John Philip Sousa's "The High School Cadets" (1890) as performed by the United States Marine Band. Track 40 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.
Sound effect for a person running away (3 of 3). Two other, similar sound effects and a full recording of many types of running and walking are also available. Recorded with a samson q7 microphone through a phonic am85 analogue mixer. Cc0, so no hassle with giving credit.
John Philip Sousa's "Corcoran Cadets" (1890) as performed by the United States Marine Band. Track 39 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.
John Philip Sousa's "The Stars and Stripes Forever" (1896) as performed by the United States Marine Band. Track 53 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.
Sveriges Radios folkmusikinspelningar. Författarträff i Brottby Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 56/10198:3:3
John Philip Sousa's "March of the Royal Trumpets" (1892) as performed by the United States Marine Band. Track 44 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.
John Philip Sousa's "The Washington Post" (1889) as performed by the United States Marine Band. Track 38 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.
Autor: Hermann Scherchen, conductor; London Symphony Orchestra; London Philharmonic Choir; Margaret Ritchie, soprano; Constance Schacklock, contralto; William Herbert, tenor; Richard Standen, bass; Frederick Jackson, chorus master; Thomas Matthews, violin; George Eskdale, trumpet
Sang with inbuilt laptop microphone into protracker v2. 3d's 8-bit sampler. Used audacity to elongate the samples. This is part 2 out of of 5 parts:hare krishna (part 1)krishna krishna (part2)hare hare (part 3)hare rama (part 4)rama rama (part 5). When put together properly (part 1 played twice, part 2, part 3, part 4 played twice, part 5, part 3) it constitutes the hare krishna mantra. Note that in this particular set, part 4 and part 5 are sampled one note lower than the others.