13,911 免版稅 音軌，用於"巴西人"

Go Down, MosesGo Down, Moses, Spiritual.Übertragung (R.F.): Als Israel im Frondienst schrie, – König, lass uns ziehn! – griff Gott ein und befreite sie. – König, lass uns ziehn!    „Du bist's, Mose“,    sprach Gott und sandte ihn:    „Sag zum Pharao:    König, lass uns ziehn!“ Erst ängstlich zögernd, dann voll Mut – König, lass uns ziehn! – rief Mose: „Sieh, was Gott euch tut! König, lass uns ziehn!“    „Du bist's, Mose“,    sprach Gott und sandte ihn:    „Sag zum Pharao:    König, lass uns ziehn!“ Das Herz des Königs fror zu Eis. – König, lass uns ziehn! – Dann kam die Nacht des Wehgeschreis. – König, lass uns ziehn!    „Du bist's, Mose“,    sprach Gott und sandte ihn:    „Sag zum Pharao:    König, lass uns ziehn!“ Das Volk zog sicher durch das Meer. – König, lass uns ziehn! – Ihm nach versank Ägyptens Heer. – König, lass uns ziehn!    „Du bist's, Mose“,    sprach Gott und sandte ihn:    „Sag zum Pharao:    König, lass uns ziehn!“ Als Israel die Rettung sah, – König, lass uns ziehn! – unstillbar war ihr Jubel da. – König, lass uns ziehn!    „Du bist's, Mose“,    sprach Gott und sandte ihn:    „Sag zum Pharao:    König, lass uns ziehn!“

Original Description: Song 95 from The Sacred Harp, performed by New Harp of Columbia at Headricks Chapel, Wears Valley, Tennessee.

Performance Conductor: Simon Schindler Ensemble: Fulda Symphonic Orchestra Location: Grosser Saal der Orangerie Fulda Work Composer: .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Song from The Remains of Tom Lehrer

A song from The Remains of Tom Lehrer

Livery Stable Blues by the Original Dixieland Jass Band, recorded 26 February 1917. It was released on the Victor label on 7 March 1917, and was the first released jazz recording. 78 RPM, transferred to .ogg from a .mp3 file from The Internet Archive. This version has been edited to reduce the hiss. Українська: «Livery Stable Blues» від «Ориджінал диксиленд джаз-банд», записаний 26 лютого 1917 року, перший випущений джазовий запис.

This is a set of drum set interpretations of the baião pattern. Kit used was a 16" kick, dampened, but not stuffed to sound more like a surdo, a 14" ludwig snare, one riveted ride cymbal and hi hats. Simply recorded with a single sm57 but they are clear sounding loops. I'd be interested in hearing anything you use them in :).

Áudio anunciando que os passageiros com destino ao acre devem embarcar. Usei a campainha deste som:. Https://freesound. Org/people/festivus31/sounds/177560/.

Brazilian samba with leather tambourine.

South american, south brazilian bird.

Brazilian bird - gralha, recorded in recanto da saudade, in são joaquim, santa catarina, brasil.

Loop of a brazilian tan tan drum, also known as the "lap surdo" this is a 14" bauer tan tan with a napa head. Miked with a single sm57.

Bauer tan tan drum playing a basic bossa/samba pattern.

Gravação em estúdio utilizando um tamborim e microfone condensador. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

The chocalho de platinela ('rattle/shaker with little plates') is a large and very loud metal shaker, with jingles similar to a tambourine, mounted in three long rows on an aluminium frame. They are used en masse in samba bands, usually playing a simple but very fast rhythm. A back (towards the body) shake.

E aí bixa?.

Tamborim, levada de samba.

V of V in C, on guitar.

V65 of V in C, four-part harmony. Reduced from Chopin.

V of V in C, four-part harmony. Reduced from Chopin.

V of V in C, four-part harmony. From Bach.

V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.

V/V-V-I in C, in four-part harmony.

Percussion with brazilian triangle.

Brazilian percussion with rice shaker.

This is a berimbau, a brazilian gourd instrument made of a wire strung tightly on a piece of bowed staff. There is a wah kind of effect made as you move the gourd in to your belly. There is some ambiance added to the sample, but it's mostly the instrument that you hear.

Moringa groove recorded whith akg c1000 / scalrlett 2i2.

Crowd walla cuban men yell shout about baseball exterior.

Crowd walla cuban men yell shout about baseball exterior.

Crowd walla cuban men yell shout about baseball exterior.

A stereo field-recording @ibirapura park in são paulo, brazil with people jogging, walking, talking, a dog panting, brazilian birds. Stereo aiff 48 khz 16 bits. Recorded with zoom h4n.

Recording in stereo with a pmd660 and a at822 microphone. Recording without editing. In the heart of the gothic district of barcelona (spain)12 of august of the 2005. To 12 at nightmy interest: perhaps you have read something of the "niche hypothesis". In the city, at certain moments, it happens the same. It seems that one sound wait for others like a spontaneous orchestrated soundscape. In this case, somebody drags a dustbin.

Field recording taken at passeig de gràcia train station in barcelona. Recorded with a zoom h2.

A percussive edm loop made using fl studio's step sequencer and stock samples included with the software.

An accordion player on the metro on route to plaça d'espanya.

I recorded this sound with an at-2020 usb condenser audio technica microphone.

Recorded with the nt-sf1 from rode with the zoom f4 at the sagrada familia.

Cacerolada in barcelona.

A café on place de la bastille in paris. Mostly café sounds: conversations in french and (french-accented) english, various noises, and some car horns. Uploaded as recorded on a zoom h2.

A short excerpt from bach's g major fugue, arranged for 4 voices and played with the arp 2600 synthesizer with an intellijel bifold.

Walla sounds of brazilian jail. Recorded with bult-in mics of zoom h4n (stereo xy at 120 degree).

This is the soundscape i've recorded in my neighboorhood of cidade tiradentes, a district from são paulo, brazil. We name these events as pancadão (big punch) or fluxo (flow). When a flow occurs, you know that the sound is very high and it invades all surroundings. It happened in april 4, 2021, during our worst period in the the global covid-19 pandemic. Plent of people, vehicles, multiple speakers and so on in a street. I'm writing in the exact moment police came to repress, but in my conclusion only education can solve city problems, not repression, not paliative atitudes. I think this is interesting to share it here, as a cultural manifestation, showing that when the state fails, everyone fails. This is disrespectful at all, but i try to look it as a construction of city. In a country where its president goes for a for a swim at a crowded beach amid 200 thousand pandemic deaths, how can i criticize suburban people?. I'm not conservative, i like the kind of music playing known as"brazilian funk" or "funk carioca", this is our culture, even if i do not participate actively. Plot twist: i was working in a asmr video. *-*. Recorded in mp3 320 kbps, using a zoom h1n and compressed in ableton live to bring on the dynamics.

The context of this audio is as follows: the brazilian youtuber gabs was playing a game made in the rpg maker and in the game he had the option of "sleeping alone" or "sleeping with his mother" after he chose to sleep with his mother shortly after an audio of moan is reproduced wanting to imply an incest after what happened the youtuber is totally disgusted and surprised. And gives rise to this audio.

Manifestation des sans-papiers le 21 mars 2015, 17h, bd magenta à paris, près de la gare du nord, depuis une fenêtre sur cour au 6ème étage. Protest in paris on march 21st 2015, 5 pm. This recording is taken from a rear window on boumevard magenta, near gare du nord, on the 7th floor.

Record of the noise of the air conditioning machine of the filmoteca de catalunya in its sant pau street side, the world listening day (2014).

Open bongo.

Mid-low bongo.

Mid bongo.

Low bongo.