1.327 lizenzfrei Audiodateien für "Chords"

Chromatic sequence of inverted minor chords played on a digital piano. Panto villain signifier.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-♭vi-I.

4-22B (minor sus4 chord) tetrachord on C

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-♭III-I.

Some chords played on an organ. It sounds like your in a cathedral. [cc zero].

Vocal style pad. Single chord shot. Smooth, futuristic, processed choir sound.

3-9A trichord on C. Sus2 chord.

3-12 trichord on C. Augmented chord.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-III-I.

A 24 bit, 96khz stereo recording of a vacuum cleaner chord being pulled out of it's spring box.

Dominant seventh on F in third inversion. Created by Hyacinth (talk) using Sibelius 5. See: File:Dominant seventh on F in third inversion.png

Electric guitar being routed from the output of a bass amp into a danelectro "honeytone" miniamp with maximum volume and distortion on both. Full sustain, miked 24bit wide-stereo.

Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond

A dirty chord. Probably good for granular synthesis.

Short synth chord clip. Probably good for granular synthesis.

4-28 (diminished seventh chord) tetrachord on C

Dominant and dominant parallel in C minor: Gm and BM chords.

Complicated. Several synths & numerous fx involved. Oscillatoir chord 7 - 10 - 14 - 15 - 17 - 19.

Complicated. Several synths & numerous fx involved. Oscillatoir chord 7 - 10 - 14 - 15 - 17 - 19.

Short synth chord clip. Probably good for granular synthesis.

A noir-style vibraphone chord that might play when you find a clue or crack the case.

A piano chord on my keyboard.

4-26 (minor seventh chord) tetrachord on C

Dominant and dominant parallel in C major: GM and Em chords.

Major triad on C. Created using Sibelius.

4-24 (aug. seventh chord) tetrachord on C

4-20 (major seventh chord) tetrachord on C

4-27A (dominant seventh chord) tetrachord on C

Some chords played on an arp solina string ensemble going through an electro harmonix small stone phaser pedal. Let me know how you re-use it!.

Big reverb and heavy distortion. Very indy/alt rock type of riff. Some extra effects at the end of each chord. Probably good idea to break it up into smaller sections as the end goes a little crazy with some not so over the top playing and noise.

Recorded classical guitar cuenca mod 10. Made in spain. The sound is recorded on condenser microphone octave mk-220 and fw 1814.

Piano samples band filtered remix.

Ambient layered chime arpeggio.

Borrowed chord (viio 4 3) in Bach's Prelude in C Major from The Well-Tempered Clavier, Book I, BWV 846, mm. 13-15.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: i-♯VI-i.

Pandiatonic chord with nonharmonic bass in Igor Stravinsky's Symphony of Psalms, 3rd movement.

Rap loop [cc zero]contains chords and bass, this sample is loopable.

The yamaha qy-10 is playing a cm chord thru zoom ms-70cdr and the modular synth plays a patch that improvises around a cm7 chord. Well, thats it. . .

A guitar riff made with openmodplug tracker.

Granular synth chord from some lo-fi noise i found, with additional reverb, width, and eq.

Man i keep making these loops lolol. The chords are e7 gmaj7 d7 d#7.

Complicated. Several synths & numerous fx involved. Oscillatoir chord 7 - 10 - 14 - 15 - 17 - 19.

This is an improvised boogie-woogie blues chord progression, with both hands playing the rhythm, and another hand playing the unusual chords.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: i-♯iii-i.

120 bpm rising square arpegiated chords, feel free to use with anything. Synth patch is "square lead" from cubase's "prologue". Chord progression: amin d fmin bflat.

Common chord modulation in Mozart, Sonata in D Major, K. 284, III, m. 1-8.

viio6 as a substitute for V43 chord in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

Leading-tone diminished seventh chord as dominant in Mozart's Don Giovanni, K. 527, Act I, Scene XIII, mm.116-117.

A vocal chord sliding up with crescendo and ending with an "s" recorded in big concert hall with olympus ls 11.