2.393 tệp âm thanh miễn phí bản quyền cho "Tracks"

John Philip Sousa's "The Glory of the Yankee Navy" (1909) as performed by the United States Marine Band. Track 67 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Keeping Step with the Union" (1921) as performed by the United States Marine Band. Track 94 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Mother Hubbard March" (1885) as performed by the United States Marine Band. Track 25 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

Church performed by the Concert Band of the United States Air Force Heritage of America Band. Track 16 from disc 1 of Ceremonial Music (2005).

John Philip Sousa's "The Man Behind the Gun" (1899) as performed by the United States Marine Band. Track 57 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Homeward Bound" (1891-1892) as performed by the United States Marine Band. Track 42 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The New York Hippodrome" (1915) as performed by the United States Marine Band. Track 72 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

This is a dirt track in alabama (monster mountain, i think). I didn't realize my recorder kicked on as i was carrying it around in my pocket. The result was some really good audio of a dirt bike race, along with a little bit of small crowd sounds.

Drill performed by the Concert Band of the United States Air Force Heritage of America Band. Track 12 from disc 1 of Ceremonial Music (2005).

John Philip Sousa's "March of the Mitten Men" (1923) as performed by the United States Marine Band. Track 97 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "March of the Royal Trumpets" (1892) as performed by the United States Marine Band. Track 44 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Who's Who in Navy Blue" (1920) as performed by the United States Marine Band. Track 93 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Black Horse Troop" (1924) as performed by the United States Marine Band. Track 100 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

The Stars and Stripes Forever performed by the Concert Band of the United States Air Force Band. Track 5 from Esprit de Corps (1997).

In this sound track, someone is handling a bag of crisps with strong intent on making rumple noises. The motion is holding and folding the bag of crisps. The sounds has a metallic quality to it, the motion is done at random. Useful for sample slicing. It is recorded with a simple tie microphone and then edited on audacity to reduce noise and isolate the sound.

Old yamaha drum kit recorded through a qfx shoebox taperecorder's built in mic. Then i played the tape and recorded a voicenote on a samsung galaxy note s1. I like the grain and texture so hopefuly helps for your lo-fi intended tracks.

Some wah wah guitar i recorded for a video, sharing the guitar take from the track. Tascam dr-40 through a digital performer drv-100 (best mic i had at the time) recording a stratocaster playing through a crybaby wah pedal into a fender twin reverb amp.

Free to use without any credits!. It should sound professional enough. It took a little while of analyzing what the snares had in those tracks, and i managed to pull this off after a while. I hope you appreciate my small effort for this day :). Have fun with it.

808 drum-machine pattern with oldschool monopoly stab/chord. Notes played:. G4 d#4g4d5 f#5c5g4. Dfx buffer override is applied on the 808 kick/lg pattern to add a bouncy style. Can also upload individuals sounds/tracks if asked. . .

Recorded with zoom h2n ambisonic b-format (no z track), airplane cabin with passenger chatter. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files converted from ambix format.

The sound of thunder rumbling followed by rain. Additional sounds include: an air conditioning unit, wind, birds, a distant train horn, passing cars, the dinging of a flagpole (at 4:05), and cicadas (at 10:54). A zoom h1n and 3dio fs binaural microphone (with wind muffs) were to used to record this track at approximately 4:00 p. M. On 7/17/19.

Small stream with some natural dam and big stones. Water flowing and gurgling. Relaxed meditativelight background bird-sounds at some parts in the recording. At the very end there is a bumblebee flying by. Recorded with zoom h4n internal mic at 90°. Early morning, south germany. Record made at the same time asmorning_stream_1_close_mono. Flac(used 4-track mode).

York Marsch performed by the Concert Band of the United States Air Force Heritage of America Band. Track 30 from disc 1 of Ceremonial Music (2005).

Lord Guard and Guide (choral) performed by the Concert Band of the United States Air Force Band. Track 50 from Esprit de Corps (1997).

John Philip Sousa's "The Stars and Stripes Forever" (1896) as performed by the United States Marine Band. Track 53 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

Bach's Invention No. 8 in F Major, BWV 779 performed by the Strolling Strings of the United States Air Force Band. Track 10 from Air Force Strolling Strings 40th Anniversary (1994).

Inspection Waltz performed by the Concert Band of the United States Air Force Heritage of America Band. Track 4 from disc 1 of Ceremonial Music (2005).

Two ruffles and flourishes and "Flag Officer's March" performed by the Concert Band of the United States Air Force Band. Track 16 from Esprit de Corps (1997).

The Star-Spangled Banner (choral) performed by the Concert Band of the United States Air Force Band. Track 28 from Esprit de Corps (1997).

The thirteenth production track from sampling skits with ameangelofsin. Performed through the courtesy with ameangelofsin. Sample base: https://freesound. Org/people/ameangelofsin/sounds/167227/.

John Anderson My Jo, Mary Scot, Keelman O'er the Land performed by Southern Aire of the United States Air Force Reserve Band. Track 2 from Glorious Past, Boundless Future (2002).

John Philip Sousa's "Semper Fidelis" (1888) as performed by the United States Marine Band. Track 34 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

Serenade in E♭ major for 13 wind instruments, Op. 7, performed by the Concert Band of the United States Air Force Heartland of America Band. Track 11 from Fancies, Toyes and Dreams (1994).

Mr. Bo Hica performed by Dimensions in Blue of the United States Air Force Band of the West. Track 25 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Amazing Grace performed by bagpipe soloist Sandy Jones and Scott Gunn as well as the Pipe Bands of the United States Air Force Reserve Band and the United States Air Force Band. Track 19 from Glorious Past, Boundless Future (2002).

7 sets of wind chimes, one of bamboo & 6 metal of varying tones & sizes from 18” to 72”, played manually in studio, single track, to simulate a brisk summer breeze on the back deck. Recorded on zoom h4, centered, at 6-feet, in soundwell studio, boise idaho usa.

Synth loop from my track charged from years back. Custom synth, and pretty harsh and heavy to boot. License: cc 0.

Substitute low conga made by banging on a tuba. Made as part of the disquiet junto 0345, sample time. More info here: https://disquiet. Com/2018/08/09/disquiet-junto-project-0345-sample-time/. (and you can hear the track i made with it here: https://soundcloud. Com/triermusic/tindr-but-for-tubas-disquiet-0345).

Recorded a thunderstorm using my camera, and mixed this existing sample of a thunderstorm with it. . Http://freesound. Iua. Upf. Edu/samplesviewsingle. Php?id=2523. Also used a few patches from a symsynth to build the thunderclap and some of the rain effects. Added some delays, reverb, compression and eq as well as splitting several tracks and offsetting them to create a spacial soundscape.

Sounds like the uplift to the drop of an edm track, but can also be used as a firework sound effect, or for a bomb dropping. Created using a low-passed square wave, over-compressing it, distorting it, playing 2 notes a semitone apart and pitch shifting.

After recording someone making a sound like "trrrrrrrrrrrr", i've applied the following effects :1)generate noise (red)2)i've modified the envelope of the noise in order to have it thin, then thick, thin-thick-thin-thick-. . . 3) i've put down the volume of the noise, and put the voice louder. 4) add a few effect with atom splitter audio : distroyr. 5)mix the tracks together.

Sound of moving light soviet tank t-26 (tank of world war ii, civil war in spain). Summer forest. Tracks and engine sound, engine acceleration. Video with this sound was recorded in finland (parola tank museum). Date: summer 2009. Microphone: unknown video-camera microphone. The sound was postprocessed with program audacity (freeware) to remove talks and artifacts.

In the range of three octaves, sung by me in 13 tracks. Not completely in tune. The first one is unedited sound. The second is transposed an octave lower. The third is transposed two octaves lower. In the fourth all the latter are sounded together (39 voices). The transposing makes a peculiar effect to the voice specially in the second (12 semitone) transposition.

The Stars and Stripes Forever (jazz version) performed by the Stellar Brass of the United States Air Force Academy Band. Track 18 from Full Circle (2011). Larry H. Lang, conducting.[1][2]

The last 32 measures of "The Stars and Stripes Forever" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 43 from disc 1 of Ceremonial Music (2005).

The Star-Spangled Banner (instrumental) performed by the Concert Band of the United States Air Force Band. Track 27 from Esprit de Corps (1997).

Lord Guard and Guide the Ones Who Fly (the Air Force Hymn) performed by the Concert Band of the United States Air Force Band. Track 34 from Heritage to Horizons (2007).[1][2][3]

Four ruffles and flourishes and "Flag Officer's March" performed by the Concert Band of the United States Air Force Band. Track 18 from Esprit de Corps (1997).

Mess Call performed by the Concert Band of the United States Air Force Heritage of America Band. Track 9 from disc 1 of Ceremonial Music (2005).

Quintet in G Minor, Op. 14, performed by the Concert Band of the United States Air Force Heartland of America Band. Track 17 from Fancies, Toyes and Dreams (1994).