1,645 免版税 音轨，用于"混乱"

Retro object destroy sound perfect for retro destroying games.

I'm trying to find a place for "rnd modul logistische gleichung" in my modular. Okay this is a to long sequence. . . ? and unstable. But interesting. Makes it a little generative.

This is nlc sloth. A chaos module. Doing. . . Chaos. Fade in and out. . .

This is 2 nlc sloths. Making chaotic but nice music/sound. . . I'm glad you found this little sound. Take good care of it.

Two small connected feedback systems playing for you.

Using nonlinearcircuits sloth lfo (regular version) to control volume, pan an some other stuff. . . Always nice to see/hear chaos in action. Sloth delivers cv and let me play with a ruffly tuned chord that goes thoughan analog delay pedal.

An electric guitar, heavily detuned, processed with layering and filtering into noise.

A heavily detuned guitar, played noisily, chopped up and reconstituted into the vague shape of a drum solo by a very lazy "machine learning" script.

All my sound effects are always created from scratch. Handcrafted using only the finest frequencies and waves. If you alter my sounds in any way i can not be held responsible for your health and safety.

Mixing chaos, feedback and odd sounds in this. . . Whatever it is.

Its exactly what the title says. . . Chaotic! you can use any of my sounds freely, just please credit me.

Nlc sloth and jerkoff generates chaos.

Applied hourglass to glass-bowing sounds with transposition spread set to more than 1…2 semitones, resulting in tense dissonant sound.

Small patch painting in sound chaos, random and music of the krells.

Really simple patch. Cv from nlc sloth to quantizer (doepfer a-156), via attenuverter. Triggers from doepfer a-160(161). But a tone is only generated if there is a change in cv from sloth. Its not 100% generative :-) first there is no cv connected to the oscillators. I connect them one at a time. The noise is also controlled by the same sloth. The analog delay is connected to barton musical circuits (bmc) 4 quadrant multiplier and panner acting as a panner, controlled by nlc jerk off (still a sick name on a great module). The ehh drum sound is generated by bmc decaying analog noise.

We recorded this sound while our trip through india. You can watch the video here: https://youtu. Be/6rcbpwxqujoyou can use this sound in your project regardless if it is commercial or non-commercial but it would be awesome if you could tag my instagram account somewhere in the description:https://www. Instagram. Com/florianreichelt/. All sound effects have been recorded with the h4n pro: https://amzn. To/2pacyyr. Leave a comment and tell me for which project you used it!! :). By the way - have you guys already checked out my latest travel video about india?if not you should definitely watch it: https://youtu. Be/6rcbpwxqujothe nature, the people and the overall culture are absolutely outstanding and they inspire you to travel as well.

Testing my modular synth after downsizing. Works well.

Nlc jerk off without any input is the engine for this simple patch. In my little world i see nlcs chaos modules as a helping hand. I find the though of chaos very pleasing. . . Spring reverb and analog delay are used.

Electric guitar sorta dirty, raunchy, sloppy, don’t call it blues but can’t call it complete noise.

Machine composition for 3 voices and colored noise. Composers: zlob diode chaos, nlc jerkoff, nlc ff chaos and nlc genie.

A small piece of music made a sunny day in november.

A small piece of music made a sunny day in november.

A small piece of music made a sunny day in november.

It's a 15-minute long drum improvisation. It contails a lot of different beats and rhythms played so you might cut-out some loops for your needs. The kit has:- single kick- snare- hihat- 3 toms- broken crash that sounds really short- ride. The kit was old and not in perfect condition. I also used my sticks to play on some other part of the drumkit, like metal stand for the crash etc. I also got up and stated running around in a circle hitting sticks together and afterwards hitting drums and cymbals while running around the drumkit. I took my shoes off before i started so you can't hear my footsteps. I didn't use a metronome and i know i don't hold the tempo and it's a bit wiggly sometimes. I think this performace was inspired by band mr. Bungle. I recorded this with zoom h2 handy recorder's front stereo xy mics. It was standing on a table about one meter above the floor. Facing the drumkit and me. It was captured into a 48khz/24-bit wav file, then i trimmed the ends and converted this to flac using audacity. No processing applied, though i think it sounds nicer when you put these effects:. 1. A compressor:-attack: 10ms-release: 50ms-ratio: 2. 5:1-treshold: around -24db2. A reverb:-decay: 1. 5 to 2 seconds-dry: 0db-wet: around -15 db. It amazes me how much energy compression actually adds to drums!. I made this with my podcast (http://unfamusic. Com/fnr/) in mind. I want to overdub guitars, vocals and make it one big schizophrenic song. If you're interested to hear it, leave me a comment so i can find you, or just subscribe to my podcast's rss (http://feeds. Feedburner. Com/unfa-fnr/).

Zlob diode chaos - selection from an hour long recording, 54min and 45sec in. The chaotic lfo has 4 outputs x, y, z and trig (trig-ich. . . ). Center sound: x to pitch cv in on vco, y to filter cut of. To the right: z to a wave folder (osc static pitch). To the left: trig to cv in on a self oscillating filter. There are peaks (hz) beyond my hearing. I hope you can manage. . .

One more recording today. Using chaos! yep! this time the logistic equation. But my r is constant.

Using an cvlfo in a feedbackloop creating very "chaotic" cv!.

Searching in the pencilcase.

A near chaotic experiment. Im mixing cycling envelopes and lfos to generate triggers. The four sounds are totally unrelated. > bass drum. > snare (or something. . . )> bass. The pitches for the bass are generated withthree mixed lfos. A trigger is generated from the quantizerwhen the cv changed enough to generate a new note inthe selected scale. > ear piercing and annoying sound. Three minutes of more than enough.

Chaos controlled sounds from an analog modular synth.

Modular synth bleeps and bloops controlled by chaos modules. Does that makes it better?no!.

While i'm at it. Another electronic minute. Made this patch really fast. No random! i use chaos. You can loop this sound. A modular is like sound lego. I like that. Relaxing. Well, not the sounds. . . Totally unedited sound.

I'm trying hard to learn/understand nlc genie. Bought the module 3rd hand. . . At least. Some techno-like sounds. Genie and drum sound are modulated by nlc jerkoff. Genie is modulating vco and vcf.

I'm trying hard to learn/understand nlc genie. Bought the module 3rd hand. . . At least. Some tribal sounds. Modulating genie w nlc sloth. Genie is modulating vco and vcf.

Music made to a graphic score.

Sound made on modular synth.

Sound experiment made with modular synth.

I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency low. That’s why there is a low humming wind noise between the “tops”. The output sound from filter goes to reverb. The sound is more a study of sloth behavior than an attempt to create a great wind sound.

Recorded in a workshop. About 40 hanging screw-clamps, randomly struck with a metal stick.

Police ordering crowd to disperse using bullhorn. Heavy reverb. Reading the riot act based on a transcript of actual riot act reading at in canada. I know, hard to believe but it happens sometimes. This would be played on a loop prior to and during police dispersal of a crowd this is a re-creation.

Same patch 3 drones. I let chaotic lfos control pwm and filter.

Electronic minute no 27 - combined forces. A patch with 2 unrelated patchesthey share an lfo. . . A) 2 lfos playing with a-101-1 vactrol vcfthe filter is feed with a square wave. B) a more advanced patchtriggers from env. Follow. Feed with cv from jerkoff (chaos)noise to a slew controlled by a sloth lfos/h to oscosc to vcathe vca is controlled by the same lfo as the slew but inverted!. Evaluation of patch/soundone cycle is - cycles? about 1min - goodonly short sounds - no, and thats goodamplitude variation - fairly goodpitch variation - yes, goodtimbre variation - not bad at allmusical value - i should consider this musicalentertaining - think so, yes.

Electronic minute no 28 - chaos and random are friends now. Patch with jerkoff, envelope follower, sample and hold, ring modulation and delayi like the sound my self :-). Evaluation of patch/soundone cycle is - about 30 sec - goodonly short sounds - yes, good this timeamplitude variation - not very much, okaypitch variation - yepp, enough, goodtimbre variation - some, okaymusical value - i should consider this musicalentertaining - think so, yes.

Electronic wasps taking bytes of ram.

Medium sized, mixed male and female, crowd yelling and screaming in panic. Recorded (and featured) by students of video games and animation from the national school of arts of uruguay, during the sound design workshop.

Sounds from a generative patch controlled by chaos. Pure analog modular synth. But digital fx. . . Everything is analog when you hear it!.

Just makes your ears hurt, doesn't it? could be great for something like a machine having a complete meltdown, or a robot going haywire. Created by taking a stock sound effect of guitar plugs being pulled and distorting, reversing, stretching, looping, adding phaser, flanger, vibrato, tremolo, i can't even remember what else, like there's no tomorrow. All done in wavepad. I also tried to make it loop, but it's up to you whether i succeeded or not.

A wet plopping sound, such as meat falling into a puddle. I needed the sound of a body dropping into a pool of it's own blood. This was created by letting a soaked rag drop onto several sponges full of water from a height of about a foot.

Digital shimmering crystal sound.

How to wake the kids (not really kids anymore) up. . . You can hear one of them. . .