,e)on a electric guitar using the neck pick up. I recorded it through a pod xt and an old 4 track. It was cut from a song i recorded for my solo project "the heirs of rockefeller".

Loop i made while producing a track, layered a bunch of drums, carved out the bottom end and synthesized my own, and then compressed it all together, and excited a bit.

I made this after listening to the first track listen on this page:. Http://www. Redbullmusicacademy. Com/magazine/psychoacoustics-introduction-feature. Mr. Stockhausen has produces some amazingly real sounds back in the times when no computers were out there to do any dsp for him. Synthesized with zynaddsubfx within lmms.

Synth loop from my track charged from years back. Custom synth, and pretty harsh and heavy to boot. License: cc 0.

A beat i programmed in caustic 2. 1 for my track caustic antics. This is a clean render. See break delay for this beat with a slight ping pong delay. Very little eq/processing so process away. Caustic 2. 1, the best music creation app for android.

Chromaphone demo track of the soundset condensed energy. "condensed energy retains the power of real instruments in a smart package with very tight electric percussions, deep and soft drums, colourful and complex bells and evil soundscapes. ". More info here:www. Zensound. Es/soundsets/chromap…condensed-energy/.

A drum loop i made for fun. It seemed pretty good as a basis for experimentation so i made the following track with it:. Https://soundcloud. Com/hugofski/delirium. The delay really makes it pop, i think. Feel free to use it for anything.

This is the raw vocal track from a song i recorded. Use the song as you like, and i would love to hear your remix or your version of the song. Peace and love, -plaedo. Www. Plaedo. Com.

This is the vocal track from a song i wrote. Please play with these vocals and please let me hear what you create :). Peace and love,-plaedowww. Plaedo. Com.

Aalto demo track of the soundset aaltosphere released in zensound. "aaltosphere is about the machines and industrial plants of an advanced technological civilisation. All the sounds are carefully designed to be as realistic as possible and to fit your necessities and goals. ". More information:www. Zensound. Es/soundsets/aalto-aaltosphere/.

I recorded a bunch of guitar noodling to a fostex x-26 four-track recorder, then recorded the tape to my computer with goldwave wherein i cut out a segment which was looped and then processed with reverb effects and other vsts in fl studio.

This is part of a piece that originally lasted for just over eighteenminutes! because the group i'm in decided not to use it, but instead towork on something similar in the future, i thought i'd split some partsup for people to use. Electro-acoustic guitar plugged straight into four track tape recorder.

Medium rain recorded from my apartment in barcelona city with a tascam dr 40. Rain falling in rooftops, metal. Background city rumble. This is the first track i upload here. Hope it turns out to be helpful to some of you. Any suggestions will be well received.

Okay i have to find the cycles. The start of a cycle is where the oscillator play in (about) unison. One cycle begins at 1:22. 82. Does it end at 1:57. 35?i might create a track called "selfie in three cycles". . .

Happy halloween! i made another low-pitched soundtrack that was made entirely with my voice just low-pitched. This isnt the first track i made like this, and it probably wont be the last. It sounds similar to other ones i made like this, but i still like it. Use in anything you want.

Clipping nails: you can hear the subtle click of a nail-clipper cutting down nails. A few options are available in track and they vary in duration, tempo and amplitude. Recorded with the zoom h6, rode ntg in a sound studio. Can be used in any make-over montage.

A broken space heater that clicks. Recorded with a zoom h5 using the onboard xyh-5 capsule to capture a stereo signal and a sennheiser k6/me66 for a mono track. Very minor post processing to balance the stereo/mono and pull the subs out of the side channels.

I did create this sound with cubase daw. It consists of two tracks:grand piano plus changes in studio- and graphic eq plus reverb and chorus. Second track is e-piano plus reverb plus multi delay. Samplerate: 44100 khzplease use it how and for whatever you like, it's free to use.

Enormous symphony of tree frogs, a few crickets and even a foreign frog makes an entrance on this track. Mono, recorded with sm58, eq'd, compressed slightly and mixed to lufs levels indicated on file name.

I found about rpm challenge the other night. . So i have finished a track. It's a generative sample created by software run under my command, on my friends hardware, than mastered by the guy, came back, sat on my hdd, and because of the challenge i have scrappily finished it.

The Invincible Eagle performed by the Concert Band of the United States Air Force Heartland of America Band. Track 6 from Beyond the Horizon (1997).

John Philip Sousa's "The Free Lance" (1906) as performed by the United States Marine Band. Track 64 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.