2,481 免版税 音轨，用于"西饼店"

Go Down, MosesGo Down, Moses, Spiritual.Übertragung (R.F.): Als Israel im Frondienst schrie, – König, lass uns ziehn! – griff Gott ein und befreite sie. – König, lass uns ziehn!    „Du bist's, Mose“,    sprach Gott und sandte ihn:    „Sag zum Pharao:    König, lass uns ziehn!“ Erst ängstlich zögernd, dann voll Mut – König, lass uns ziehn! – rief Mose: „Sieh, was Gott euch tut! König, lass uns ziehn!“    „Du bist's, Mose“,    sprach Gott und sandte ihn:    „Sag zum Pharao:    König, lass uns ziehn!“ Das Herz des Königs fror zu Eis. – König, lass uns ziehn! – Dann kam die Nacht des Wehgeschreis. – König, lass uns ziehn!    „Du bist's, Mose“,    sprach Gott und sandte ihn:    „Sag zum Pharao:    König, lass uns ziehn!“ Das Volk zog sicher durch das Meer. – König, lass uns ziehn! – Ihm nach versank Ägyptens Heer. – König, lass uns ziehn!    „Du bist's, Mose“,    sprach Gott und sandte ihn:    „Sag zum Pharao:    König, lass uns ziehn!“ Als Israel die Rettung sah, – König, lass uns ziehn! – unstillbar war ihr Jubel da. – König, lass uns ziehn!    „Du bist's, Mose“,    sprach Gott und sandte ihn:    „Sag zum Pharao:    König, lass uns ziehn!“

Original Description: Song 95 from The Sacred Harp, performed by New Harp of Columbia at Headricks Chapel, Wears Valley, Tennessee.

Performance Conductor: Simon Schindler Ensemble: Fulda Symphonic Orchestra Location: Grosser Saal der Orangerie Fulda Work Composer: .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Song from The Remains of Tom Lehrer

A song from The Remains of Tom Lehrer

Livery Stable Blues by the Original Dixieland Jass Band, recorded 26 February 1917. It was released on the Victor label on 7 March 1917, and was the first released jazz recording. 78 RPM, transferred to .ogg from a .mp3 file from The Internet Archive. This version has been edited to reduce the hiss. Українська: «Livery Stable Blues» від «Ориджінал диксиленд джаз-банд», записаний 26 лютого 1917 року, перший випущений джазовий запис.

Bakery plate in oven.

Paying at a bakerywave, 44. 1khz, 24bit, stereorecording device: zoom h2n with xy-capsulelow-cut: yes (80hz). Location: leuphana universität lüneburg, bakery. Date: 2013-11-19, 16:00recorded and edited by: wiebke steinthis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Helms bakery truck whistle sound effect used 1930 to 1969.

Helms bakery truck whistle actual whistle noise used at helms bakery from 1930 to 1969.

Helms bakery truck whistle sound effects.

Helms bakery truck whistle sound effect.

Helms bakery truck whistle that is rare on the internet, for those of you millions of west coast folks who can remember an era in southern california.

Short paper (baker bag) crumple sound i recorded with a h4n. Use it as you like but please credit me.

Recorded at a game place, in guarda, portugal! sounds of billiard balls!.

Recorded this in a crowded bakery in the morning. You can hear people talking and walking around, paper bags rustling, chairs moving loudly, and music playing in the background.

Man ordering a taco that is on fire from a cash register, going to be used for a school project.

The sound of mexico. A tortilla machine can be heared in every village prior lunchtime. The machine creates flat tortillas out of nixtamalized corn meal which are then baked using gas within the same machine. The metal conveyor causes most of the sound. Video of the machine:https://vimeo. Com/manage/314820997/general.

Ambiente en una pizzeria en la ciudad, con poca gente hablandoambiente interior, grabado con micrófonos omnidireccionales de tascam dr44.

French baker speaking with a typical and beautifull accenti m ordering a croque-monsieur.

Your typical tortilla chip recorded with superlux cm-h8 then processed with tons of reverb.

A rice cracker being crushed into pieces, creating a clear crunching sound.

Recorded with a zoom h5 over breakfast at around 9am during breakfast in the hotel ac alicante.

Cracker drop on table.

Chicken and cheese quesadilla.

General sounds from cuba street in wellington, new zealand. Inside a cafe and then on the street with busker playing psycho killer on his piano accordion. Short journey on a bus with music from a shop.

I ate a tortilla chip in front of my blue yeti. Let me know in the comments what you use it for.

Recording of eating a crispy cheese cracker. Recorded with a roland r-05, slightly compressed afterwards.

This is my first sound i've done. What i use to make the sound was a plastic ziplock bag and just crunching it around.

Various triscuits crushed by hand. Recorded with a zoom h2.

Various triscuits crushed by hand. Recorded with a zoom h2.

Various triscuits crushed by hand. Recorded with a zoom h2.

Various triscuits crushed by hand. Recorded using a zoom h2.

Various triscuits crushed by hand. Recorded with a zoom h2.

Various triscuits crushed by hand. Recorded using a zoom h2.

Various triscuits crushed by hand. Recorded using a zoom h2.

Mastigando bolacha. Trabalho realizado para disciplina de captação e edição de áudio da universidade anhembi morumbi. São paulo, brasil 2018. Equipamento: microfone condensador neumann. Eating a biscuit. Recorded for the subject captação e edição de áudio of anhembi morumbi university. São paulo, brazil 2018. Equipment: neumann's condenser microfone.

Chewing and eating wafer.

Big firecracker explodes in a backyard surrounded by buildings. Silvester 2016/17, hamburgrecorded w/ zoom h-1.

Recorded in a little sidestreet in cartegena, murcia, spain where there are lots of little bars and cafes. There are lots of people walking about and you hear a few words of passing conversations. There's a busker in the distance. Recorded on a zoom h1 with custom made microphones hanging out of a backpack.

Recorded with a zoom hn4.

It's the voice of a female friend saying "baby scorpion in spanish" recorded using a macbook pro laptop.

Crackers pops at meeting.

This is what a healthy colon sounds like.

People talking in the cafe at pataka art + museum in porirua, also children playing in the gallery space.

Hotel lobby.

Large open plan hotel lobby.

Pancakes being dropped onto a plate from around one meter distance, could be used as a punch sound.

Eating a cracker sound.

A woman eating a cracker for breakfast.