505 免费艺术作品适用于文化

文物埃及日本埃及人日本人古埃及古老的花卉优质的演员

One of the portrait from the collection of portraits, Portraits of Actors by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration.

Design of an antique burgundy chair. Digitally enhanced from our own original plate.

Suzumushi bell cricket illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

Temple of Hathor (of Euergetes II), pronaos and Small temple of Hathor, propylon and Same building, sanctuary. Grand temple of Isis, at the bottom of the sanctuary from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).

埃及人文化

Anker Grossvater erzählt eine Geschichte 1884

文化遗产祖父母

Imo–se–yama, hand–colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

Lily, hand–colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

Leaf and flower illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

Cicada illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

日本人昆虫

Punch Agnee from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

Pooja to Soorya (Sun) from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

Plate 9 : Entrance into the Pyramid of Cephrene illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Locust on a leaf illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

优质的花卉

Chrysanthemum Garden, hand–colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

Left wall with Secos, Sanctuary, At the bottom of the pronaos, and Sanctuary on east wall from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).

埃及人埃及

Moth illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

优质的日本

The Brahmin's first ceremony on entering the ganges from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

Pooja of Vishnoo from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

One of the portrait from the collection of portraits, Portraits of Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration of a woman in colorful clothing.

日本人日本

Ruins of the Temple at Erments illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Plate 29 : Figures taken from an ancient wall near the Temple at Offedina in Nubia illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Arisarum Latifolium Majus (ca. 1772 –1793) by Giorgio Bonelli.

Anagallis phæniceo flore, Mouron (ca. 1772 –1793) by Giorgio Bonelli.

Oxys, sive Trifolium acetosum, corniculatum, erectum, caulibus rubentibus, floribus luteis (ca. 1772 –1793) by Giorgio Bonelli.

植物学文物

Procession of Jews illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

古老的文物

Religious Vessels from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

One of the portrait from the collection of portraits, Portraits of Actors by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration of a man attacking a woman.

日本人日本

Emblematic Figures illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

埃及人埃及

Letter C calligraphic initial. Digitally enhanced from our own original plate.

The Town of Bacchus on the North side of the Lake Moeris illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

古老的埃及

Plate 11 : False Passage towards the centre of the Pyramid by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

金字塔埃及

Kin–shi–shi, hand–colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

日本人花卉

Procession of Egyptian illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

古老的埃及

Seisha-Orandajin, Nankin by Utagawa Yoshikazu (1848-1863), a traditional Japanese illustration of a Japanese print showing a Dutch merchant drinking and a Chinese servant standing on his side.

Plate 28 : Colossal Head of Red Granite by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Flower illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

Horsefly illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

日本人马匹

Moth illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

Plate 12 : Great Chamber in the interior of the Pyramid illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

古老的埃及

Plate 16 : Tablet of brecchia stone with Hieroglyphics illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration.

日本人日本

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration.

日本人日本

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration an actor with a katana sword.

日本人日本

Sitting figure illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

古老的埃及

Grand temple, west wall. Same, Osiris burial chamber, of the west. Same, foundation of the sanctuary from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).

埃及人埃及

The secret prayer (Gayatri Jup) from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

Great speos: Great hall, east wall. Second painting from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).

Hand Signs from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

Pomegranate illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

Plate 27 : The Rocks and Castle of Ibrim in Nubia illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration of an actor in costume.

日本人日本

Greater Periwinkle (ca. 1772 –1793) by Giorgio Bonelli.

植物学花卉

The Temple of Dakke in Nubia illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Lily, hand–colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

Group of Morning Glories, hand-colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

White blossomed flower. Illustration from Seitei Kacho Gafu (1890–1891) by Wantanabe Seitei, a prominent Kacho-ga artist. Digitally enhanced from our own original edition.

日本人秋季

Alexanders, Black Lovage, Black Potherb Horse Parsley (ca. 1772 –1793) by Giorgio Bonelli.

植物学花卉

Letter T calligraphic initial. Digitally enhanced from our own original plate.

Plate 41 : Colossal Head of Red Granite illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Procession of Ethiopians illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Butterfly with flower illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

日本人蝴蝶

Tableau representing the two Niches illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

古老的埃及

Tropical Plants illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Kin–sui–ro, hand–colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

日本人日本

Oriental umbrellas from My Little Chinese Book by Mary Audubon Post (1912).

Saxifraga verna, annua humilio (ca. 1772 –1793) by Giorgio Bonelli.

植物学绿色

The City Hall in Amsterdam by Johan Teyler (1648 -1709).

建筑物中世纪

Owen Jones famous 19th Century Grammar of Ornament. One of the finest graphic design books ever produced. From our own original antique chromolithographic version of the famous book we have created a high resolution digitally enhanced copy for you.

Figure large as life illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

优质的埃及

Amsterdam Canal Houses on the Herengracht by Johan Teyler (1648-1709).

Soga no Adauchi by Utagawa Yoshikazu (1848-1863), a traditional Japanese ukiyo-e style diptych of a scene from a Soga kabuki play, Soga brothers and warriors fighting.

日本人日本

The British lion from Un-Natural History Not Taught In Bored Schools, etc published by Simpkin, Marshall & Co. (1883).

Mining tools set from Shifts and Expedients of Camp Life, Travel (1876) published by William Barry Lord.

工具类艺术

Extraordinary Overflowing of the Nile illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

古老的埃及

Section of the great Tomb of Psammuthis illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

古老的埃及

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style actor illustration.

日本人日本

Vintage European style horseback riding of a lady engraving from London (illustrated). A complete guide to the leading hotels, places of amusement. Also a directory of first-class reliable houses in the various branches of trade by Anonymous (1872).

骑马的马匹

Religious Vessels from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

优质的印度

Japanese crows perched on a branch. Illustration from Seitei Kacho Gafu (1890–1891) by Wantanabe Seitei, a prominent Kacho-ga artist. Digitally enhanced from our own original edition.

Hand signs represent to Tortoise from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

Butterfly and flower illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

Misu–no–uchi, hand–colored collotype from Japanese Flowers (1896) by Kazumasa Ogawa.

日本人日本

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration of an actor in costume.

日本人日本

Plate 31 Interior of the Temple in Carnak illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Perched magpies. Illustration from Seitei Kacho Gafu (1890–1891) by Wantanabe Seitei, a prominent Kacho-ga artist. Digitally enhanced from our own original edition.

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration of an actor in costume.

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style actor illustration.

日本人日本

Lock and key from A Vade-Mecum For Malt-Worms; Or, A Guide To Good-Fellows (1866) published by Ned Ward.

Vintage European style harp engraving.

凯尔特人音乐

Plate 13 : Sacrifice of the Bull by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Vintage European Vintage European style engraving featuring horse racing with jockeys by Charles Simon Pascal Soullier (1861).

Egyptian Arches, Existing in Thebes, and several animal Mummies illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Portrait of an old man with a flat wide cap (1756) by Cornelis Ploos van Amstel.

Fireflies illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

毛毛虫花卉

Interior of the Temple at Ybsambul illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

古老的埃及

Four Dancing Women by Johan Teyler (1648-1709).

Tsuzure–no–Nishiki, hand–colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

Lily, hand–colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

日本人性质

World atlas from The Practical Teaching of Geography. Atlas, Maps, Texts and Questionnaires... Elementary Course (1878).

General View of the Ruin of Carnak illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

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