424 免费艺术作品适用于和服

女人绘画服务员女孩插画伴侣日本演员

《孝和睿皇后朝服像》局部 2

See no evil speak no evil

The Third Month, from an untitled series of Twelve Months(1770) Suzuki Harunobu

Japanese dressmaker. Before 1902

Shidate 仕立(Sewing kimono) (BM 2008,3037.08603)

Plum Blossoms at Night (Yoru no ume)

波士顿和服

Traditional illustration lithograph of kimono design, three colorful birds in a black background. Digitally enhanced from our own antique plate.

Beautiful photomechanical prints of a Geisha and Cherry Blossom (1887–1897) by Ogawa Kazumasa.

日本人女人

Kitagawa Utamaro – Santô Kyôden at a Daimyô’s Mansion [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

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Untitled

Kitagawa Utamaro – Looking at Mount Fuji from a Teahouse [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Uemura Shōen – A Fine Day [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Kitagawa Utamaro – Women Resting at the Fujimiya Teahouse [Right] [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Katsushika Hokusai – Lingering Snow for Azuma and Yohei (Eight Views of Tragic Lovers) [from Meihin Soroimono Ukiyo-e]

Katsushika Hokusai – Evening Bell for Oume and Kumenosuke (Eight Views of Tragic Lovers) [from Meihin Soroimono Ukiyo-e]

Utagawa Kuniyoshi – NAGAKUBO: Oshichi and Kichiza [from The Sixty-nine Stations of the Kisokaido]

Utagawa Kuniyoshi – ODAI: Teranishi Kanshin [from The Sixty-nine Stations of the Kisokaido]

Kitagawa Utamaro – Tea-Whisk Seller, Fire Wood Seller, Shrine Festival Performer, from the series Female Geisha Section of the Niwaka Festival in the Yoshiwara [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Uemura Shōen – Insect Sounds [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Katsushika Hokusai – Spring Flowers for Osome and Hisamatsu (Eight Views of Tragic Lovers) [from Meihin Soroimono Ukiyo-e]

Utagawa Kuniyoshi – MOTOYAMA: Yamauba [from The Sixty-nine Stations of the Kisokaido]

Komura Settai – River Bank [from Hanga Geijutsu No.146]

Uemura Shōen – Making Folding Fans [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Komura Settai – Makuzugahara [from Komura Settai]

Kitagawa Utamaro – Women Resting at the Fujimiya Teahouse [Left] [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Six Selected Actors [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Fukurokuju, Benten, and Hotei at a Party with Courtesans [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Tsukioka Yoshitoshi – Kiyohime emerging from the Hidaka River [from One Hundred Ghost Stories of China and Japan]

Uemura Shōen – Waiting for the Moon [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Miyuki [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Komura Settai – Inside Front Cover from Yūri by Izumi Kyōka [from Hanga Geijutsu No.146]

Kitagawa Utamaro – Complete Illustrations of Yoshiwara Parodies of Kabuki, a Set of Ten [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Naniwaya Okita [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – The Suminoe at Shiba, from the series Comparing the Charms of the Five Beauties [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Naniwaya Okita, from the series One Hundred Vases of Flower Arrangements [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Naniwaya Okita, from the series Young Women of the Present Day Who Have Made their Mark, a Triptych [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Naniwaya Okita [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Takashima Ohisa, from the series Young Women of the Present Day Who Have Made their Mark, a Triptych [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Untitled

Sudō Shigeru – Trifoliate Orange Flower [from Sudō Shigeru Lyric Art Book]

Sudō Shigeru – Blooming Camellia in Island [from Sudō Shigeru Lyric Art Book]

Sudō Shigeru – Flower Seller [from Sudō Shigeru Lyric Art Book]

Sudō Shigeru – That Way, This Way [from Sudō Shigeru Lyric Art Book]

Utagawa Kuniyoshi – MIEJI: Maple-Leaf Viewing (Momijigari) [from The Sixty-nine Stations of the Kisokaido]

Kitagawa Utamaro – Iris: Two Women Looking Up, from the series Ordinary Women as Six Selected Flowers, pun on Six Poetic Immortals [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Keisai Eisen – Ukiyo Shijuhatte (Forty-eight Tactics of Love) : Technique of capturing with alluring gesmre [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

Kitagawa Utamaro – Actor Nakamura Noshio II as a Rokubu Pilgrim [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Three Beauties at Matsubaro – Wakamurasaki [from Utamaro – Ukiyoe meisaku senshū I]

Tsukioka Yoshitoshi – Looks Sleepy’ Mannerisms of a Courtesan in the Meiji Period [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Looks Good’, Mannerisms of a Pleasure Quarter Geisha from the Kyoka Period [from Thirty-two Aspects of Women]

Uemura Shōen – Early Autumn [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Late Autumn [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Late Autumn [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Spring and Fall (Left) [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Spring Field [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Kitagawa Utamaro – Around the Clock at Gay Quarters – the Hour of the Tiger [from Utamaro – Ukiyoe meisaku senshū I]

Yasui Sōtarō – Portrait of Girl [from Sōtarō Yasui: the 100th anniversary of his birth]

Kitagawa Utamaro – Komurasaki of the Miuraya and Shirai Gonpachi [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – The Geisha Kamekichi of Sodegaura [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Parody of the Killing of the Nue, from the series Picture Siblings [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – To Jirushi of the Land of Geisha [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Woman with Lantern, from the series Ten Types in the Physiognomic Study of Women [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Wakaume of the Tamaya in Edo-machi itchôme, kamuro Mumeno and Iroka [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Three Beauties of the Yoshiwara [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Love for a Street-walker [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – The Noda Jewel River, from an untitled series of Six Jewel Rivers [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Yosooi of the Matsubaya, from the series Contemporary Courtesans Drawn from Life [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – No. 8, from the series Letters of Beautiful Courtesans [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Three Beautiful Mistresses [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Reed Blind, from the series Model Young Women Woven in the Mist [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Wakatsuru, from the series Array of Supreme Beauties of the Present Day [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Komurasaki of the Tamaya, kamuro Kochô and Haruji, from the series Eight Views of Beauties of the Pleasure Quarters [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – A Flower of the Ôgiya, from the series Array of Supreme Beauties of the Present Day [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – The Hour of the Sheep, from the series The Twelve Hours in the Yoshiwara [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – The Immortal Lu Ao, represented by Mimasakayama of the Chôjiya, kamuro Chidori and Midori, from the series Eight Immortals in the Art of Love [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Miyahito of the Ôgiya, kamuro Tsubaki and Shirabe [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Toyohara Kunichika – Ko’ina of the Inamotoro, Kuruwasenryo, from the series Hisenryo O-Edo Nigiwai [from Takahashi Yuichi: Pioneer of Modern Western-style Painting]

Takahashi Yuichi – Courtesan [from Takahashi Yuichi: Pioneer of Modern Western-style Painting]

Keisai Eisen – Ukiyo Shijuhatte (Forty-eight Tactics of Love) : Promising to meet at tlie house of appointment [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

Keisai Eisen – Fûryû Bijin-awase (Charm contest of women) : Ainare of the Ebi-ya House [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

Keisai Eisen – Dressing up [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

Kitagawa Utamaro – Segawa of Matsubaya [from Utamaro – Ukiyoe meisaku senshū I]

Kitagawa Utamaro – Ohisa of Takashimaya, Fan in Hand [from Utamaro – Ukiyoe meisaku senshū I]

Kitagawa Utamaro – Three Beauties at Matsubaro – Matsukaze [from Utamaro – Ukiyoe meisaku senshū I]

Kitagawa Utamaro – Ten Physiognomic Aspects of Women: the Passionate Type [from Utamaro – Ukiyoe meisaku senshū I]

Kitagawa Utamaro – Three Beauties of the Kansei Period [from Utamaro – Ukiyoe meisaku senshū I]

Tsukioka Yoshitoshi – Mannerisms Elegant’, Mannerisms of a Court Lady from the Kyowa Period [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Looks Graceful’, Mannerisms of a Beautiful Woman from the Tenpo Period [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Looks Amused’, Mannerisms of a Lady-in-Waiting from the Bunsei Period [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Looks Slovenly’, Mannerisms of a Kyoto Geisha from the Kansei Period [from Thirty-two Aspects of Women]

Uemura Shōen – Votive Lantern in a Shrine [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – New Leaves [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – A Lady [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Farewell to Spring [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Daughters [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Komura Settai – Spring Rain [from Komura Settai]

Komura Settai – Mount Tsukuba [from Hanga Geijutsu No.146]

Kitagawa Utamaro – Love that Rarely Meets from the series Anthology of Poems: The Love Section [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

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