931 zvukové soubory bez licenčních poplatků pro "Layers"

I've created this sound for my project by layering a lot of sounds together, since i couldn't find the right sound here. Feel free to use it :). Comments and ratings welcome :).

A recording of me whispering, then layered four times and a convolution reverb effect added. Recorded using an mxl v63m condenser mic through flstudio.

The inspiration for this track came from a stereo cross-fading delay patch for modular synths i found, created using caustic 3. 2 with my akai mpk mini keyboard as usb-midi controller with a bit of a tangerine dream style.

I made this by layering the sound of scissors, and heavy pieces of metal and mixed them with some eq and distortion. This is made with audacity. If you use this sound please link to my page in the credits!!!.

Synthetic sound depicting the sound an old crt monitor makes when switching on layers:- thumb from power switching on- decaying bursts of hf noise- 15. 6khz electronic switching noise (squarish with lower frequency jitter).

A gibbering mouther crying while wounded or dying. This was done by foley work i was doing for ballad of the seven dice. I modified my voice with numerous effects in audacity to change the pitches as well as layer a number of them together.

A laser noise created for my science fiction sitcom. The base was just a note from a vst synth (i can't remember which) and then a variety of pitch shifts, time stretches and layers of reverb until it sounded right.

This is an underwater ambient loop i created for a game-jam project. Since the project was nothing but good fun, i have uploaded some of the more useful sounds to freesound. Org for everyone to use. The sound was created by layering hydrophone recordings with filtered noise.

Effects recorded from the field. Recording gear-zoom h6 and microphone oktava mk-012-01. Layering in reaper 6.

The following packs where used as source for the creation of these samples, the process was basic layering processing and resampling until i had a nice sounding results. Http://freesound. Org/people/theriavirra/packs/16665/http://freesound. Org/people/niqoplitnouk/packs/13936/http://freesound. Org/people/jagadamba/packs/13878/?page=2#soundhttp://freesound. Org/people/moca/packs/13261/http://freesound. Org/people/csmag/packs/13007/http://freesound. Org/people/quartertone/packs/12775/http://freesound. Org/people/quartertone/packs/12754/.

Recorded with sennheiser me67 to zoom h4n as a mono track at 24bit/48k. Mic inside wrapped up news paper tapped with a pencil. I read about it and found when layered with punches and other hits, it gives the hit a nice little kick in the sub-woofer.

A lot of eq-ing, layering, and saturation was done on this snare, thought it sounded nicer than snare 1, but snare 1 is more malleable than this snare when it comes to mixing it, since snare 1 is way less filtered.

Grab a pair of headphones and listen closely to the many different aspects of this abstract sound. You can hear many layers to it that you can only truly appreciate if you focus. 00. 10. 005 sec. 44. 1 khz. 16 bit. Wav file.

This is raw material for monster sound. It can be tuned down with pitch shifter and layered with other sounds for example. Slowing down also gives a nice effect.

Double bass bowed harmonics. Bass played by houston guy, recorded with a shure ksm44, 24bit mono. I was producing a song and asked mr. Guy to give me some noisy strangness just to layer in for texture and he performed admirably.

Zaphir bells. I used:samson condenser microphone. Presonus audiobox 22vsl pre-amp. Software: studio one. Effects: yes: reverb, delaysample: my garden wind-chime. Layers: 1 voice. Recorded where: the netherlandsrecorded date: 2019-february.

I've created this sound for my project by layering a lot of sounds together, since i couldn't find it here. This one has more metal impact at the end. Feel free to use it :). Comments and ratings welcome :).

Just a mixture of multiple samples i created over time. Layering a swish noise which was basically a white noise sample with an eq envelope, lowpassed snare, and a not-so-highpassed clap, compressed and saturated. Enjoy!.

No layering of bird songs, single track recording; 30 seconds recorded with sm58 mono, cleaned up bottom and mids, lowered some frequencies to clean further, 16 bit, 44. 1 mhz, boosted to approximately -24 lufs.

Several layers of "relaxing spritzy whooshy noise texture normtrim. Wav" at different volumes/speeds.

Sound design i made for a video game,layered a bunch of sounds and processed them to make and impactful laser beam sound effect.

Quick reverse reverb on a few layers of swedish lines i was doing for a roleplay game. Enjoy.

A single shot of what could be an electromagnetic pulse for some sci-fi videogame or video. Made in ableton with layers of synths, reverb, lfo and chorus. Completely free to use.

My very first sound i uploaded and i made this from recording things from around my house and adjusting the speed and layering the sounds. Enjoy!.

This is supposed to be the sound of a knife cutting a bush down. I made it by layering tons of public domain effects, like snapping twigs, leaf rustling, and even a salt shaker. Let me know if you use it. No credit required.

A short layer of rhythmic clanging created as a scary atmosphere in a chase scene. Used a roland groovebox with the self-sampling utility directly to wav. I've found this method results in good sounding recordings, but reduced high frequencies. Sorry, don't know the bpm.

I am trying out audacity- created this beat with generating rhythm layered tracks messed with tempo and compression and graphic eq. I'm new here and hope to create and upload more beats. This beat loops then speeds up a bit in the middle.

A gibbering mouther roaring at an adventurer. This was done by foley work i was doing for ballad of the seven dice. I modified my voice with numerous effects in audacity to change the pitches as well as layer a number of them together.

Stinger like sound effect which could be used for impact-horror scenes in which something outside the usual morality or humanities have occured. Made from pitch-shifted glass clinking, layering & stereophonic delay.

This piece is a sound-sculpture of a weather effect commonly called the beast from the east in the uk. It is based on a longer piece by me called frozen kaos. This was constructed by me using only copywrite free sources of sounds, musical(ish) pieces and natural sounds. All of these were assembled and processed using the free software package audacity™. Most samples have been filtered, pitched, and manipulated vastly to make the basic foundation. On that base all the rest of the sounds were layer (over 200 different layers -- manipulated, mixed down, rebuilt, remixed, manipulated). I mostly work be happenstance and never take notes -- often what comes about is as much by chance as by design.

This is a percussion beats made at tempo 124. It spans 8 bars and is ready to be looped in your daw. This is a sound i've found in my old foxdot projects, it has a really cool "ocean" or "wave" noise-like sound that repeats at the right then left of stereo, in the end of each 4-bar segement. It layers multiple kicks and snares, with one of the sounds being stretched, that produce this "wave" sound. It can be evaluated in foxdot with the following code to replicate this result. D1 >> play(p[" [--]o h: -"]. Layer("mirror"),dur=pdur(5,8), rate=expvar([0. 09,2],8),sample=2, pan=sinvar([-1,1],16),amplify=0. 5).

Got a group of about 8 people to say "hey!" a few times. Layered all the takes, compressed, and added a touch of reverb. I've used this one a bunch in my own songs. Sometimes, to achieve a convincing gang vocal effect, when i don't have a gang, you can sing your line a few times, and then layer this "hey" under each syllable, and you can get a pseudo-gang vocal. Works in a pinch if your mix is dense enough. I'd love if you'd credit joshua scott or rjc studios if you use this sample, but don't sweat it if you don't. Good artists borrow, great artists steal.

Six footsteps on grass with hiking boots. Each footstep is split by ~250 ms of silence. I layered a thud sound and me moving grass to make it. Recorded with a h4n 06/06/2020. Edited in audacity.

[the high pitched screeches are not actually present in the audio file] constant sound of a strong wind, great for layering underneath more dynamic environmental recordings. The sound was created in reaktor 6 using fft based granular synthesis.

brownian type of noise with a 0. 8 ampitude, 2 sounds layered with added effects, refrigerator buzzing and light rain combined and softened. Recorded, processed in audacity.

A close recording of me splashing about very gently in a basin of water. You can hear bubbles forming on the surface. Some birdsong and road noise in the background (but edited to remove the worst). Used as a layer for a dock ambience. Recorded with an akg c414 into a focusrite saffire pro 40.

Space vehicle chase with sirens in scifi city. Imposcar & keysalpha2 patches, layered. Glideeffect in impocar used for pitching. The keysalpha (police sirens in the distance) is pitch-modulated with a fast lfo, and you'll find a fat chorus-effect there, an internal synth effect.

Short cartoon music, inspired by https://freesound. Org/people/dominictreis/sounds/381531/. Kind of sounds to me like it fits with some guy giving a slow speech and putting the audience to sleep. Do not allow that to limit your imagination. Layered with studio one.

Made up by layering 3 additive synthesized spectrum sounds ran them through several stages of different audio dsp configurations. Fl studio 20. 8 used in the process.

A tech loop @ 150 bpm. Done in caustic 3. Layer of 3 loops1) 8 bit synth, glitchy synth break2) beatbox, normal 606 breakbeat low vol3) beatbox, percussion through bit crush & fast delay.

Creatures sound alienrecorded phonesfx conversion edited: adobe + fxs + mastered.

Various layers of things scraping to create a visceral sound bed that evokes creepy crawly things. Created using various wire brushes slowly scraping against different surfaces.

Crew removing top layer from road in a quiet suburban street. A very large heavy machine slowly driving over the road, churning up the dirt and blows it into a large truck driving just ahead of it. Suburb of tampa florida. Recorded using zoom h4n.

81 bpmall drum sounds ive created and added into a crusty free loop for you to use however you like. Hard hitting snare/kick. . With a fast rhythmic hihat pattern.

A new hardstyle kick harmonic enough made from a old kickdrum of mine and some bass layers made in sytrus from zero. Key:cprocessed/clean. Tempo:155/130(this instrument is in whole length cause of reverb,is not a loop,just one-shot).

Steps on a thick layer of fallen oak leaves. Two people walk side by side in an oak forest in burgos, northern spain. Hello autumn. Recorded with sony pcm-d50.

Monster/beast sound design/foley. Made it using my own voice and transposing it down a couple of octaves, layering it and lastly running it through a compressor, distortion plugin and a huge reverb. Hope you enjoy it and more to be uploaded soon!.

[the high pitched screeches are not actually present in the audio file] constant sound of a strong wind, great for layering underneath more dynamic environmental recordings. The sound was created in reaktor 6 using fft based granular synthesis.

[the high pitched screeches are not actually present in the audio file] constant sound of a strong wind, great for layering underneath more dynamic environmental recordings. The sound was created in reaktor 6 using fft based granular synthesis.

A gibbering mouther shrieking after being frightened or damaged. This was done by foley work i was doing for ballad of the seven dice. I modified my voice with numerous effects in audacity to change the pitches as well as layer a number of them together.