3.204 tệp âm thanh miễn phí bản quyền cho "Da"

Handling and movement of a nylon jacket or raincoat. Gear:. Arturia audiofuseneumann tlm-103.

This is the one of 2 samples from this pack :. Https://sonoiz. Com/release/lots-of-blues-guitar-samples-pack-check-it-now/. It is a blues pack samples on electric guitar. Check the link for more info.

Tiếng Việt: Tiến Quân ca, quốc ca Việt Nam. Trình bày và thu âm bởi Đoàn Ca múa quân đội, Quân đội Nhân dân Việt Nam. Sáng tác bởi Văn Cao. Xin lưu ý rằng gia đình nhạc sĩ Văn Cao vào ngày 15 tháng 7 năm 2016, đã hiến tặng bài Tiến quân ca cho nhân dân và Tổ quốc Việt Nam. Bộ Văn hóa, Thể thao và Du lịch là cơ quan quản lý bài Tiến quân ca theo quy định pháp luật về quyền tác giả và các quyền liên quan về bản quyền. Lễ tiếp nhận được tổ chức tại Tòa nhà Quốc hội Việt Nam. Vì vậy, đây là tác phẩm công chúng và không thuộc sở hữu của bất cứ cá nhân hoặc tổ chức nào. Mọi hành vi xóa bỏ tác phẩm hoặc đánh dấu bản quyền với tác phẩm này là hành vi xâm phạm bản quyền, ngăn chặn, cản trở phổ biến quốc ca Việt Nam, trái với pháp luật Việt Nam kể từ ngày 1 tháng 1 năm 2023. Tiến Quân ca is the national anthem of Vietnam. This version was recorded by the Military Band of Vietnam People's Army. Van Cao was the author of the anthem. Please note that, Tiến Quân ca was donated to the people of Vietnam, and to the Government of Vietnam at the National Assembly of Vietnam on 15 July 2016 by the family of the author, in which the Ministry of Culture, Sports and Tourism became the management board of the anthem. Therefore, the anthem is now a public domain work and no personnel or organisations have the right to own the anthem, which means that the anthem does not require licenses to distribute on any platform, including Wikipedia. Any act of removing the anthem, banning the anthem from public distribution, or claiming the copyrights/licenses of the anthem is illegal, according to the Law of Vietnam and the Constitution of Vietnam.

Soundscape of soccer court.

Recorded with h4n. Massive bulldozer picked up rocks and was shaking all the dirt off them. Free to use without crediting me. All i ask is you check out my youtube channel, and if you like the music, like and subscribe :). Https://www. Youtube. Com/channel/ucuwf-0rre8drcfgatyuuocg. Enjoy.

I used this music track for an experimental animation. This song rocks hard with a very electric tone. Very fast paced and in your face. Great for cinematic use! created in fl studio.

Sorta old school, retro, vintage vibe retro rock with maybe a dash of neil young and grunge. Just some chords and vibrato.

A recording i made shortly after italy beat england in the euro-finals 2021. People shouting, horns and general commotion.

A rock loop made in fl studio. Sound inspired by xzibit's song "lax". You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2020.

I needed something, just - ethereal and attention grabbing for a break in a drum and bass song, and this came out. Hope you can find use for it.

Breaking the refrigerator ice with a knife. Please, consider listening my music on bandcamp:. Https://mrthenoronha. Bandcamp. Com/album/mstech-educational-projects-soundtrack.

A happy loop made in fl studio. Sound inspired by silverchair's song "abuse me". You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2019.

Leathery sound made from my keyboard pressing against clothing. Cleaned up audio to remove any unwanted noise. 3 other variations of this sound can be found within the "leather stress" pack. Recorded on sony pcm-a10.

Pencil writing and scribbling on paper in varios ways and speeds. Recorded with zoom h5 internal xy mics close to subject.

A cool short drumloop for your songs. 130 bpm, made in fl studio. Use in any electro music!:).

A pitch progression in note c orchestral strings to an octane higher. Most notably used by hans zimmer in the dark knight for the joker scenes.

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S Text: I Nordens kalla isbetäckta dalar, var där en härjande en hungersnöd en sorglig röst i modrens hjärta talar ta dina barn, gå ut och sök dig bröd. Det yngsta barnet uppå ryggen hängde uti en påse gjord av rot och bast. Vid varje steg, det dinglade och slängde, men barnet höll sig tätt vid halsen fast. Dessutom tvenne hon vid handen leder[alt. ledde], så fromt och underligen, gård från gård. Ty hon om bröd blott för barnen beder[alt. bedde], vem kunde emot henne vara hård? Om kvällen kom hon till en riker bonde, hon bad att över natten få bli kvar. men han var stinn och inbillsk som hin onde: »För tiggarpack jag sällan nattro har.» Till prästgården vill hon när det bli kväller att där få vila över till andra dag men där var fullt av halvfulla gesäller som höllo pockande på vägalag. [Hon måste alltså åter ut att vandra till nästa by att där sitt härberg få.] När sedan bägge barnen börjar gråta, då lyfter hon dem upp på var sin arm. De frysa, ty av snön de blivit våta, hon klappar dem och värmer vid sin barm. [De lade alla fyra i en kista två fingo vila uppå var sin arm det tredje med, det yngsta och minsta man lade uppå modrens kalla barm.]

Quartet: "Bella figlia dell' amore" from Giuseppe Verdi's opera Rigoletto (1851), performed by Enrico Caruso (the Duke of Mantua), Louise Homer (Maddalena), Bessie Abott (Gilda), and Antonio Scotti (Rigoletto). This is Victor Records Matrix C-4259, recorded on 20 February 1907 in New York City, and released under a variety of labels (full details) “..Bella figlia dell'amore”, cuarteto de la ópera lírica “Rigoletto” de Giuseppe Verdi. La pieza, de una grabación de la ópera de 1907 de la casa discográfica Victor Records, siendo protagonistas Enrico Caruso, Bessie Abott, Louise Homer y Antonio Scotti. Bella figlia dell'amore, de Rigoletto de Giuseppe Verdi. Enregistrement de 1907, avec Enrico Caruso, Bessie Abott, Louise Homer et Antonio Scotti. Italiano: “Un dì se ben rammentomi ...Bella figlia dell'amore”, quartetto dall'opera lirica “Rigoletto” di Giuseppe Verdi. Il pezzo, da una registrazione dell'opera del 1907 a cura della casa discografica Victor Records, vede protagonisti Enrico Caruso, Bessie Abott, Louise Homer e Antonio Scotti. Македонски: „Убава ќерко на љубовта“ (Bella figlia dell'amore) од операта „Риголето“ од Џузепе Верди во изведба на Енрико Карузо, Беси Абот, Луиз Хомер и Антонио Шоти (снимка од 1907 г.) "Bella figlia dell'amore" из Риголетто Джузеппе Верди. В 1907 студия Victor Records записала исполнение Энрико Карузо, Бесси Аботт, Луизы Гомер и Антонио Скотти. Tiếng Việt: "Bella figlia dell'amore" trích trong vở Rigoletto của Giuseppe Verdi. Bản thu thanh năm 1907 của hãng Victor Records với các giọng hát của Enrico Caruso, Bessie Abott, Louise Homer và Antonio Scotti.

Johann Sebastian Bach (1685-1750) Cantata BWV 125: Mit Fried und Freud ich fahr dahin (2 February 1725) 1. Mit Fried und Freud ich fahr dahin (Chorus) 2. Ich will auch mit gebrochnen Augen (Aria: A) 05:27 3. O Wunder, daß ein Herz (Recitative: B) 13:19 4. Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden (Duet: T, B) 15:36 5. O unerschöpfter Schatz der Güte (Recitative: A) 20:55 6. Er ist das Heil und selig Licht (Chorale) 21:37 Soloists: Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Performed by Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "Bach composed the cantata 'Mit Fried und Freud' for the feast of the Purification on 2 February 1725. Here, the opening chorus is in 12/8 time, which is almost always associated with a peaceful, pastoral mood. Here it is the expressive key of E minor, which, raised to monumental heights, will re-appear in the opening chorus of the St. Matthew Passion. The chorale is sung in long note values by the soprano accompanied by the lower voices of the chorus in densely textured imitation, and which takes up the serenely elegiac movement of the instrumental ritornello theme. Only twice does Bach interrupt the pattern: at the words 'sanft und stille' all the voices drop into a sudden 'piano' and even the lively rhythm of the vocal part gives way to a more tranquil measure. The contrast of the 'forte' on the next words, 'wie Gott mir verheißen hat' is all the more convincing in relation to the preceding words. Once again Bach leads the vocal part into a quiet, even tenor for the final line of the chorale, 'der Tod ist mein Schlaf worden.' " - Thomas Seedorf Painting: Still Life with Three Medlars, Adriaen Coorte

O store Gud Du großer Gott, wenn ich die Welt betrachte Du großer Gott, wenn ich die Welt betrachte, die du geschaffen durch dein Allmachtswort, wenn ich auf alle jene Wesen achte, die du regierst und nährest fort und fort, dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Blick ich empor zu jenen lichten Welten und seh der Sterne unzählbare Schar, wie Sonn und Mond im lichten Äther zelten, gleich goldnen Schiffen hehr und wunderbar, dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Wenn mir der Herr in seinem Wort begegnet, wenn ich die großen Gnadentaten seh, wie er das Volk des Eigentums gesegnet, wie er's geliebt, begnadigt je und je, dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Und seh ich Jesus auf der Erde wandeln in Knechtsgestalt, voll Lieb und großer Huld, wenn ich im Geiste seh sein göttlich Handeln, am Kreuz bezahlen vieler Sünder Schuld, dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Deutsche Nachdichtung: Manfred von Glehn (1867-1924)

It's recess time at san lorenzo de el escorial's real colegio alfonso xii's boarding school, madrid, spain. Children are playing games, mainly soccer, on escorial monastery's front esplanade, apparently used as a schoolyard. High pitched voices blend with bypasser's conversations. Putting aside the fact that we're on a world heritage site, this could also be your regular park where youngsters gather any afternoon. Recorded with a sony pcm-d50'stereo mics with wind muff.

This is an extract of the file sardinia: the original soundscape #2, full vision at https://youtu. Be/li-mdai0abi. This file (sardinia: the original soundscape #2) includes the sound of the wind, birds, insects, grazing animals, the characteristic soundscape around a small church. The file was recorded at the evening on an november day in olzai. Sardinia: the original soundscape is a project that aims to collect and diffusion of the best natural soundscapes of the island. An informative digital path of the sounds that make the music of the sardinian soundscape. Path that intends to put the knowledge of the area through the ear. It is recommended to listen to the files with headphones, in order to preserve the integrity of the file. Antonio lai contacts:laianto. Me@gmail. Com.

I designed this sound to be a distress beacon coming from some long lost spacecraft.

I accidentally made this in audacity adjusting the tempo of a chime sound effect, but maybe it has uses elsewhere. Sounds to me like a game show "wrong answer" sound effect or a magic spell that fails to cast.

The sound of a weighted object hanging from a thick braided rope. Birds can be heard in background. Recorded on the zoom h4n with a sennheiser me66 shotgun mic. Unprocessed. Recorded on november 8th, 2014 in orlando, fl.

The sound of a large elk bugling. This sound is public domain so enjoy.

I designed this sound to be a distress beacon coming from some long lost spacecraft.

Made some sounds for a film i worked on. Thought i should share since i use so many of the sounds from this website. =).

This is based on a drum loop using one from the famous dubstep samples then uising a dblue glitch fx.

If you are into making your own cut and paste dubstep style of music you might wanna take a look at all my sounds. I have a wide variety of stuff here. In particular the sound effect packs are loaded with good dubstuff. I created these perfect drum/beat loops using my yamaha psr463 synthesizer, my zoomr8 portable studio, hydrogen, electric drums and audacity. If you would like to check out my original music it is available here:traxis on band camp.

Mouth sound, edited and effected in garageband.

A groove loop made in fl studio. Sound inspired by faith no more's song "we care a lot". You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2020.