2,353 免版税 音轨，用于"拉丁"

Himno de Uruguay

Himno Nacional de Uruguay National Anthem of Uruguay Национальный гимн Уругвая

C Phrygian dominant scale. Created by Hyacinth (talk) 00:37, 5 July 2010 using Sibelius 5.

Freygish scale on D. Created by Hyacinth (talk) 03:16, 26 November 2011 (UTC) using Sibelius 5.

Just straight 1 bar congas around 77 bpm.

Shaker recorded with electrovoice re-20.

A nice old rainstick recorded close up with an akg c414 in a dusty old barn.

This sound was created by me on my synthesizer. If you would like to use my loop please, contact me. Maybe i'll get on some cc musical platform your work created by you using my loop.

Demon saying requiescat in pace human (latin for rest in peace)in reverse to get that otherworldly effect. I did this with my voice, reversed it and pitched it down 2 semitones.

Wooden claves low sound, unprocessed, recorded with akg c214 in a large room.

Wooden claves hi sound, unprocessed, recorded with akg c214 in a large room.

Stereo ambience of chapultepec park in mexico city.

Drum and bass. Check out the full song https://www. Youtube. Com/watch?v=8zn5axuq2pu.

Gaudeamus omnes gregorian chant as it would be sung during a traditional latin mass.

This track was created using vst tools and spatial processing100 bpm.

From my roland 'latin' patch. Plese comment on what you will use it for. Thanks. :^).

Bass.

Sound cut from diff sounds? latin song.

I created and mastered a basic reggaeton groove: only kick, deep kick and tom-snare. A base over wich you can add cymbals, percussions or whatever you wish!exactly -3 db volume.

A us latin woman saying: "leave your message after the scream".

The pronunciation is true classical, as opposed to the fake classical taught in universities for over a hundred years.

Lp`s red jamblock medium pitched. Played with vicfirth 7a stick. Recorded with r-09. Eastjutland, holme, århus, denmark.

An ancient roman yells or +cries out for help from his personal angelic guardian ambrosius ammour. The pronunciation is true classical, as opposed to the fake classical taught in universities for over a hundred years.

This was made for the audiobook "the fall of nystol and other tales" at realmsofwhitehawk. Com. The dying vystonn a regulian noble speaks his last words bleeding to death on the floor of the hall of royal and noble inquiry. The pronunciation is true classical, as opposed to the fake classical taught in universities for over a hundred years.

This sound was created using "serum" synthesizerkey f#bpm 110check it out: https://presetshare. Com/preset/view?id=4429.

Native wooden maraca hit. Homemade recording. Part of an original native colombian percussion sampler. Recorded with a shure sm57 > yamaha mg127cx > mbox > ableton live.

Low notes on guitar made on loop program.

Reminds me the turkish pop songs of 90's.

A bongo martillo with some accents.

Exorcism, brief, in latin with sound effects.

A woman says hello.

Testing out the werkstatt-01. Slightly eq'd on the low end.

Upbeat happy percussion classical latin style guitar with clapping and other percussion instruments through audacity.

I created the beat using ableton. I recorded the guitar part on my fender strat, useing warping ableton to tighten up my playing. I used a peavey mic (away from comp will check model when i get home) going to a fast track ultra audio driver. Please credit me if you use it.

Rotpb - latin lunches _ minimal house, latin_116 bpm_a minor_full mix audio.

This is me, doing some pseudo latin voice over work for an audio play i'm working on. Basically this consists of 2 vo layers. One normally spoken, but pitched, the other one just whispering the same text in synch with the first layer. Add some fancy reverb and there you have your evil demon chant.

Wind is blowing and howling in the salt desert of atacama (chili). Sound recorded by a ms setup schoeps microphone ccm41&ccm8;sound devices 744t recorderms is encoded in stereo left-rightrecorded in 2012 during the shooting of "camanchaca // notes pour un film à venir" directed by clio simon (http://www. Wix. Com/cliosimo8/cliosimon - cliosimon@gmail. Com)photography : sergio nahuel. More sounds on http://www. Felixblume. Comthe same sound on soundcloud with a french description on http://soundcloud. Com/felixblume/desert-atacama. Please rate the sound or comment it if you like it !.

Happy upbeat acoustic guitar with various percussion through audacity. Latin feel for a transition or background.

A wobbly cartoon / video game effect.

Latin percussion beat.

No fuss 3 stage asr (analog shift register) patch. I sample from a quantizer but still its not exact pitch. The sound start with a short decay. I will gradually increase the decay time of the three sounds.

Boiling budyń sound (pudding?).

Test of how uoki-toki polivoks vcf handles sin-wave. I tune the module i use as sin-oscillator (intellijel μvcf) to ca 270hz. I connect it to uoki-toki polivoks vcf. I let a sin lfo sweep the filter, cv1 pot at ca 70%.

Don’t know if my english is correct. . . Butt i guess you get it, dear reader. Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 70%. What happens. . .

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. The vco is also tuned to 270hz. In this test i connect the same lfo to cv1 on the vcf and 1v/oct on the module i use as vco (intellijel μvcf). I let the lfo run. Cv1 on vcf pot at 100%. They are playing together. The vco is connected to the in on the vcf. Confused explanation. . . But at least not in swedish.

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 100%. Hmmm interesting. . . .

I let both the vco (intellijel μvcf) and the uoki-toki polivoks vcf play a little melody, the same. The vcf is in self-oscillation and cv1 at 100%. It does not track perfectly, but could be useful.

Modular synth patch with 2 voices (vcos). One sinus wave and one triangle wave. Max reverb (hall) on my ladik d-330. Output to reverb is mono. Observe how the output from the reverb makes affects the channels. Meanless and bizarre video on https://www. Youtube. Com/watch?v=daymdm8vrz0.