Microphone feedback of varying lengths. Made by jamming earphone bud into the recorder's microphone with varying pressure, then cleaning out low end rumbling. Recorder: sony pcm-d100.
A cataclystic, "buildup" sound effect resulted from extreme manipulation from two digital audio workstations - fl11 and reaper. The base sample was a public domain sound of a roland d50-esque sounding element which was heavily edited using volume-scaled automation, reverberation, pitch-shifting, transpositioning and trimming audio.
Bits of metal being scraped and cracked against various surfaces. Can be hard to listen to at times. Use in a scary movie or anywhere you need to create a disturbing, uneasy effect.
Walking round the grounds of kirby hall and there was one particularly vocal peacock. Only had android phone with me. Have removed wind interference with eq. There are no other fx on the edit. What sounds like a bit of reverb is from the natural ambience.
Repeating vibraphone motif changing key, suggesting waking or rising light from dark. Could be a short interlude or transformation. Various keyboards over chorus through audacity in wav.
Field recording of montevideo , uruguay , zoo villa dolores , recorded with a stereo condenser mic , you can hear lions copulating in the background , while peacocks and parrots chatter and squeak.
An electric kettle starting to boil - it has a high-pitched shrieking effect great for layering into sound design. I've used this in a couple horror trailer pieces. Enjoy!. Recorded with a zoom h4n.
Plucking the very high, tight strings above the nut on an electric fender bass. Perfect for interesting or creepy sound design. Recorded with a zoom h4n.
This is the sync pulse generated by the monotron that is used to sync it's clock to other monotrons. If you send this to your monotron via computer software sequencer (daw), you can sync the monotron to your host sequencer (i've been doing this with ableton live). It works great.