3.613 tệp âm thanh miễn phí bản quyền cho "3"

Place of recording: London (United Kingdom) Performer(s): London Philharmonic Orchestra Conductor: Serge Koussevitzky (1874-1951) Vocal range: instrumental Title/Work: Symphony No. 3 in E-flat major, Op. 55 Content: 3rd Movement - Scherzo (Allegro Vivace) and Trio Genre(s): Symphonic

I have been working on my twelve-tone program (in chuck). 1 - random 12 tones with random note-length for prime. 2 - then retorograde is played. 3 - after that prime and retrograde at the same time (3 times). Here the note-length is a average value.

Three variations on a short choral "aah" 1. Dry. 2. With reverb. 3. With organ and reverb. Upon refelection, i reckon should've hit this a simple a#3. :(. Resynthesis achieved with imageline morphine additive vsti synth. The morphine spectrum was multilayered, fattened by adding flchorus, flreverb2 and soundgoodizer. Flstudio equo and fruity parametric eq2 used as notch filters to eliminate ringing.

Sound effect for a person running away (3 of 3). Two other, similar sound effects and a full recording of many types of running and walking are also available. Recorded with a samson q7 microphone through a phonic am85 analogue mixer. Cc0, so no hassle with giving credit.

John Philip Sousa's "The Loyal Legion" (1890) as performed by the United States Marine Band. Track 41 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Liberty Bell" (1893) as performed by the United States Marine Band. Track 48 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Thunderer" (1889) as performed by the United States Marine Band. Track 37 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Beau Ideal" (1893) as performed by the United States Marine Band. Track 47 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Quilting Party" (1889) as performed by the United States Marine Band. Track 36 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Quilting Party" (1889) as performed by the United States Marine Band. Track 36 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Charlatan" (1898) as performed by the United States Marine Band. Track 55 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Triton" (1892) as performed by the United States Marine Band. Track 46 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Belle of Chicago" (1892) as performed by the United States Marine Band. Track 43 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

Deep & dark drone. Created with 3 synths, layered sounds.

Drum beats , 3 low pitch, deep booming drum hits close together. Zoom h1 microphone. Sounds slightly tribal.

Gentle rain pouring on the hood of a car recorded from the inside, with ntg-3.

Ac 3 phace motor 220v 50hz for pump water. Zoom h1 2014. 03. 03 8:00.

Using a magic bullet or blender 3-4 times. Suitable for background kitchen sounds.

Linear sine sweep from 10hz to 22000hz over 3 seconds.

A spray bottle squirting slowly 2 then 3 times.

10. 005 second. Aif sound normalized to -3db with 3 sec fade in and out.

A 2/3 full plastic ballpoint pen writes in blue on a blanco a4 paper. Recorded with a zoom h5n.

3 modified bicycles going by with kids playing aside. We mounted a plastic sheet to the frame so it rattles on the spokes.

Image for describing cambiata as nonchord tone pattern. Created by Hyacinth (talk) 18:41, 3 November 2011 (UTC) using Sibelius.

Pt. 1: Footbridge Shifts Pt. 2: Photon Gasification Pt. 3: Lounging, Hiding, Offing

Imitating of bane from batman 3 - the dark knight rises by d3x5n1p3r.

A 3 minute clip i recorded at faro airport, portugal.

Recorded in heathrow airport terminal 3 departure lounge with a canon d550.

My first music uploaded. I used 11 different segments of the music to make a 3-minute piece.

Starting volkswagen 3-cylinder car engine.

I took 3 small bells and shook each one separately, then mixed them into one.

Gear used:. Schoeps cmc54schoeps cmc68sd mixpre-3.

3 mature ladys talking each other in a beuty salon. Verry funny!.

I mashed together 3 sounds, water, outside and some bass via a synth then filtered.

George Frideric Handel: Messiah

A song from The Remains of Tom Lehrer

Recording of music written by Frederic Chopin

Campana (Spanish: "bell") bell pattern below a 2-3 clave rhythm.