Car engine starting, 2003 hyundai elantra. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room).
Car engine starting, 2003 hyundai elantra. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room).
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Heavy reverb and delay effects, low gain guitar. To the point type of licks but then some moody chords to finish it out. Probably best served up in smaller sections.
Out in the woods, kicking on some loose rocks. A few of them are rolling down a small cliff face. Some distant low traffic noise. Recorder: zoom f6microphone: audio-technica bp4025.
Goods-train passes right to left at low speed. Microphones close to the railway. France, 2013. Recorded with schoeps oct set up reduced to stereorecorded on sounddevice 744t24 bits, 48khz, stereo.
Took three instances of https://freesound. Org/people/mjl1551/sounds/620029/ and processed (see imgur): filter, reverb, compression/expansion. I pogo'ed the samples as well. Fx: https://imgur. Com/gallery/4mpem1q. Flp: https://www. Dropbox. Com/s/y8yuf6fqxoo780u/bass. Flp?dl=0.
A leather bag being dropped and picked up several times. Recorded in stereo on a tascam dr-05. Raw audio with a 6db 5000hz low pass filter, and a 6db 100hz high pass filter.
My first upload. A stream in the poconos, near bushkill falls, pa. Used a minidisc recorder and 2 small plugin mics. Just eq'ed a bit to take off any low wind rumbles to get a cleaner sound. Hope you like it.
This is the sound of someone tapping a keyboard (dell) in the library of the upf campus of poblenou, barcelona. The sound is repetitive with low amplitude. It was recorded 14:00h. Recorded using zoom h4, normalized with audacity and adde fade-in and fade-out.
This sound was created by using the memo feature of my digital camera. It was recorded while standing under an overpass during a rain storm. If you listen carefully, you will hear traffic overhead and the rain pelting the ground nearby.
Bacon sizzling on a stove. Minimal pops and splatters, mostly a low, constant sizzle. 60hz band was cut due to fridge noise next to the pan. Recorded on a tascam dr-40x and edited in audition.
Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Coffee maker recorded with zoom h4n pro on tripod. Low-pass filter applied to remove some high pitch snaps. Roughly first 40 seconds reconstructed from clips to extend sound of water gurgling. Recorded for use as a sound effect for a play.
This is one of the soundtrack cues that i completed for a psychological thriller, short. . . . . The director cut all music but liked it- it is a good piece for background to smooth out visual and dialogue for a darker genre.
Snare tuned e. I've created it with rob papen punch software synthesizer & saturated in tapey style. It's not very fat 'cause the fundamental tone is above 300hz & it's "low-cutted" by fabfilter eq. .
Experiment weaving objects in to the banjo strings creating spooky vibration and hum effect. Very scifi/horror. Some low popping noises, dog bark at beginning, chatter in middle; recorded with cheap pc microphone.
Was experimenting with involving an adsr in sequencing when this beat suddenly appeared. Had to record it. Saved it in a low resolution mp3 format just to get that old mp3 sound. Meaningless. . . That's what it all about.
This clean flame flicker was created by vari speeding a fast cloth flap, the wav was further processed to remove some low frequency. Please look at my website sfxmix. Com and contact me directly for you dialog cleaning and sfx/ foley needs.
One set of footsteps, wearing dress shoes (loud heel, but not necessarily high heel) in a quiet corridor. No external noise, low room tone. Also starts and stops. Good for adding reverb for an echoey feel.
I created this sound effect using chiptone. You don't need to credit me. You can support me by donating to my ko-fi page here: https://ko-fi. Com/staycalm182.
A raw audio mp3 recording of a distant chainsaw working to cut down trees, ranging from low to high speeds outside. Includes some background noise of wind. Recorded with a black sony ic digital voice recorder.
Mix-up of various sounds to create the ambiance of a nuclear implosion. Good for using in spacial environments. This one is the low frequency version. Both of them can be played simultaneously to variate the effect.
Tried to add sub harmonic content to a snare, so a lot of the punch in this 200hz snare comes from harmonics like 50hz 100 hz etc. Execution prolly wasnt too great but i like how it came out.
A recording that sounds like two people laughing with a rather creepy vibe. One of the voices is high-pitched (like that of a child), the other very low-pitched. It's actually a recording of me laughing, doubled, changed pitch and alternated start.
Interiour fan on defrost, 2003 hyundai elantra. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room).
Recorded with sennheiser 8020 in a self made jecklin disk setup to sounddevices 477. Movo wst80 windprotection. I erased the few passing cars but otherwise no filtering. There is of course a lot of low energy which could be filtered or used. . .
This is the fire alarm in my building as recorded in the hallway outside my apartment. The ceilings are relatively low. The floor is vinyl or something. Drywall otherwise. This recording is backwards. Slowed down, exported & slowed down again.
Builds quickly, sustains and gradually fades. C minor arpeggio stretched from 11 seconds to 1 minute using the paulstretch effect on audacity. Low-fi recording with tablet and hi-q app.
Very low pitched and subtle rumbling. Protoplasm vst custom settings, applied effects delay, chorus, eq,rendered in fl studio @ 140bpmthe letter and number in the file name represent the note location of the sound.
A fan blowing, set to the highest setting. There's a strong low end presence, interestingly. The recording was made from behind the fan so the air wouldn't blow into the mic directly. Recorded with a zoom h1.
Recording of a handheld game tronic device. I connected the device directly from the plate to the audio in of my computer. So the sound is kind of original. The batteries were little low, so the audio is mutated and sounds strange.
A few large american cars chug past on a gravel driveway, excellent stereo effect. Olympus ls-12, luhd mics, deadcats, bit of low cut20-08-16_101400_beaulieu_american_driveby_ls-12. Wav.
Footsteps in wet coarse sand, close up, some steps in water. Little low frequency boom noise should be remove. France, 2009. Recorded with schoeps cmc6 mk41recorded on soundddevice 744twave mono, 16 bits, 48khz.
This is a variation on a guttural growl i made to depict some giant bears in power armour. I recorded myself with a zoom h1 and then fiddled with pitch shifts etc to get to this big cat noise (well, that was what i was aiming for).
This is a recording of an analogue bass synthesizer, made by focusrite saffire pro 26. It's a smooth sound with an instant attack and two final wobble created with an lfo. The sound has been equalized and compressed and some reverb mixed with an aux. 140 bpm. Good fun.
Starts and ends with trains arriving overhead into ueno station, then general market atmos with male spruikers. Recorded in the ameyoko markets in tokyo in may 2008 using a zoom h4. Unprocessed apart from a low frequency cut.
Opening a zippo lighter, lighting it, and closing the lid. Separated into separate actions, removed a low-frequency rumble from some of the sounds. Recorded in a small shed, zoom h2.
My roland jupiter 4 with resonance cranked up and filter modulated with lfo by a very low rate. The deep basses at the end of each sweet may be great for deep dub-basses. The sweep sounds great with effects and when gated. Have fun. . .
I did this by tuning my voice as low as i could get it and recording it. Then i slowed the voice down to 0. 400, instead of using the paulstretch. I, again, did this with audacity and used my laptop to record it. Pretty good, i think.
