2,561 免版稅 音軌，用於"模板"

Aethernet-cc0 pattern template design webdesign network ethernet wifi pulse cloud.

Aethernet-cc0 pattern template design webdesign network ethernet wifi pulse cloud.

Aethernet-cc0 pattern template design webdesign network ethernet wifi pulse cloud.

Aethernet-cc0 pattern template hysteresis spectrum wire net volume oscillator ghost pilot.

Aethernet-cc0 pattern template hysteresis spectrum wire net volume oscillator ghost pilot.

Aethernet-cc0 pattern template hysteresis spectrum wire net volume oscillator ghost pilot.

Aethernet-cc0 pattern alveolus template gasterology ontology language a-na gain line fluid energy efficiency thermopile wideband spectrum x-or wifi wimax hysteresis.

Aethernet-cc0 pattern alveolus template gasterology ontology language a-na gain line fluid energy efficiency thermopile wideband spectrum x-or wifi wimax hysteresis.

Aethernet-cc0 pattern alveolus template gasterology ontology language a-na gain line fluid energy efficiency thermopile wideband spectrum x-or wifi wimax hysteresis.

Aethernet-cc0 pattern template color rheology radio net wireless space pulse.

Aethernet-cc0 pattern template color rheology radio net wireless space pulse.

Aethernet-cc0 pattern template color rheology radio net wireless space pulse.

Drop melody music beat trance.

The start of terraria soundtrack "underground" but saturated.

Over forward upside down.

1 looping envelope and 2 vclfos in a dance (chain connected). I think its harder for this combination to find a nice pattern - equilibrium. It happens sometimes. Maybe the mixture between positive and negative cv confuses the modules. Makes it harder. I start the recording with one of the vclfos in vco-mode. After about 17 sec i swith to lfo-mode. Records and hope that a pattern should emerge. I have been listening, and looking at the wave form, in different modes, but i'm not sure if there is a pattern in this recording. . . Maybe to advanced for me. There is - some -sort of pattern repeating every 22 sec. Or?.

Electronic minute no 145 - pattern 2 with some wave shapingpattern 2 with some wave shaping. Simple graphic score. Fun. Well this pattern and patch wasnt that interesting. More to come. The pattern is here: https://www. Instagram. Com/p/bms6mpeg4n8/?taken-by=gis_sweden.

Testing/documening my nonlinearcircuits timbre!. "this is basically a clone of the buchla timbre found in the easel. ". Sound:1. Sine wave not going throught wave folder2. Sine wave though wave folder3. Triangle though wave folder4. Square through wave folder5. Saw through wave folder. An lfo is modulating the bias. No, when going through the folder the there is never a sinus wave. . . Next time. . . Also it is a matter of calibration. I should check it out.

Experimentation with the harmmod m4l plugin in ableton live. No effects or post-processing was applied to the sound except normalization.

White noise aplitude modulation mix.

Female voice sample "burn" modulated.

Female voice band filtered "tion" sample remix modulated.

Female voice band filtered "tion" sample remix modulated.

Female voice sample "night" modulated.

Synthesizer samples processeswith amplitude modulation.

Synthesizer setting with amplitude and frecuency modulation.

Synthesizer setting processed and remixed.

Female chorus with pulse modulation remix.

Female chorus processed, remixed and amplitude modulated.

Female chorus processed and remixed.

Mixed chorus processed and remixed.

Female chorus processed and remixed.

Female chorus processed, remixed and amplitude modulated.

It was made by an ios app, called fugue machine. Made in august 2020 in germany, witten.

Stochastic component obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

Harmonic component obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

Resynthesized output obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

This is a trnsformation of the original sound: http://freesound. Org/people/ricemutt/sounds/23933/ , with the parameters:. For synthesis:window type: blackmanwindow size: 801fft size: 1024minimum f0: 100maximum f0: 2500number of harmonics: 20 (we don't need too many harmonic here)threshold: -100stochastic decimation factor : 0. 1minimum sine duration : 0. 1. For transformation :frequency scaling factors : [0,1,0. 4,1,0. 6,0. 9,1. 0,0. 5,1. 2,0. 3,1. 4,0. 6] <- (make frequency variation steady)frequency stretching factors : [0,2,0. 5,1,0. 51,0. 7] <- (create a frequency variation, high->low )timbrepreservation : 1 <- (no change)time scaling factors : [0, 0, 0. 8, 1. 5,1. 0,2] <- (make some "free fall" feeling).

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. This is a combination of the harmonic component and the stochastic component. It was extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. Stochastic sound extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. Harmonic sound extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

Simple frequency modulation with one carrier, changing basic feedback parameters.

Here's a basic example of working in subtractive synthesis: adding oscillators, changing waveforms, filtering, adjusting portamento.

Some effects picking from vst called crystal.

A simple loop with the progression c, g, g#, a#.

Lofi synth arpeggio pattern.

This sound effect makes me wanna do a squat, for some reason. Sound effect is an edited snippet originally from snail's house - hot milkyou can listen to it here: https://www. Youtube. Com/watch?v=n8ngig78lns. Edited using audacity.

This is my audio recording for ame 111 module 5.

Some strange wobble i made when messing around in fl studio.

Simple stutter effect created by altering the rate of an lfo modulation various noise sources. Added additional granular processing.