873 tệp âm thanh miễn phí bản quyền cho "Âm Thanh Nổi"

Using modules through analog heat. Have fun with it, make music, make sounds.

Using modules through analog heat. Have fun with it, make music, make sounds.

Floor fan turning on and going through all the different speed settings.

Creaking footbridge at la rochelle harbor - france - creaking moorings in the evening - soundscape of the city in the background -grincement passerelle port de la rochelle - france - grincements d'amarres en soirée - paysage sonore de ville en arrière plan -ortf st dpa 4022 - aeta mix2000 - edirol pror4.

Waiting in traffic for freight train to pass, loud horn about for about twelve seconds. Some diesel trucks idling nearby.

Don't remember how i did that nor the source. Sound processing in daw. Let me know if you like it and/or use it if you want to.

Using 4ms smr. Have fun with it, make music, make sounds.

Using 4ms smr. Have fun with it, make music, make sounds.

24 bit 96khz. Two different monotracks added together as left and right channels in post of a tree in nature.

Nord wave play formula 8 bit clavia.

My play on nord wave to get 8bit formula.

The following soundscape is the result of a capture sequence shot where the microphone is held in a fixed point choosing not to use motion or panning. There have not been used post-production tools used and the chronological development of events is preserved as it was developed during the 11:00:00 and 11:03:30 in the plaza santísima faz located behind the town hall of the city of alicante a tuesday in july 2015. Recorded by a zoom h5 recorderrecorded in 48khz 24bit wave. It would be nice if you share the results of what you’ve done with it. Keeping it aural!.

Ambient crinkling bubble wrap, close to the mic. Stereo tascam dr-05.

The phrase "that unthinkable stereophonic sound. ".

The phrase "that unmistakeable stereophonic sound" with some of the syllables separately enunciated.

Coquies en mi casa.

120 bpm snare roll, progressively increasing in speed to 384th notes and beyond.

Full volume 1 kilohertz sine wave in stereo.

Brown noise heavily filtered and pitched down (not very much happening above 400 hz). Simple chorus/reverb added. Made using adobe audition (previously known as cool edit).

Stereo 120 field-recording of an oscillating fan.

Setting off a popping and crackling firecracker.

Listen with secure stereo headphones. The first wave sounds mono; it should appear as though the sound is coming from the center of your head. In the second wave, the right channel has been inverted--otherwise identical. That should sound as though there are two distinct sounds coming from either ear.

Listen with secure stereo headphones. Another example of this inverting effect; note that the song sounds richer and more present upon applying the effect.

A reel for the makenoise morphagene with each splice having two separate sounds with radical or subtle differences on the left and right channels. Great for stereo/split processing, a mix of tonal and atonal sounds made in ableton live with heavy use of madrona labs aalto and kaivo plugins. Additional plugins used:labs soft pianonasty dlasoundhack pitch delay and spectral compandtd tapewormu-he protoverb.

Field recording of demolition of approximately 9 inches deep of reinforced concrete from a cat style skid steer. Some ambient sounds. Wav sound, noise reduction with audacity.

Studio technologies - stereo simulator (generation ii). Https://studio-tech. Com/products/generation-ii-stereo-simulator/. The generation ii stereo simulator from studio technologies creates a convincing stereo imagefrom a mono audio source. The fully mono-compatible signal simulates space withoutreverberation by using random, non-recursive filter techniques. The mode switch (found on the hardware unit) controls the overall sound of the generation ii. In the music position, the full audio bandwidth of the input signal is simulated. This mode isappropriate for audio material with little or no voice-only content. In the music & voice position, the input signal is sent through a band-reject filter prior togetting sent to the simulator circuits. This creates stereo simulation over the low and highfrequency range, while limiting simulation in the voice band. This mode is appropriate for audiomaterial that contains voice-only content, such as a film track or television show. The stereo intensity control determines the amount of stereo simulation that is produced. Inthe fully counterclockwise position (ir files “0” – included for process comparison), no simulatedstereo is produced. The mono input signal is sent equally to the left and right outputs. As thecontrol is turned clockwise (ir files “1 – 6”), the amount of stereo simulation increases.

Wavetable generated.

This is the sound of a garage door closing recorded in stereo with a sound devices mixpre3.

My office chair squeaks every time i lean forwards or backwards.

I composed this music by recording in same parts of the song.

Styrofoam on a carpet. Using the stereo-effect on a h4nsp. The sound was recorded in august 2016 in an old industrial hulk in leipzig, 10 metres below the surface. Because there were some raves now and then, there was a lot of stuff i could use for creating sounds.

Audio-technica at4040 (mid)akg perception 400 (side)sound devices mixpre-6 @ 24/192adobe audition (edited, normalized, downsampled). Mics placed on pedestrian walkway facing dam spillway at a 45-degree angle from about twenty feet away at closest approach. Around 2pm, slightly breezy, approximately 26'c, sunny. . It's a funky mid-side configuration with dissimilar mics, i wanted to try this, expecting the at4040 to be a step up over the akg perception 220, but i knew this would be more dissimilar to the akg 220+400 pair. . . I've begun to notice how peaky the akgs can up around 5k-10k. What do you think?.

Home made recording of me crumpling some paper, as clean as i could. Recorded in wav 96khz, stereo.

5 bells being jingled or jangled. Recorded with h5 zoom with xyh-6 mic.

Testing the sennheiser mke 2002 binaural microphones (circa 1973), playing bongos resting on my lap. The microphones are designed to be mounted either on a dummy head or - as i use them here - a user's own ears. Binaural recordings require headphones for full effect.

Sharp rain sound on canvas awning over concrete stairwell, with some low rumbles from wind flapping the canvas. Recorded with microphones tucked behind ears for fairly good binaural effect.

A light rain lashed calcutta on the day when i got my rode nt4 first.

Recordings from one of my workshops at uni. Gareth stuart is playing while we test mic techniques for: interaural intensity difference, interaural time difference and which techniques and positions reduced the instruments natural hiss, but we also discovered that a lot of people like the clarinet's tuneful hiss. We used an ab split stereo pair , xy pair and then an ortf pair. Used rode's nt5 pair, veeery nice.

A 24bit 29khz stereo recording of a horse passing from left to right as it clip-clops downhill.

Throwing an empty beverage carton. Wave, 44. 1khz, 24bit, stereorecording device: zoom h2n with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, lecture room hallway. Lat. 53. 2284852624lon. 10. 401134490999993. Date: 2013-12-03, 18:30hrecorded and edited by: ken erikli, milan redathis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Bass drum hard.

Enregistrement de papier manipulé par mes mains en stéréo.

Enregistrement de papier manipulé par mes mains en stéréo.

Setting off a spinning "bee" type firecracker which then falls to the ground in a bush.

Heavy wind blowing in eelgrass near water on a summer day. Recorded in m/s with a schoeps cmit and cmc6 w/ mk8 capsule on a sound devices 633. Decoded to l/r stereo.

30m5m50m5m.

Nice little thunderstorm on caye caulker belize.

Recording whit smartphone of pneumatic hammer upstairs my room at work with wah wah and delay audacity effect. . .

Was recorded from a terrace on the fifth floor of the building with two omnidirectional lavalier microphones with ab stereo technique.

Melodic wind chimes; faint wind noise in the background.