1.412 lizenzfrei Audiodateien für "Modular"

Working with feedback. This is just "work in progress". But cool. When this "neuron" doesent have contact it gets upset.

Yepp, this is how quantussy light may sound. You can make it sound better!this is made quickly with vcv-rack.

I have made a pastiche (sw. Pastisch) on a simple track i, for one reason, like.

Rumble made with wave rectifier, vactrolfilter etc. . . But a full spectrum rumble!.

A drone resting in chaos and ring modulator circuits.

What i was listening to while cleaning toilets. . .

Was playing with fm. Wasn't successful. Ended up with this. . . Something.

Exercising my switches.

No comments.

Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. Result a generative ambient patch and sound.

17 modules. . . Just to create a beat like this. . . Don't get a modular synth :-dhmmm i can use the same noise source for high-hats and snare if i want -1 then.

Three sounds. 1) analog systems rs-40 samples from 25hz bipolar lfo (doepfer a-147-2)2) analog systems rs-40 samples from 25hz looping envelope (intellijel quadra)3) analog systems rs-40 samples from noise generated by barton musical circuits bmc23 decaying analog noise).

Same patch as in electronic minute no 226 and 227 but on my real modular. I'm using a filter. Thats why i call this version subtractive. I'm subtracting harmonics from a square wave. Why are 226 blue? probably because i did it at work. . . Listening in bad earbuds. Makes you rise the bass. Lets see if i can make this wave ble at the end! i will slowly fade out the vco with high pitch. At the very end i'm switching the synth off.

Here's my second flute reel for the make noise morhpagene. This is how far i've came over the past few months in my playing and despite a few slip ups here and there i'm quite pleased with how i'm able to make it sound now. Would love to hear what people do with these samples as it is quite humbling to know my playing is in people's modular systems across the globe.

Cool sounds from filter. The two filters filter a tri-wave. The filters are almost self oscillating and are modulated by an lfo. Natural tones. And some spring reverb and analog delay.

No fuss 3 stage asr (analog shift register) patch. I sample from a quantizer but still its not exact pitch. The sound start with a short decay. I will gradually increase the decay time of the three sounds.

No soft sound. But interesting wave shapes if you take a close look. Much wave folding.

A bass made with one oscillator and drums from yamaha qy-10. Mixed in a noisy mixer. The qy-10 is also acting as sequencer. The bass sound is made on my modular. 101% analog. Including reverb and delay. Yep, now i have got a midi to cv module.

A rare combination?.

Heavily processed sounds form the symbiotic waves module by pittsburgh modular. Filtered through the intellijel atlantis filter. Effects were minifooger chorus and occasionally strymon delay or flint. The name give a hint which oscillator model and processor were used.

Using an cvlfo in a feedbackloop creating very "chaotic" cv!.

Feeding some cv to nlc ffc. Okay. It affects the module.

No, it's not beautiful but its a generative feedback patch.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Sound i use in disquiet junto project 0544: feedback loopthe assignment: share music-in-progress for input from others.

A bi-product sound. Strange enough.

I've created a snare from pink noise with voltage modular, added some spring reverb and a bit of distortion.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Modular synth sounds edited in audacity.

Could be less.

One classic passive ring mod based on 2 transformators and one vca based.

A sound i, my self, will use for an instagram film made with imovie. I'm trying to learn that program a little.

Basicly the same patch ashttps://www. Freesound. Org/people/gis_sweden/sounds/395016/. I let it play for a while then i start "doing things". . . It's not beautiful but its what it sounds like when you playwith a modular synth. Think i'm done with this patch. Unpatching time.

5 minutes of chaos. Never the same. Nonlinearcircuits jerk off (a discontinued jerk circuit module) and genie playing a song for you. Or controlling. Creating. Composing. Whatever. . . Nobody will ever be able to recreate this. Not exactly. This is unique.

Vcv rack loop.

Result from a short session. Sequencing with cvlfo, s/h, attenuverter, step sequencer.

Used a mini mod filter and tuned it up slowly so you can cut out the wanted pitch, switch daw to 120bpm to cut it preciselyenjoy.

Its a sine wave folded 4 times by a cgs inspired wavefolder module (kinda like the metalizer from the minibrute). The whole thing is then modulated with an external function generator that controls amount and frequency of modulation. This is what came out and it's pure junky drone noises, so goddamn nasty. Absolutely love them. Feel completely free to sample this and use it for your own purposes. This is a diy synthesizer i'm building and unfortunately it is still a prototype, but i'm gonna finish it soon and hope to sell it. Cool indeed, isn't it?.

I want you to compare this sound with:"electronic minute no 18 - vcv rack sqr sequencing"https://freesound. Org/people/gis_sweden/sounds/413520/in this sound, no 19, i use my modular synth. The sound is not as clean as in the virtual one. To some extent i blame my method of recording. . . Different oscillators sound different. Here i use a self oscillating filter. That produces a clean sinus wave. The cleanest sinus in my rack. But i guess the real thing is not perfect and that is what you are hearing? in neither of the patches i use a quantizer. . . (that's art :-)and, i almost forgot, i use a cheap analog delay pedal. Noisy. . .

I decided to bring my wind chimes inside and recorded them with an mxl 910 microphone into my computer using a focusrite scarlett 18i20 interface with the gain turned up a bit. I then chopped 15 samples i liked from the entire recording and formatted them into a make noise morphagene reel containing 15 splices. I am very pleased with the results, especially when patched into clouds or using an eventide space pedal for example. Enjoy!.

I feed 2 lfo sqr-wavs to a vca. Now you can get 3 levels of cv.

A selection of glitchy drums created with the akemie's taiko eurorack module. No external processing.

Vcv-rack patch5 vclfos in a ring gives you a lot of interrelated cv. Classic. Instead of vclfos you can use looping envelopes.

This is a type of sound i don’t really know what they are called. Not in swedish, nor in english. If you know – help me!. The sound is intended to suggest an impending startling event. It’s an underscore sound meant to indicate the mood of a scene. It’s was made on my modular synth.