2.160 lizenzfrei Audiodateien für "General"

A general heavy engine chugging forward (recorded at the back of a bus).

Light saber idle and extinguish. Made using mic scrape on desk, human voice, and digitally generated/manipulated hum.

Ai generated voice, based on mine saying "clone has been released" sound.

Strange computer beep sound. Automatically generated. Can be used in gui.

Sound of a machine;you can loop it; recorded a excavator.

Straight r09 recorder/ camping next to a road somewere in amazing norway.

Recorded using an iphone at the sea in yokohama.

File of a crowd booing and hissing, generic yells originally used for a basketball game.

Leaves sounds.

Crunchy leaves and footsteps. Recorded on third generation iphone se's voice memos in oakland, california. M4a file.

Sine boom made by unknown recordings/filterings/generatings in audacity. From a few years ago.

Walking through marrakech back streets towards djemma el fna. General atmos.

Generic rave lead tuned to ci like this one, it works well with early gabber/terror.

Simple airport ambience/ little mastering/recorder r09/no editing.

Cutting with an angle grinder.

The five tones announcing new hour during radio broadcast. Made with audacity generating sin 1000hz tones.

A glitchy computer noise generated in oatmeal vst.

This is just ordinary white noise. . . The algorithm for this noise was created two years ago by myself in c++, as an imitation of noise generators in supercollider 2.

Traffic sounds with wind and birds.

Pai is a thai hippie town. It sounds pretty good too.

Quad recording of general atmos in open area of southland shopping centre in cheltenham, melbourne australia.

Quad recording of general atmos in open area of southland shopping centre in cheltenham, melbourne australia.

Polyrhythmic adventure with a bassdrum. Exploring with ring modulation.

A post-industrial feeling created with a tone generator, layering and reverb.

Some generative campfire sfx made with sunvox. The crackling sounds were made by taking some highpassed white noise, ring modulating it with some more white noise, and then using a noise gate to usilate the loudest 'crackles'. The rumbling was created using lowpassed white noise. Everything was sent into a reverb and a stereo expander.

Vcv-rack and a machine composition patch - or generative patch. Minimal but some of the voices are constantly "doing things". . . I tried to add some sort of steady beat to this one. Wanted to make it less wild/wierd. Quantizer? what is that. Let the virtual synth decide.

Generative modular acid line sequenced with my own custom script that is specialized for non-quantized sort of strings of notes. I mangled the envelope quite a bit though so it just sounds more swingy than anything i guess. Not sure what the bpm would be. Would be better if it were cut up for one-shot sounds maybe.

This is something i made with audacity using the generate>risset drum option. After i generated one long risset drum, i made a short one below it, copied it & added a delay to the track with the short decay risset drum. After that, i just leveled everything a couple times. :).

I have generated a sound ( sinusoidal, 300hz) and i have altered it with the level tool. Then, i have added a pluck ( pitch 114) and reversed it. I have created a “white noise” which i have stuck after the pluck. Finally, i have generated a sound ( sinusoidal, 1000hz). I have put it at the end and altered it with the level tool. I used audacity.

10 minutes of old school tension or horror sound. An ever changing sound generated by a analog modular synth. It's a generative patch controlling the synth and the sound development. The reverb is a spring-reverb. No editing. Pick the part that fits you best. Or just listen and listen to what the synth is doing. . . I have my fav part!.

Broken piperecorded with me66procesed with live ableton.

A complex mono electronic sound/beat generated using granular synthesis.

Recorder edirol r09, little eq, strong almost static waterfall.

This is a generated explosion sound effect. Lots of echo, lots of crunch, as of metal being ripped apart.

Generated from fractal image, changing set of square waves at different frequencies. 10 sec long, 50hz pitch.

Ventillation ambience from lillehammer norway.

A simple graphic created in a graphics program. Sound generated and edited in coagula program. Post-processed in audacity.

This sound was generated with a tilted gba cartridge, with a bit of noise-reduction applied afterwards.

Recorded at 7pm in a calm countryside.

Recorded at 7pm in a calm countryside.

Quad recording of general atmos in open area of southland shopping centre in cheltenham, melbourne australia.

Simple-fm with artifactsaudio rate and control rate comparison of a unit generator compiled in faust for supercollider.

A crowd cheering, generic shouts though originally recorded for a basketball game.

A dehumidifier and fan running in a basement.

A very low frequency tone/drone made with the studiofactory software synth. It's a cross-mod of the perlin tone generator with a formant generator. This is about as low and loud as my current speaker/amplifier system allows. Use with care i. E. Turn down your playback systems output before you play it. Final mastering was done with audacity.

Bourke st mall on the weekend, during winter.

A beat induced version of "hive comm", with an emphasis on using a freeware beat generator, (hammerhead) and use of an existing freesound sample. . . .

This is my city in the night i need it for an animated short and decided to share it, hope it will be useful.

Simple wind sounds through trees.

Generate tone (200 hz) waveform sine. Fade in. Fade out. Change frequency (2. 6 hz) and add resonance (7). Standardize everything.