A recreation of a lavalier microphone pop. Useful for reality or documentary where an interviewee may rip off their mic or you simply want to create the illusion of that drama. Also useful to incorporate into a "signal lost" effect, etc. Processed with some limiting so it's tamed and ready to throw in a mix. Recorded with an mxl lsm-3 dynamic mic, no reason to abuse my real lav mics.
Morceau d'improvisation à la guitare électrique par Arthur P. (11 ans et quelques) pour l'émission Culture(s) Numérique(s) numéro 11 (juin 2019) sur Radio Pluriel. Publié ici avec son accord.
Cicadas, sea and highway in the distance, rilke trail near trieste (sentiero rilke, duino, trieste, italy), summer 2013, recorded with zoom h4n, sennheiser shotgun mic and rode blimp.
Micdrop!! mixed together from these sounds (both under cc0):. Https://freesound. Org/people/clurky/sounds/426260/https://freesound. Org/people/breviceps/sounds/489566/.
The number of file correspond to the numbering of the book:le sons multiples aux saxophones / daniel kientzy. - paris : editions salabert,[198?]. - (salabert enseignement : nuovelles techniques instrumentales). For the fingering see also my page: http://www. Uauaua. Net/index_resources. Htm. Setup:saxophone: yanagisawa, reed: marca 1-1/2, mouthpiece: selmer s80 b*. Samples recording:stereo microphone technique: coincident cardioids angle 90° apart (mono-compatible). If you use this sound i shall happy to publish your piece - or his link - on my site.
Tenor sax phrase. Sample i played and recorded with audacity (audacityteam. Org) using my laptop computer built-in microphone. 2015 november 13th 16:00hrs, mexico city.
Capturing the sounds of castanuelas, played subliminal, filigrained,recorded in different ways, feel free to resample && reuse. The problem is to mike certain wood percussion instruments to sound organic, natural and identifiable. Humanized with small microtiming variations.