5,269 免版稅 音軌，用於"木塊"

From the source: "An AIFF recording of two lovely old guys playing the gamelan xylophone in Bali. Recorded last October with a PMD660 Marantz in 16 bit with internal mics. A little bit of air around it but a very beautiful little tune and perfect for background to something. Enjoy."

Round by Margaret Embers McGee, "My Paddle's Keen and Bright" (1918), used to keep time paddling.

One strike of a 60 year old wood block from a vintage drum kit. Recorded with a large diaphragm condenser microphone. No compression or effect added.

Wood block processed samples remix.

Multiple recordings of a lego brick falling on a flat surface.

Dropping a small lego duplo construction and shattering it on a tile floor.

Over forward upside down.

Testing/documening my nonlinearcircuits timbre!. "this is basically a clone of the buchla timbre found in the easel. ". Sound:1. Sine wave not going throught wave folder2. Sine wave though wave folder3. Triangle though wave folder4. Square through wave folder5. Saw through wave folder. An lfo is modulating the bias. No, when going through the folder the there is never a sinus wave. . . Next time. . . Also it is a matter of calibration. I should check it out.

Experimentation with the harmmod m4l plugin in ableton live. No effects or post-processing was applied to the sound except normalization.

White noise aplitude modulation mix.

Female voice sample "burn" modulated.

Female voice band filtered "tion" sample remix modulated.

Female voice band filtered "tion" sample remix modulated.

Female voice sample "night" modulated.

Synthesizer samples processeswith amplitude modulation.

Synthesizer setting with amplitude and frecuency modulation.

Synthesizer setting processed and remixed.

Female chorus with pulse modulation remix.

Female chorus processed, remixed and amplitude modulated.

Female chorus processed and remixed.

Mixed chorus processed and remixed.

Female chorus processed and remixed.

Female chorus processed, remixed and amplitude modulated.

A wheelbarrow moves across a brick pavement in various ways.

A construccion worker hiting bricks with a chisel.

Simple frequency modulation with one carrier, changing basic feedback parameters.

Here's a basic example of working in subtractive synthesis: adding oscillators, changing waveforms, filtering, adjusting portamento.

Some effects picking from vst called crystal.

Sound i made by putting together a few from the rubble pack by dj chrono's. Used them for the sound of a house exploding then the debris falling. Link to the dj chrono's pack http://freesound. Org/people/dj%20chronos/packs/7736/.

A simple loop with the progression c, g, g#, a#.

Some little pieces of bricks scrambled together, sounds like scree.

Close mic, turning a brick over with a standard flesh-type hand. Audio raw and unprocessed.

This is my audio recording for ame 111 module 5.

Simple stutter effect created by altering the rate of an lfo modulation various noise sources. Added additional granular processing.

Two bricks rubbed against each other with some tick on.

Dumping a box full of lego bricks into plastic container.

Natural modulation - a result of the wood spinning while resonating. Pitched down (recorded at 96khz, converted to 44. 1khz without resampling).

Dropping a lego brick on a desk.

Simple 4 quadrant multiplier done with a lm13700 and some components.

Various sounds with ice cubes.

Brick drill machine. 2015. 12. 25 15:00 use zoom h1.

Self modulating a standard doepfer a-110 vco. We are listening to a square wave. I'm modulating with a sinus. I'm wiggling pwm and the degree of self modulation (and attack and decay). Spring reverb and analog delay from stomp box.

Voice feedback modulation.

Chorus processed, remixed, filtered and amplitude modulation.

Whisper personreaperrecord at 44100 hz16 bits.

A patch with nonlinearcircuits jerkoff ("chaos circuit based on the jerk equation and its electronic implementation by jc sprott") in the center. I had a question that needed an answer. Is jerkoff a stable lfo when not using the input to disturb the rythm?my answer is. It can be relatively stable, but sometimes it is wobbling around. The recording is from a wobbly jerkoff. One output to osc cv in and another to a vcf vc in. The third output goes to a comparator. The comparator generates a trigger every time the cv is passing the threshold level.

Sequential circuits pro one (analog synthesizer) self modulating.

Volume boost on the am (amplitude modulation) band static wave.

A guitar through defective self-modulating delay. The time potentiometer went "bad" after years of hard twisting and abuse, and now it warbles and pitch-shifts on it's own. It's very temperamental, though. The pedal is a johnson "ead-2 analog echo delay". May be useful for an outro or something! let me know if you use it, i'd love to hear the results!.

Scrape sound. But sounds more like straw sucking.