1.412 lizenzfrei Audiodateien für "Modular"

A morphagene reel culled from an improvisation i made on a eurorack modular synth. Qu-bit electronix scanned is the sole voice here. Splices in the reel are ordered from somewhat delicate (taps, pulses, etc. ) to pretty chaotic noise. All recorded into a zoom h6.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Dark bass sound made with the following modules as main actors dinsync modseq, doepfer a-124 special edition, uoki-toki polivoks vcf, intellijel μvcf and synthrotek dirt. I'm exploring my filters and try to use them in different ways.

Actually i think i did it wrong, but something is happening.

Just had to make another stereo patch. Feels nice to be back in stereo. Need more patch cables. . .

Entropical bla bla bla. . . Read in 211. Here i'm using just one (1) sequencer :tu:.

As the title says. . . Playing around. Added a beep and a sample. Works as a loop if anyone cant get enough :-d.

Sounds made with analog modular synth. Analog delay and spring reverb. Is this music or sound-design? something in between. Anyway its made with generative technique. The synth is working by it self. Machine composition.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

I've created a kick with korg monologue, then i distorted it and delayed it with an fx i've created on voltage modular.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Created and formatted for the make noise morphagene, this reel is divided into three sections with like sounds clustered together for ease of navigation. The first group of splices are glitchy, percussive, experimental, modular snippets. The middle third consists of melodic and chordal washes. The final cluster is a series of field recordings taken from a recent trip to beirut, lebanon, with a cut up inspired splice at the very end. Collectively, i hope this sonic material will inspire the user to mangle, manipulate, and deconstruct to taste.

Sometimes i regret being so stubborn, only using analog modules in my modular. How easy it should have been creating cool rhythms for the drums with a digitalclock generator or having a nice wave table oscillator etc. . . . Today, i admit, i once again was looking at a digital clockgenerator. How would care!?same sequence as in electronic minute no 105, but slower. And i have added someeasy modular analog. . . . Drums and a bonus sound. Play with it. In the end the drums are alone!the wav-file is raw! no editing at all. Yes i should record via my h1. . . But it'sso easy to use the mic in on my laptop.

Machine composed electronic music. The track made me think of insects. Searched for a sound to mix it with. Found this lovely sound recorded by mikelrnieto. It could be insects. . . Interstitial space » espais intersticials # 17https://freesound. Org/people/mikelrnieto/sounds/209449/inspelat av mikelrnietomachine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Could need some sounds in the middle spectrum and better eq. . . Background soft minimal techno?.

Sound created by square wave lfos, attenuverters, hard synced vcos, delay, reverb and filter. I think it nice. Kraftwerkish. . .

4 cross modulated/connected looping envelopes phasing in and out of some sort of equilibrium. Cross connected in pairs. . . Lot of spring reverb. . .

This is 2 nlc sloths. Making chaotic but nice music/sound. . . I'm glad you found this little sound. Take good care of it.

Another sloth lfo test. I wanted to see - expected to see - cyclesrepeating. I don't. I have x controlling frequency and y controllinga filter. This recording is 5 minutes so there should be some repetitiveness. . . It's a regular sloth. . . I see 48 second cycles but they are not the same. Cool. Chaos.

This is long low buzz sound. Can be used ig games and other stuff. Made in fl studio.

Excerpt from longer krell patch recording.

Again polyrhythmic. . . But slow. Exploring with ring modulation.

This is part of a set of samples demonstrating the capabilities of the diy version of the hexinverter mutant clap module (eurorack/modular synth). Of particular note is the noise bleed present in some hexinverter diy products as discussed on the muffwiggler forum. Except where noted as "with vca," all samples are recorded without added effects or processing. "with vca" samples have been tidied up with an envelope modulated vca. One may choose to see the bleed as a feature or flaw. . .

I had a sound on my digital recorder. It had some sort of harbour feeling. To amplify that feeling i used pkoracs recording of "marina in kolding (denmark) in wind". So part modular synth part field recording. (https://freesound. Org/s/90721/).

New session with quantussy cells as an engine for machine composition. New key and some changes. Just listen.

Cross fm modulated filters performing a painful dance on your eardrums. This is noise but with a musical and rhythmic trace. I keep coming back to my vcfs…?.

I thought i had a diy contact mic somewhere, but i did not find it. But i found another thing. A contact mic for an instrument tuner. But (again) it had a 1/4 inch mono plug. That meant i could not connect it to my computer mic in. But (i know) what if i plug it in to my modular synth. Surprise. . . Then i could add a little filter, pan and spring reverb. So clamped the mic on to my external 3,5 inch disc drive and recorded. This is my submission to dare 51.

10 minutes of old school tension or horror sound. An ever changing sound generated by a analog modular synth. It's a generative patch controlling the synth and the sound development. The reverb is a spring-reverb. No editing. Pick the part that fits you best. Or just listen and listen to what the synth is doing. . . I have my fav part!.

Yep, i'm reading allen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 5. 20 modules involved. The ending is just modular freak-out. . . Whit the turn of one pot. . . Leading to some nice sound fx.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.