935 免費藝術品適用於文化

文物日本埃及埃及人日本人古老的古埃及花卉優質的宗教

Punch Agnee from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

Temple of Hathor (of Euergetes II), pronaos and Small temple of Hathor, propylon and Same building, sanctuary. Grand temple of Isis, at the bottom of the sanctuary from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).

埃及人文化

Pooja to Soorya (Sun) from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

Odd-toed unlate (Palaeotherium) illustrated by Charles Dessalines D' Orbigny (1806-1876). Digitally enhanced from our own 1892 edition of Dictionnaire Universel D'histoire Naturelle.

Suzumushi bell cricket illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

One of the portrait from the collection of portraits, Portraits of Actors by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration.

Design of an antique burgundy chair. Digitally enhanced from our own original plate.

The Brahmin's first ceremony on entering the ganges from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

Pooja of Vishnoo from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

Anker Grossvater erzählt eine Geschichte 1884

文化遺產祖父母

Lily, hand–colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

Imo–se–yama, hand–colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

Leaf and flower illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

Cicada illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

日本人昆蟲

Plate 9 : Entrance into the Pyramid of Cephrene illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Left wall with Secos, Sanctuary, At the bottom of the pronaos, and Sanctuary on east wall from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).

埃及人埃及

Moth illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

優質的日本

Religious Vessels from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

Odd-toed ungulate (Palaeotherium) illustrated by Charles Dessalines D' Orbigny (1806-1876). Digitally enhanced from our own 1892 edition of Dictionnaire Universel D'histoire Naturelle.

Locust on a leaf illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

優質的花卉

Chrysanthemum Garden, hand–colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

Procession of Jews illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

古老的文物

Ruins of the Temple at Erments illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

One of the portrait from the collection of portraits, Portraits of Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration of a woman in colorful clothing.

日本人日本

Arisarum Latifolium Majus (ca. 1772 –1793) by Giorgio Bonelli.

Anagallis phæniceo flore, Mouron (ca. 1772 –1793) by Giorgio Bonelli.

Oxys, sive Trifolium acetosum, corniculatum, erectum, caulibus rubentibus, floribus luteis (ca. 1772 –1793) by Giorgio Bonelli.

植物學文物

The secret prayer (Gayatri Jup) from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

Plate 28 : Colossal Head of Red Granite by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Emblematic Figures illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

埃及人埃及

Plate 29 : Figures taken from an ancient wall near the Temple at Offedina in Nubia illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

伊斯蘭埃及

The Town of Bacchus on the North side of the Lake Moeris illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

古老的埃及

Vintage European style horseback riding of a lady engraving from London (illustrated). A complete guide to the leading hotels, places of amusement. Also a directory of first-class reliable houses in the various branches of trade by Anonymous (1872).

One of the portrait from the collection of portraits, Portraits of Actors by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration of a man attacking a woman.

日本人日本

Horsefly illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

Letter C calligraphic initial. Digitally enhanced from our own original plate.

Plate 11 : False Passage towards the centre of the Pyramid by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

金字塔埃及

Kin–shi–shi, hand–colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

日本人花卉

Procession of Egyptian illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

古老的埃及

Seisha-Orandajin, Nankin by Utagawa Yoshikazu (1848-1863), a traditional Japanese illustration of a Japanese print showing a Dutch merchant drinking and a Chinese servant standing on his side.

Plate 12 : Great Chamber in the interior of the Pyramid illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

古老的埃及

Sitting figure illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

古老的埃及

Grand temple, west wall. Same, Osiris burial chamber, of the west. Same, foundation of the sanctuary from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).

埃及人埃及

Great speos: Great hall, east wall. Second painting from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).

Hand Signs from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

Moth illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

Flower illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

Plate 16 : Tablet of brecchia stone with Hieroglyphics illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration.

日本人日本

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration.

日本人日本

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration an actor with a katana sword.

日本人日本

Procession of Ethiopians illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Vintage European Vintage European style engraving featuring horse racing with jockeys by Charles Simon Pascal Soullier (1861).

Religious Vessels from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

優質的藝術

Plate 27 : The Rocks and Castle of Ibrim in Nubia illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Pomegranate illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

Pterosaur (Pterodactylus) illustrated by Charles Dessalines D' Orbigny (1806-1876). Digitally enhanced from our own 1892 edition of Dictionnaire Universel D'histoire Naturelle.

骨組織動物

Plate 41 : Colossal Head of Red Granite illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration of an actor in costume.

日本人日本

Hand signs represent to Tortoise from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

Greater Periwinkle (ca. 1772 –1793) by Giorgio Bonelli.

植物學花卉

The Temple of Dakke in Nubia illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Letter T calligraphic initial. Digitally enhanced from our own original plate.

Lily, hand–colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

White blossomed flower. Illustration from Seitei Kacho Gafu (1890–1891) by Wantanabe Seitei, a prominent Kacho-ga artist. Digitally enhanced from our own original edition.

日本人秋天

Alexanders, Black Lovage, Black Potherb Horse Parsley (ca. 1772 –1793) by Giorgio Bonelli.

植物學花卉

Tableau representing the two Niches illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

古老的埃及

Tropical Plants illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Butterfly with flower illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

日本人蝴蝶

Oriental umbrellas from My Little Chinese Book by Mary Audubon Post (1912).

Kin–sui–ro, hand–colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

日本人日本

Saxifraga verna, annua humilio (ca. 1772 –1793) by Giorgio Bonelli.

植物學綠色

The British lion from Un-Natural History Not Taught In Bored Schools, etc published by Simpkin, Marshall & Co. (1883).

Owen Jones famous 19th Century Grammar of Ornament. One of the finest graphic design books ever produced. From our own original antique chromolithographic version of the famous book we have created a high resolution digitally enhanced copy for you.

Extraordinary Overflowing of the Nile illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

古老的埃及

Soga no Adauchi by Utagawa Yoshikazu (1848-1863), a traditional Japanese ukiyo-e style diptych of a scene from a Soga kabuki play, Soga brothers and warriors fighting.

日本人日本

Group of Morning Glories, hand-colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

天時熱日本

Figure large as life illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

優質的埃及

Section of the great Tomb of Psammuthis illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

古老的埃及

Vintage European style harp engraving.

凱爾特人音樂

Plate 13 : Sacrifice of the Bull by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style actor illustration.

日本人日本

Portrait of an old man with a flat wide cap (1756) by Cornelis Ploos van Amstel.

The City Hall in Amsterdam by Johan Teyler (1648 -1709).

建築物中世紀

Japanese crows perched on a branch. Illustration from Seitei Kacho Gafu (1890–1891) by Wantanabe Seitei, a prominent Kacho-ga artist. Digitally enhanced from our own original edition.

Butterfly and flower illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

Lock and key from A Vade-Mecum For Malt-Worms; Or, A Guide To Good-Fellows (1866) published by Ned Ward.

Mining tools set from Shifts and Expedients of Camp Life, Travel (1876) published by William Barry Lord.

工具類藝術

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration of an actor in costume.

日本人日本

Plate 31 Interior of the Temple in Carnak illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration of an actor in costume.

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style actor illustration.

日本人日本

Amsterdam Canal Houses on the Herengracht by Johan Teyler (1648-1709).

建築物家庭

Misu–no–uchi, hand–colored collotype from Japanese Flowers (1896) by Kazumasa Ogawa.

日本人日本

Perched magpies. Illustration from Seitei Kacho Gafu (1890–1891) by Wantanabe Seitei, a prominent Kacho-ga artist. Digitally enhanced from our own original edition.

Egyptian Arches, Existing in Thebes, and several animal Mummies illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Fireflies illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

毛毛蟲花卉

Tsuzure–no–Nishiki, hand–colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

Interior of the Temple at Ybsambul illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

古老的埃及

Japanese vintage original woodblock print from Yatsuo no tsubaki (1860-1869) by Taguchi Tomoki. Digitally enhanced from our own antique woodblock print.

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