7,855 免版税 音轨，用于"化学"

Sounds like boiling chemicals. Recorded by blowing air into water.

Playing with delay.

Sound created with the pure data modular synh automatonism.

A krellpatch is always fun. This is a part of a longer recording. The start and stop are natural.

A krellpatch is always fun. This is a part of a longer recording. The start and stop are natural.

A krellpatch is always fun. This is a part of a longer recording. The start and stop are natural.

Based on the logistic equation. . .

Aalto demo track of the free soundset musicbox. More info here:. Http://complexsound. Wordpress. Com/2013/06/24/musicbox-free-soundset-for-aalto/.

Acid intermission.

In this sound i'm using a phonogene version of mithimightbe's sound https://freesound. Org/people/mithimightbe/sounds/407072/.

Dry ice dumped in a small fountain and recorded with an r-09hr. The bubbles sound very frantic and are continuous. I couldn't get too close, or else the splashing would have entered the mic capsules. It is a very clear sound nonetheless.

A modular synth composition.

Snare-ish sound from analog modular synth.

Snare-ish sound from analog modular synth.

Bartonmusicalcircuits 2lfosh (bmc 017). Manual wiggling. First it acts like a sample and hold and lfo. S/h connected to a vco and the lfo to a filter. Then i'm testing the lfos. After that you hear the two oscillators. Great module. 3 in one. Lfo, sample and hold and oscillators. Square, triangle wave and a mixed waveform!.

The three parts are following the sam chaotic lfo.

I'm working on my realtionship with zlobmodular diod chaos.

Just a small patch using nlc jerkoff.

Ff chaos test conditions:cv in from nlc jerkoff. Square wave in from lfo, 1hz. 3 vcos tuned to 130,8hz and one "strange sound". Cv in on vcos are attenuated, about 50%. Gate 1 and cv 1 to vco pan leftgate 2 and cv 2 to vco pan rightgate 3 to vco pan centertrigger to "strange sound" pan center. Sound 1 - cv min and rate minsound 2 - cv max and rate minsound 3 - cv min and rate maxsound 4 - cv max and rate maxsound 5 - cv at 50% and rate at 50%sound 6 - jerkoff to cv in on lfo. Vco 3 gets cv from jerkoff - chaos.

Using field-recording by the freesound user susipekka.

Nlc jerkoff sweet spot. I'm just listening.

This is nlc jerkoff. A chaos module. Doing. . . Chaos.

Electronic minute no 31 - scales with fnattyep down to cscales made with envelope generatorsonce in a while they get fnatt5 envelope generators in use. Don't miss it>>> there is a bonus sound at the end!!!basically the same patch! but on acid :-). Evaluation of patch/soundone cycle is - not that longonly short sounds - yep, good in this caseamplitude variation - well not muchpitch variation - controlled by envelopetimbre variation - nomusical value - maybe, but not the fnatt partentertaining - ambient bleeps ad bloops?.

4 cross modulated/connected looping envelopes phasing in and out of some sort of equilibrium. Cross connected in pairs. . . Lot of spring reverb. . .

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Playing with krell. Modular synth sounds. Unedited.

Sounds made with analog modular synth.

A self generating patch going though the zoom ms-70cdr. The synth generates weird noises etc and the fx adds reverb anda strange clipped pan fx. I recorded 5 minutes.

This sound is meant to be paired with thishttps://freesound. Org/people/gis_sweden/sounds/431375/this is an almost tonal machine composition recording. . . Annoying background sound. . . Check! i have selected my part. Made on analog modular synth.

A self modulated a-110. A self modulated bermuda through filter with some res. Barton analog drum, spring reverb and analog delay stompbox. Sxxxe (you know what) sound is imperfect wave forms, or. . . ?.

The selected track. . . Electronic it is. . .

I recorded one hour of machine composition. I did not listen to it. I did not open the file in audacity. I told my fb fiends to give me a number between 0 and 57. I got 42 (what else). This sound is minute 42 to 45 from my one hour recording. The rest is deleted. Gone.

My synth creates 24 tracks. No scale known to human. . . Track start are marked by a high-hat sound. Some are short!. 0:00 track 11:57 track 22:02 track 32:08 track 42:32 track 54:015:455:515:576:02 track 106:066:216:316:357:06 track 15 my favourite7:317:347:407:55 hmmm okay8:38 track 209:409:469:51 interesting11:53 track 24.

After some confused techno days i'm back with machine composition. This is a basic patch on my analog modular synth.

Sounds nice to me. Variable tempo. Made with analog modular synth.

Drum sound made with analog modular synth. Mono sounds. No effects.

Drum sound made with analog modular synth. Mono sounds. No effects.

Drum sound made with analog modular synth. Mono sounds. No effects.

Drum sound made with analog modular synth. Mono sounds. No effects.

A little thing i wanted to record for evaluating. Is it too uninteresting?.

Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. Result a generative ambient patch and sound.

Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. The oscillators where tuned to the same tone one octave apart. Well. . . Not exactly. After having recorded i measured the frequencies 228,8 hz and 117,7 hz. . . But that made the output from the ring modulator interesting. What is generative with this? i modulate amplitude of the sounds and the decay for all thee sounds. This also affects the rhythm sound.

3 cell quantussy patch. One cell acts as "controller cell". When the controller cell starts a new cycle a noise is heard defining the start of one cycle and at the same time the ending of the previous. Here we have three short cycle.

A sound i, my self, will use for an instagram film made with imovie. I'm trying to learn that program a little.

I have made a pastiche (sw. Pastisch) on a simple track i, for one reason, like.

No soft sound. But interesting wave shapes if you take a close look. Much wave folding.

A patch i dare to call krellish. . . Both oscillators are tuned to 140hz.

Patch on a large modular analog synth, mainly doepfer but with some sputnik and intellijel modules. Sounds very arp 2600-ish, a soundcape reminiscent of birdsong and tweets. Mainly tuned filters seeded with pink noise.

Another room acoustic ambiance recording. Connected my little modular to a guitar amp (orange crush 12l). Some overdrive added character to the sound and the simple patch. Placed my phone 2,5meters from the speaker and recorded. No post editing! not even amplification.

The sequence is not stable. I'm not touching the synth. Te electronics are making variations. Not what i thought but interesting. Sequencing in my usual way with a vclfo. My plan was to upload a short loop, but the variations was so interesting. . . .