931 zvukové soubory bez licenčních poplatků pro "Layers"

[can be used anywhere!] a very thick boom bap snare. I really want to see what you'll do with it. Sample was taken from the "funky mule break". (just in case you were curious).

Layered a nice snare, some noise, clap, and even a really pitched up kick( like 24 semitones up) to get this sound. Added in some tape saturation and compression(rough rider) and voila, i made a dirty snare. :).

Bird singing and insects hissing in one part of the big singapore botanic gardens. Recorded with an iphone 6 internal mic so it's more for a background ambiance than a first layer sound.

This is a 'helicopter' esque pass by created with my vocals, a tone generator and a guitar tremolo pedal. I think this could be best used as a layer. It really needs some background noise and potentially more engine noises to sound realistic. Use it as you like!.

Rubbing a nail directly on a contact mic. This could be suitable layered as a foley sound to serve in place for writing with a pencil, pen, or chalk. If necessary, eq out some top end if it's too metallic sounding or adjust for speed and pitch.

Cut up recording of moving a box of glass jars. Hardware used: zoom h5, rode nt-5software used: ocenaudio, reaper + plugins. Might be useful as a building block for layering or some sample-based synthesis.

This is not layered or multi-tracked; actual 2:00 track of singing. Wide variety of birds. Stereo (large diaphragm condenser (scm900) l and dynamic (sm58) r. Cleaned, eq'd and leveled to approximately -24 lufs. Still quite a range of dynamics!.

Made from a 909 kick re-edited, layered and re-sampled a couple timeshad to chop the tail of on this cause it sounded like crap so just a short one this on is tuned to g. Propa terror none of that uptempo piep kick shite.

Layers of droning male vocal slowed down and looped with various pops, scratches, and thumps run through an assortment of guitar pedals including reverb, harmony, echo, delay, etc. . .

A rendition of :: http://freesound. Org/people/kkz/sounds/66224/. Just pitched down an octave with another layer 2 notes up so they are modulating plus a bitcrusher with amount going down plus a flange/chorus thing.

Raw recording of evil succubus laughter, without the layering or reverb. Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: paypal. Me/baharv89.

Designed sound intended to be a medium sized plant growing. Created layering real lettuce and chard, foam and dry leaves rustling. Created by the students of the sound design workshop from the national school of arts of uruguay, at playa hermosa. Gear:zoom f8nsennheiser mk50.

This is a combination of a bunch of sounds to create a very close feeling digging and tearing through earth sound. Thick roots being torn, low rumble, a lot of layers. Used for a video of hands moving through dirt, digging, forming, etc.

A sound i made that would be used for buffing spell in a game such as 'iron flesh' in skyrim. There are multiple layers of sword sounds i have recorded as well as some kick samples, reverse effects and some leather flapping. Please credit if you use this it took quite a while for me to get this. Nm.

Layered car crash sound effect. Created using a noise box (quality street) filled with grit, broken glass and other bits and bobs. Also used a recording of a metal filing cabinet being hit for that metallic impact. 24bit 48 khz stereo.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

A sound created for a dramatic build in tension. Created by reversing and layering a number of percussion sounds. Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.

I created this using fl studio and serum. **note: if you plan to make money with my creations, do email me at djdomenian@gmail. Com**. If this is going to be used in a non-profit fashion, please drop a link below of your project below! i'd love to hear it!!. Please credit both of my names, jay prowaves a. K. A. Domenian as a "contributing sound designer & artist". Thank you all! i hope that you enjoy my sounds! <3!.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

No layering of bird songs, single track recording; 30 seconds recorded with sm58 mono, cleaned up bottom and mids, lowered some frequencies to clean further, 16 bit, 44. 1 mhz, boosted to approximately -24 lufs.

An ominous ambient background hum that is heavy on the bass and with other layers to add subtle complexity. Loopable. Good for a dramatic scene on a space ship to add tension. Created in adobe audition.

This is a foley fireplace. Recorded with the blue snowball ice in audacity. I layered the sounds together using audacity. This recording consists of two tracks of a smarties candy wrapper (for the crackling), one track of sticky-tac being pulled apart (the popping), and one track of jeans being rubbed together for some extra sound. Enjoy!.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

The sound of a glass lid being removed from a jar. Achieved with glass, a zoom h6 and some small eq and layering. No credits needed - commercial use allowed, as long tell me what you use it for if you download!.

An ethereal-sounding digital woosh effect. Created using xfer serum, layered with various abstract samples. Perfect for transitions, motion, or hud/ui elements.

Dark , evil, piano with a layer of strings. . Created w/ fl5 back in 2005 or 2006 , was originally an experimental hiphop beat. . Sound includes piano, and 5 different styles of strings over each piano note.

This is a clip of me walking outside on a layer of ice. Underneath is water. When i step it sounds as if the ice will give, towards. 1:10 it makes crack and splash sounds/. 1:50 i actually break through the ice and splash into some water. .

06. 22. 16: a punch created from the sound of a leather glove being whipped, processed alongside a thickly-layered kick drum.

Original description: a custom hi hat, made by layering and tweaking multiple hi-hat. Wavs.

I created this using digital synthesizers. I lost the presets to this so i can't say exactly how it was created, but eventually i'll create a new version and describe the process. It's basically multiple layers of very grainy (like sparklers or vinyl) noise processed through filters modulated by some kind of noise.

Flanged loop effect for a high voltage device of unknown origin. Meant to be layered with sparks, sizzles, the bluuue light, etc. Vibrotron_1 is what the machine sounds like on standby. Do not get too close. Vibrotron_2 is what the machine sounds like after you get too close.

Several sounds combined to approximate the sound of someone getting smacked with the butt of a pistol. Whip crack with a metallic clank and a wet crack as it hits bone/flesh. Simulated by layering a whip crack, a punch, a metal clatter, and a squish made from stirring pasta in.

I'm trying to create a sound that resembles captain america's shield from the marvel movies. I took a recording of a metal garbage can ringing and brought it into iris 2. I cut the attack from the envelope and added light amplitude sine wave modulation. I also set a short decay. I also layered a clean sine wave underneath the recording sample in order to give the recording more umph and body when it resonates. This is the base of captain america's shield. Layer this with metal impacts and sub sonic stings and you're all set. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk gear. I love hearing what people are up to!702-860-9869.

Created and formatted by walker farrell for use in the make noise morphagene. Utilizing a make noise modular system to create short recordings of pulsar, glisson, and trainlet synthesis, and recorded into the morphagene for modulation, layering and re-sampling. Video demonstration here!.

A few kicks and snares synthesized a long time ago on a novation xiosynth 25, could be useful for sound-design and sample layering, they have an analog drum machine feel to it.

An ethereal-sounding digital woosh effect. Created using xfer serum, layered with various abstract samples. Perfect for transitions, motion, or hud/ui elements.

More metallic version of rev spaceship drone - recording of a saucepan lid span on a ceramic tiled floor, reversed and timestretched then convolved with reverb and a rhythmic fx sample. All four samples designed to be layered/looped/eq'd as needed.

Cinematic impact. Dark, distorted, large, powerful. Original samples made using an acoustic guitar as a resonator for an electric bass, and recorded using a zoom h4n. Processing includes layering, reversing, amp simulation, distortion, delay and reverb. Recorded for my personal a sound a day challenge (asoada).