Old field recordings originaly made for a friends short film that focussed on the internet and telecommunications. Think i used reaktor and audiomulch. I always do my topping and tailing in soundforge.
I was putting away the dishes and heard a strange sound. . . . Upon investighation i found i had stacked a saucer on top of a plate and there was a wobble happening. Captured with an edirol r09-hr.
I'm not sure why i had called it a "song". It's just a really old recording of me saying "omnom" repeated and layered on top of each other. It's annoying, and that's all it is.
I recorded some sounds of a mug half-full with tea. Recorded (in order):spoon clickingbrushing the back of the spoon on the top of the mugputting down the mugmoving the mugstirring.
Stacking glass plates on top of each other. Trying to take one from the pile. Taking plates off the stack. Microphone: at2020, soundcard: focusrite scarlett 8i6.
Placing a six-ounce can of catfood on the counter and pulling the metal top off by peeling it back. The last sound is the can lid being parked on the counter.
Heavy snow storm, sound of the snow gliding on top of snow, constant hi freq with wind blowing, recorded at 48-16 with portable dat using schoeps ms ball, edited and decoded in stereo in pt.
Crystal wineglass filled a bit with water. Moving the finger around the top for making the special noice. Use a zoom h1 for recording. Recorded in 24/96khz.
Turning on the stove top burner, recorded with the tascam dr-40, if you make anything with it please share a link in the comment section, i'd love to hear it :).
This is tupperware (beliebecuyy with an oem stretchy rubber top cover that seals them water/air tight, so i enjoyed the tone & recorded this. Hope everyone diggs it!.
Small creek on a trail up to granite mountain on snoqualmie pass. A smaller trickle layered on top with eq to get rid of freeway noise. Recorded with x/y mics on a zoom h2n.
Medium sized rocks being dragged, scraped, dropped on other rocks on top of a cloth and a wooden table. Recorded on an h2n zoom recorder, m/s raw setting.
Recorded on an iphone5 from the top of a hill above an industrial district with train tracks, in vancouver, wa. You can hear sounds of a diesel engine in the background and a few bird sounds. At the end a diesel engine is powering down.
Title: 3 am West End. Written by statusq. Relaxed, chill and easy groove made on top of the dreamy synth and trumpet textures. This music is available for commercial and non-commercial purposes.
Today in germany used electronic siren to alert population in case of danger. Listen to your local radio station for further information. Recorded with zoom h4n on top of the roof 1/2 mile away from the siren.
Baltimore, 2012: arrieta (bal) pitches to pena (tb) in the top of the 1st inning. Four pitch at-bat: 1)called strike, 2)called strike, 3)foul, 4)swinging strike.
Recorded with a tascam dr-05. I was working next to an oil derrick and tried to capture its sound. There was some bell on the top of it so everything it made a full cycle you hear the bell.
Crashing waves and wind recorded from a 40 foot clifftop using a tascam dr-05. I had a wind muffler over the mikes and the recording is left open without fade for your own editing. Enjoy.
A rather bass-heavy 18 second 160 bpm looping sample, with the usual pile of synth garbage on top. Created in fl studio, making use of the toxic biohazard plugin.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Crystal wineglass filled a bit with water. Moving the finger around the top for making the special noice. Use a zoom h1 for recording. Recorded in 24/96khz.
A quickly rising synth that then sustains until repeating, meant to sound like the sort of alarm you'd hear in top secret bases and whatnot, could be used for quite a few contexts. This was made in beepbox using the guitar harmonics instrument.
From the source: "this is a multisample of my stylophone as i move up the notes then after reaching the top i sweep upwards on the notes. this is of moderate quality, is a dry signal, but it is probably badly out of tune"
Mono recording close up of water thundering down a weir. From the top of the weir - recorded with a sennheiser me66 onto a tascam dr4048kh wav with a little eq to add some to the lower frequencies.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
