1.217 lizenzfrei Audiodateien für "Hi"

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00:36
Neighborhood kids playing tag with frs-(family radio service) walkie-talkies chasing kid on bike. Kid excitedly yelling where the kid they were chasing was going, toward the end another kid keys his walkie heterodyning with the yelling kid. Recorded in goldwave from radioditty gd77s handheld directly in front of lifecam 3000 webcam.
Autor: Kbclx
00:00
03:34
Kitten on the Keys (1921), written and performed by Zez Confrey, for whom it was his first big hit. This recording is Edison Diamond Disc 50898-L. Restoration notes: Noise removal, blending original with noise removed version, manual click removal. Українська: «Кошеня на ключах», написане Зеpом Конфрі в 1921 році і виконане ним у 1922 році.
Autor: Zez Confrey (1895-1971); file restored by Adam Cuerden
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03:41
GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.
Autor: His Master's Voice
00:00
02:33
GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.
Autor: His Master's Voice
00:00
03:43
GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.
Autor: His Master's Voice
00:00
01:53
GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.
Autor: His Master's Voice
00:00
03:29
GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.
Autor: His Master's Voice
00:00
02:05
GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.
Autor: His Master's Voice
00:00
01:22
GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.
Autor: His Master's Voice
00:00
03:03
GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.
Autor: His Master's Voice
00:00
02:27
GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.
Autor: His Master's Voice
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01:02
Recorded with zoom h2 at 96 khz / 24-bit. Edited and converted to flac using audacity, otherwise unprocessed. Midway through recording i have lowered my gain setting from hi to mid to avoid clipping. Some background noise (fridge) is left in for noise removal. I prefer to get raw audio from freesound i can process myself - gives me maximum options, that's why i deliver the same. Video recording:https://youtu. Be/ezqsxnbvl4o.
Autor: Unfa
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01:01
Just tapping things around my desk with a screwdriver and jingling the loose change inside a glass jar. I had the mind to use all of the sounds in this file for a kick/snare/hi hat drum rack in ableton live - hence the ranges of frequency from low (jar thumps) to textured highs (loose change) and high (taps. ) i hope these come in handy, please enjoy! - vanszi. Bandcamp - https://www. Vnzi. Bandcamp. Comspotify - https://open. Spotify. Com/artist/0mzsotvcahcvlcqwo9qndgsoundcloud - https://www. Soundcloud. Com/vanszi.
Autor: Vanszisounddesign
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00:50
Free to use without restricition. No attribution required. 50 seconds of ghostly wails over a dark sub bass drone with wide stereo reverb. Produced by using two old school analog synths, a cs-80 and a dx7. All chorus, phaser and reverb settings were manipulated within the synths. An external hi-pass eq plugin was added in order to cut off the subs at 30hz. These old analog synths produce frequencies way below the tolerance of your monitors; thus the need for a bass cutoff, not to mention to also prevent involuntary bowel leakage xd.
Autor: Diboz
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07:48
Amateur guitar play from an old cassette (memorex 120, 1 of 2) recorded in 1984 when i was 15. Plucking 1 or 2 strings to a tune of my own making. This was an experimental recording session, using two tape recording machines. (ghetto blaster & hi-fi tower) take - 3 with takes 1 & 2 impositions playing, creating a final 3 track recording. Two previous takes (two track recording) playing, while recording a third track.
Autor: Signtoast
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01:51
This good boy is not good player. I think he used bad keyed text recorded in keying memory. I heard him more times and always with the same punk keying. "the rl was founded 1937 and we are proud to celebrate our 75th anniversary". . . Says web http://www. Rlx. Lu/lx_awards_files/rl_75. Htmbut operator cannot be proud of his keying. Old good radio luxembourg 208 m use to be much better radio http://www. Offringa. Nl/radioluxembourg. Htmlater i found that lx7rl is station of lx amateur radio society anniversary celebration.
Autor: Okhas
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00:08
My swiss army knife of sounds: i recorded myself falling over a plastic stool for an episode of our comedy podcast, mission: rejected. It was supposed to be a one-time sound, where a clumsy analyst named stuart gilligan trips while getting out of his chair. I've used this sound two dozen times since, for fights, trips, tearing pictures off walls, throwing people out of windows, and plenty of others. I can't explain why this sound amuses me so much, but i hope others can find use and amusement in it as well.
Autor: Petebarry
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01:21
My dog growls when you go anywhere near him while he is eating, i noticed he seems to leave a little bit of food so he could run to it and growl (perform) when i came downstairs later on. So, i placed a condenser mic on his bowl and recorded him in 96k 24bit. I will no doubt use this in a short film and it's here for use by others too. Credit: frederick bird, actually no, credit my dog harvey bird.
Autor: Coldvet
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00:01
A pistol being dry fired once. I created this sound back in 2019 using multiple recordings of an airsoft browning hi-power replica that i mixed together until it turned into this early 00s video game-y type clicky dry fire sound. Imho, it's not up to my current personal sound design standards, but i've decided to upload it regardless because maybe someone else can find a use for it. Credit isn't required if you decide to use my sound, but it would be greatly appreciated if you do!.
Autor: Seroxt Onin
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02:18
Troopers Tribunal (1905), was a circus march written by Henry Fillmore in 1905. To conceal who it was written for from his conservative father and publisher, Fillmore intentionally misspelt "Troupers", as in, a circus troupe, as something that appeared, at first glance, to be military (according to the liner notes to Front & Center, a Collection of American Marches, U.S. Air Force Band). It is here performed by the US Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
Autor: Henry Fillmore (Composer, 1881–1956) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham – Greeley, CO Manager: Chief Master Sergeant James H. Moseley II – Beaumont, TX PICCOLO MSgt Ardyth Scott – Shreveport, LA FLUTE MSgt Lawrence Ink* – Rockville, MD MSgt Lucille Johnston Snell – Albuquerque, NM TSgt Sharon Weinberg – Philadelphia, PA OBOE MSgt Ronald Erler* – Falls Church, VA CMSgt Robin Forrester-Meadows – Evansville, IN ENGLISH HORN CMSgt James Moseley II – Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried – Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* – Simi Valley, CA TSgt George Stoffan – Norwalk, CT MSgt Carl Long – Hanover, NH MSgt Elizabeth Campeau – Pinckney, MI MSgt Sandra Haton* – Columbia, SC TSgt Richard Drew – Joliet, IL TSgt Brian Jones – Panama City, FL MSgt Kay Schultz – Skaneateles, NY MSgt Lorraine Haddad* – Poughkeepsie, NY TSgt Shawn Buck – Brookside, PA SMSgt Robert Little – Houston, TX BASS CLARINET TSgt David Aspinwall – Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy – Virginia Beach, VA BASSOON CMSgt Danny Phipps* – Annapolis, MD TSgt Lawrence Burke – Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* – Ellisville, MS MSgt William Marr – Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely – Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George – Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* – Dallas, TX TSgt Leslie Mincer – Charlottesville, VA TSgt Kent Wyatt – Arlington, TX TSgt Philip Krzywicki – Philadelphia, PA CORNET TSgt Andrew Wilson* – Gambier, OH SMSgt David Golden – Bethlehem, PA TSgt Michael Bosch – Bethlehem, PA MSgt William Adcock – San Jose, CA TSgt Curt Christensen – Mt. Clemens, MI MSgt Clarence Mitchell – Portsmouth, VA TRUMPET TSgt Robert McConnell – Wadsworth, OH MSgt James Bittner – Harrisburg, PA TROMBONE SMSgt Mark Williams* – Okemos, MI MSgt Jeffrey Gaylord – Western Springs, IL MSgt Lindsey Smith – Williamston, MI TSgt James VanZandt – Austin, TX EUPHONIUM MSgt Ann Baldwin* – Canton, OH TSgt Lance LaDuke – Niles, MI TUBA MSgt Jan Duga* – Columbus, OH SMSgt Edward McKee – Roselle, NJ MSgt David Porter – Alcoa, TN TIMPANI MSgt Patrick Shrieves – Freehold, NJ PERCUSSION MSgt Aubrey Adams* – Medford, OK SMSgt Mark Carson – East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison – Louisville, KY * Principal CREDITS Colonel Lowell E. Graham – Commander/Conductor/Producer Major Frank J. Grzych II – Deputy Commander/Producer Captain Scott A. Guidry – Staff Officer/Co-Producer Mr. Bruce Leek – Engineer/Digital Editing Master Sergeant Kendall S. Thomsen – Assistant Engineer Chief Master Sergeant Dana L. Steinhauser – Director of Public Affairs Master Sergeant William D. Porter II – Recording Production Technical Sergeant Robert K. McConnell – Graphic Layout Master Sergeant Elizabeth K. Campeau – Liner Notes Technical Sergeant Sharon B. Weinberg – Booklet Editor Crabtree + Company (Arlington, VA) – Cover Design Mark Custom Recording Service (Clarence, NY) – Disc Replication Lion Recording Services, Inc. (Springield, VA) – Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807.
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00:47
Fast train passing, approx less than 3m away from track with tascam dr-05. This is a good recording although:i was glad to find a place to record a passing train without any kind of other disturbing noise and people! but i was really p. . . Off when right after the train passed an older guy with his bicycle stopped right beside me (you can hear him braking and stopping) "are you recording?" - "no, i´m just here planning a train robbery. . . ". .
Autor: Dr Elvis
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02:12
Recorded with the mic on the rear bumper of a 1974 mgb sportscar. Start, drive off, up through gears, steady state, and shut-off. Very throaty period correct exhaust note appropriate for british sports cars from the 30's through 80's. Recorded outside of car so would work best for driving follow shots, drive by's, or car entering/leaving a scene. Think of a fighter pilot driving up in his mg car to the airfield in battle of britain; yeah, that kind of scene!.
Autor: Svnut
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00:39
Electronic beats made from an original sample pack designed using the drum synth on ni maschine. Processed with high-quality analogue emulation plugins and effects to give it extra punch and character. Enjoy!. Tempo 107 bpm. Beat 4 of 4. All individual samples can be found in the spiryt beats kit pack.
Autor: Ovvcuxs
00:00
04:12
Pasquale Amato's April 16, 1914 Victor Records recording of the Te Deum from Giacomo Puccini's Tosca. Sung at the end of Act I, this scene in fact details the evil priest Scarpia's plans to corrupt and have his way with Tosca, while the chorus goes about seeking redemption. Victor 88489 Pasquale Amato (1878-1942), baritone; Metropolitan Opera Chorus Tosca - Te Deum Mat. C-14715-2 Rec. April 16, 1914 Digital Transfer produced by Tim Ecker for the Internet Archive.
Autor: Pasquale Amato
00:00
03:24
An old project (2017, 4 years ago) i never uploaded anywhere before. I hope that others will take inspiration from this. This is practically a sequel to "muffled warfare" that i never released, and have titled it so. Inspired by this war of mine. A collection of sounds muffled and mixed together to create a warfare soundscape heard from within a church. A lone individual sifts through the scraps of war, and checks the worldwide news from his radio. The war marches on around them, however, and he must move on.
Autor: Vlaxim
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00:08
I am a film director, and i have asthma. Here is me, a woman in los angeles, shaking up and using my albuterol inhaler. Entire sequence: shaking it up first (which we all do lol), then exhaling all air from my lungs so i can suck in a good amount of medicine, then depressing the trigger and sucking in. Kudos to toiletroll for uploading his inhaler audio first, but this is the entire asthma inhaler sequence start to finish. No need to credit me. Just use and have fun. Enjoy.
Autor: Beautifuldaymonster
00:00
01:29
I found two melodies in gis_sweden's excellent "you deserve it - friday randomness ii"http://freesound. Org/people/gis_sweden/sounds/362508/. And quantized them into a 92 bpm 4/4 thing. Each melody is presented panned, with and without a beat, then simultaneously. It's sort of an accidental counterpoint. I also messed up his nice analog sound into some harsh digital junk. There's a lot of high frequency energy here so watch it, and apologies to mr. Fletcher, mr. Munson and their daughter, curve.
Autor: Parabolix
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01:35
Edison yellow paraffin cylinder recording of Arthur Sullivan giving an after-dinner speech at the "Little Menlo" in London. George Gouraud had come to London to demonstrate Edison's "Perfected" Phonograph. Gouraud demonstrated the phonograph to various celebrities in a series of Phonograph Parties in the autumn of 1888 and made recordings of their reactions as messages for delivery to Thomas Edison. Arthur Sullivan (1842-1900) was one of these guests, and it is his speech to Edison that appears here. Length: 1:34 Transcription: “
Autor: George Gouraud (Speech by Arthur Sullivan)
00:00
03:17
Sound exercise where we had to choose a location & an object in that specific location. I chose for the sculpture atelier in the academy of bellas artes. Sound source : a non-standard tuned höfner guitar & a lithium-ion battery powered 6 watt speakerwith a cute little aaa battery powered vox pre-amp. Put on a copper plate, live manipulated & processed / bent / tapped on / glided withwhat not /. . . A long metal tube. Natural feedback has been 1 of my favorite modi operandiinfluenced by entre autres my bloody valentine, sonic youthglenn branca & a lot of noise artists. . . Recording source : a f*+#!ng apple iphone ( for which itlasted 30 minutes to put it on an apple imac ?!!?? )i take a shot @ apple for a reason , my mbp during coronahas been seen imploding ! ( dikke poef !!! ) june 2020don’t buy apple, ask louis rossmann ( youtube ). This piece has been recorded in one big long take;until now whatsoever no edits have been madelet’s see if i can make this post-production wisemore ear-candy wise even better. . . The artist known as -̶j̶o̶z̶e̶f̶a̶l̶e̶k̶s̶a̶n̶d̶e̶r̶p̶e̶dr̶o̶-has been seen predicting on his bandcamphe “ll be integrating somehow thisfree improvisational piece into his avant-latest new track called‘ mars in-3 “. . . Bluff or a promise ???. Https://jozefaleksanderpedro. Bandcamp. Com/track/mars-in-3.
Autor: Antwerpsounddesign
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00:01
Short sound with scribbles ending on the tap of a pencil. I'll be using this sound as a short notification in-game for when the player triggers an event that adds a new entry to his journal/clipboard/notepad. How about you?. This sound was made in audacity by splicing 2 sounds from fellow freesound. Org uploaders. Sounds used are released under the cc0 public domain license, feel free to use this sound however you want with or without attribution!. The original sounds can be found here:https://freesound. Org/people/tomoyo%20ichijouji/sounds/211247/https://freesound. Org/people/harrypeeks/sounds/339951/.
Autor: Jackyyang
00:00
02:54
Amateur guitar plucking of a tune of my own making, mainly on one string up and down the fret board. Recorded august or september 1984 when i was 15/16. Cassette is a basf cr2-90 (1 of 3). Recorded on my fidelity hi-fi tower, with microphones jacked in. The extra guitar strums near the end were actually unrelated, a technical glitch made an impression of the previous recording to bleed through. Audio has been uploaded using alesis usb tape deck link to audacity, no editing or noise removal was utilised.
Autor: Signtoast
00:00
08:00
A man is turning buckwheat pancakes on 9 billigs (special pan for galettes). First putting butter on billigs, then spreading and turning the liquid on the billigs, then returning the pancakes with a metalic tool. Then start again all the process two other times. First billig is next to us, billig number nine is 4 meters from us. We can ear his steps, a bird by the window, a car is also crossing the sound field. France, nov2022. Recorded with a schoeps cmc6 mk41 and a schoeps ab ortf, reducted to stereorecorded on sounddevice mixpre648khz, 24 bits, wave stereo.
Autor: Bruno
00:00
02:52
Come Down Ma Evenin' Star from John Stromberg's Twirly Whirly (1902), performed by Lillian Russell. During the production of Twirly Whirly, John Stromberg delayed giving Lillian Russell her solo for several days, saying it wasn't ready. When he committed suicide a few days before the first rehearsal, the sheet music for Come Down Ma Evenin' Star was found in his pocket. It became Lillian Russell's signature song, and is the only one she is known to have recorded.
Autor: John Stromberg (1853–1902), Lillian Russell (1860-1922)
00:00
00:03
[intro_outro_02. Wav]. Intro/outro!. This sound can for example be used for logos (logotypes) in videos, for example tutorials, or why not for example use this sound in a documentary about someone who had a tough life; maybe an mma-fighter telling about his hardships as a youngster in the streets? - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.
Autor: Matrixxx
00:00
00:03
[intro_outro_03. Wav]. Intro/outro!. This sound can for example be used for logos (logotypes) in videos, for example tutorials, or why not for example use this sound in a documentary about someone who had a tough life; maybe an mma-fighter telling about his hardships as a youngster in the streets? - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.
Autor: Matrixxx
00:00
01:45
A recording of an eastern phoebe, made near a creek in a typical midwest oak/hickory/sycamore forest. This very unique, two-note call, which you may have heard before, is, in my opinion, very beautiful despite it's short duration. Despite this bird's non-colorful plumage, his song makes up for it!. Recording made on april 10th, 2013 around 6:45 in the morning about 15 feet from a small creek. My recorder, the zoom h4n, was mounted on a tripod in the middle of the creek. I was using the h4n's built-in microphones. Volume level was 80 (on a scale of 100 being the maximum).
Autor: Kvgarlic
00:00
05:24
Small distant boat returning to marina with the sound of wading bird calls and waves hitting the embankment. A man and his dog were on board though i cannot clarify if the dog barked or the man sneezed. Microphone positioned on an embankment in hamford water nature reserve, essex, uk. Recorded with a zoom h6 msh-6 stereo mic in winter (january).
Autor: Jackmichaelking
00:00
08:31
A walking recording, starts off with a very noisy garbage truck, then all sorts of other street sounds in east village, nyc. Ends with me entering my apartment building through a double door. Explicit content starts at around -2:00 where a guy wants the *whole* world to hear his drama and he uses some explicit language while i'm waiting to cross the avenue to my building. File also edited a little bit for time.
Autor: Overmedium
00:00
00:03
[thunder. Wav]. Intro/outro!. This sound can for example be used for logos (logotypes) in videos, for example tutorials, or why not for example use this sound in a documentary about someone who had a tough life; maybe an mma-fighter telling about his hardships as a youngster in the streets? - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.
Autor: Matrixxx
00:00
00:23
A mom shots her 2 kids after his dad became a zombie and she had to kill him, after that she suicides. I put together all these sounds, muffled it, put some reverb and this is what i got. Edited in audacity. Credits:kids: https://freesound. Org/people/aarrnnoo/sounds/520369/woman crying: https://freesound. Org/people/aarrnnoo/sounds/516194/shotgun: https://freesound. Org/people/rmf298/sounds/369395/pistol: https://freesound. Org/people/johnyridgeback/sounds/567272/body drop: https://freesound. Org/people/breviceps/sounds/447922/.
Autor: Castillastudio
00:00
02:13
This wood thrush was recorded around 7:30 in the morning in heavy woods in deep southern illinois. Unlike my earlier posting of the wood thrush singing at dusk, this morning recording has the wood thrush singing with lots of company, although he clearly rises above his neighbors. 17 seconds into the recording you hear the drumming of a woodpecker, and at one-minute 20 seconds into the recording you hear the distinctive-lonely sounding call of the huge pileated woodpecker. Recording made with good-quality stereo microphones so use headphones to get a wonderful experience.
Autor: Kvgarlic
00:00
00:11
A sputtery drum beat. The bass is from freesound, the snare is from a small chop of my fist hitting an oil drum, and the small breath that acts as percussion is from a children's toy. The hi-hats are from vinyl crackles and mistakes in other recordings, made to sound like the crackles themselves are making the music. 88 beats per minute. Used this in my song tai chi, chai tea: https://soundcloud. Com/user-32192831-668958257/tai-chi-chai-tea.
Autor: F R A G I L E
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00:02
would you get the door? i have a package coming that needs to be signed-for. . (chuckle) "sure. ". (pause) "are you dressed?" heh. Of course he changed his tune, but i was already headed for the stairs. Yep. Sure did. I didn’t step outside, though. Figured it was safer to let ‘em in…. Here’s a quick tip: when you’re holding the little computer thingie and signing, your hands are occupied. The thing kept rejecting my signature. Like, five times. Also if the package is on the floor, how you pick it up calls for considered forethought. I'd already sidestepped, um, all of that. Since when do two guys deliver one package?.
Autor: Nuncaconoci
00:00
00:31
Alternate Title: The Battle Hymn of the Republic Henry Reed's air is evidence of the folksongs in circulation about John Brown that became the basis for Julia Ward Howe's patriotic hymn "The Battle Hymn of the Republic." His version implies a verse and refrain using essentially the same melodic material, as is the case with "The Battle Hymn of the Republic." Title change: The title appeared in the fieldnotes as "John Brown's a-Hangin' on a Sour Apple Tree." Key: D Meter: 4/4 Strains: 2 (middle-middle, 4-4) Rendition: 1-2-1 Phrase Structure: ABAC A'B'A'C (abcd abef a'b'c'd' abef) Compass: 9
Autor: Henry Reed (fiddle),
00:00
02:25
Tail end of a paper-airplane competition as part of #azwud (arizona world usability day) in scottsdale, az. About 100 adults and 3 kids made paper airplanes then flew them in an informal indoor competition. Sounds of the crowd reacting to the different flights as planes flew off in all directions, hitting the ceiling, the floor, the audience. Announcer in the bkgd. Children approaching the 'launchpad' then the crowd reacting to their winning throw. After the kids' throw, the sound of another competitor's plane hitting the ceiling/floor (?) and then his comment "too much thrust. " a kid saying to an adult, possibly her mom (?), "please don't succeed" as the woman approached the launchpad to throw her plane.
Autor: Maplegirlie
00:00
02:13
Alien xxx sent me a “cross modulation challenge”. I have tried to be true to his idea, but added automation, so to speak. Oscillator1 is constantly fm-modulating oscillator2. I vary the frequency of oscillator1 with an lfo. The output of oscillator1 is sent to a) left audio channel and b) in to oscillator2. The output of oscillator2 is fed to oscillator1. The degree of cross fm modulation is controlled by a vca controlled by another lfo. The output of oscillator2 is also sent to right audio channel. As i’m writing this i have just made a theoretical patch on a piece of paper. The result is what you hear. No effects added. Straight out of the modular for better or worse.
Autor: Gis Sweden
00:00
02:49
I set up my recorder outside on christmas eve in 2016 and unwittingly captured the sound of this anonymous and apparently oblivious neighbor walking his dog and singing "it's the most wonderful time of the year" down my street. Pretty charming!. I've noticed recently how my zoom h4 has this nasty looping hum buried beneath the already disappointingly stubborn background noise whenever i do field recordings. Can somebody point me to a solution?.
Autor: Chrisreierson
00:00
01:07
My idea for this track is when an astronaut is exploring an alien wreckage and his base realizes there is more than just a wreckage when he asks the astronaut to get of the area. I made this track from about 14 tracks i downloaded of freesound. Org. I added some phaser effects here. Here is the list of tracks i used to make this track. 10292013_mystery_space_data103360__m-o-m__impact-metal-movie. Wav12742__leady__reverse-fill-effect. Wav204303__jobro__magical-fizzlerz-1. Ogg20682__johnc__heartbeat. Wav29758__erh__angels-2. Wav29869__erh__creepy-1. Wav30262__erh__boom-3. Wav34383__erh__walk-away. Wav43158__geography__rumbles. Wav52134__dj-chronos__horror-drone-001. Wav74964__zmb94__campfire-2. Wav9664__thanvannispen__whisper5. Wav9667__thanvannispen__wind-voice2. Aif9695__suonho__suonho-scaryscape-01. Wav. I used audacity yo make the entire track. -rama.
Autor: Iamamoviefreak
00:00
01:45
4ch surround recording of a bike riding through city traffic (leipzig/germany) on an evening in late spring. Recorded with a zoom h2 with a rycote windshield in a shock mount fastened to the center frame above the pedals. All recordings in the set are raw from the recorder and will usually need a hi-pass filter to deal with the rumble. Steady riding and freewheeling along a minor street, with some cars and a scooter passing, some gear switching and stopping at a red light with cars passing on the intersecting street at the end. These are the rear channels, mics set to 120° dispersion.
Autor: Blaukreuz
00:00
00:08
Greetings people of freesound!. Remember our dear friend herbert boland's "cinematicboomnorm" sound?. A friend and i have carefully re-created a sound very similar to his boom sound from scratch using thor synths and reverb in reason 7 and cubase with some tweaking in soundforge. This one's totally public domain, creative commons, non-attribution pro-commercial use! and it sounds just like herbert's. Remember,. This is not herbert boland's sound. It's just a very similar re-creation. Enjoy the freedom to use this commercially and without attribution!. .
Autor: Rhapsodize
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