2.870 lizenzfrei Audiodateien für "Note"

City, truck engines, long break squeals, nyc (1999). Minidisc recorder with sony ecm-ds70p.

These are recordings of a recorder music class playing pitches g a b randomly, with occasional unintelligible conversation.

Sakura performed by the Airmen of Note of the United States Air Force Band. Track 1 from Global Reach (2018).[1] Credits: Commander and conductor - Col. Larry H. Lang Alto Saxophone, Soprano Saxophone, Flute, Alto Flute – Technical Sgt. Mike Cemprola* Alto Saxophone, Soprano Saxophone, Flute, Alto Flute, Piccolo Flute – Senior Master Sgt. Tyler Kuebler* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Percussion – Master Sgt. David McDonald* Guitar – Master Sgt. Geoff Reecer* Piano, Electric Piano [Fender Rhodes] – Technical Sgt. Chris Ziemba* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford* Tenor Saxophone, Flute, Clarinet – Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Technical Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Arirang performed by the Airmen of Note of the United States Air Force Band. Track 6 from Global Reach (2018).[1] Credits: Commander and conductor - Col. Larry H. Lang Alto Saxophone, Soprano Saxophone, Flute, Alto Flute – Technical Sgt. Mike Cemprola* Alto Saxophone, Soprano Saxophone, Flute, Alto Flute, Piccolo Flute – Senior Master Sgt. Tyler Kuebler* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Percussion – Master Sgt. David McDonald* Guitar – Master Sgt. Geoff Reecer* Piano, Electric Piano [Fender Rhodes] – Technical Sgt. Chris Ziemba* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford* Tenor Saxophone, Flute, Clarinet – Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Technical Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

I have been working on my twelve-tone program (in chuck). 1 - random 12 tones with random note-length for prime. 2 - then retorograde is played. 3 - after that prime and retrograde at the same time (3 times). Here the note-length is a average value.

This is moog matriarch analog bass! ;). For even more free sounds check my soundcloud page!https://soundcloud. Com/amazeusmusic.

Samples of the small glockenspiel i started out on as a child. Have fun! :-). Recorded with a zoom h5 and a rode nt2000. Edited in audacity and ocenaudio. It's always nice to hear what projects you use these sounds for. Let me know. ;-).

These loops are a set of slow funk-inspired jazz loops with notes of blues overlaying a foundation of trap drums. Slow, atmospheric and reflective, these atmospheric loops work perfectly for backgrounds or transitions for your next project.

I've created this sample with voltage modulare. It's a pink noise with some spring reverb the note that i've played is a g.

Sinister beginning, followed by calm tones. Playing my keyboard, slow notes. Used it for background for narration of a video about the universe.

An analog synth horn with a warm, friendly feel to it. This is the note a in the 4th octave. (created with audiosauna. ).

Sample of a saron key from an iron gamelan. Basic mic, some compression. The note is pelog 7, approximately a 'c'.

Simple theme for a scary movie or dark placethe notes are b then f.

Low notes with clock like pattern [cc zero].

Sound effect originally used in a rhythm game for when a player misses the correct note at the correct time.

Sound of shuffle machine to shuffle cards, used for poker sessions. Please note, that it's empty in this recording, no cards loaded.

Reggae steppers drum pattern. One drop with bass steady on quarter notes.

Image for describing cambiata as nonchord tone pattern. Created by Hyacinth (talk) 18:41, 3 November 2011 (UTC) using Sibelius.

This sound effect is a screaming monster its made for games and other projects. This wasn't made with minecraft note block studio now!.

Low e guitar string. Minimal processing. Will eventually become part of a larger guitar sample pack.

Ambisonic b-format recording for creaky footsteps in a fairly reverberant hallway. Recorded with the coresound tetramic. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Description de base : sound created with audacityajout de 3 sinusoides correspondant aux notes : do, mi, sol. Ajout ensuite de trois silences de 0. 5 sec pendant les notes. Typologie de schaeffer : itération tonique (n''). Morphologiemasse : groupe de sons tonique (accord)grain : lissedynamique : abrupteprofil mélodique : variation scalaire.

This is a synth riff i created for this remix of "egyptian lover" i am in the process of doing. The notes are a b c d e. Really those are the notes. ; ) thought this riff came out pretty strangely awesome. Please enjoy, use, remix, flip around, share, comment, conspire, organize and chillax. : ).

One note slide of a acid. . Already distort and ready to make havoc in your song.

This is a stylised musical dripping sound effect, that can be easily loopd. . . . . It was created by me for a stage play.

A wooden logdrum played with my finger (note c ). Recorded with an akg perception 220.

Playing my keyboard, slow notes of the hymn "how greeat thou arst" used it for background for narration of a video about the universe.

A single voice note held and then added a lot of re-verb. Mild flanger produced a sound like a blow horn.

I've sampled one of my bass patches for zynaddsubfx. Enjoy :).

Drum dump 2012 begins. See pack descriptions for notes.

An abstract bell sound from a synthesizer hitting single notes.

If you want to use sound in your project, please note to me in credits and let me now.

Loud claps in a bathroom. Note: this was taken on april 10th, 2018 around 12pm in a school bathroom.

Low and high tones in a calm continuum. Playing my keyboard, slow notes. Used it for background for narration of a video about the universe.

A saw wave created with sfxr and pitch shifted with audacity. The first note in the major pentatonic scale.

A little melody from violin on d string and reaching the a note.

Self recordedbass type: hohner professional pj-s. The last recorded single note (my bass was stolen on sept. The 23 in 2012).

A soft texture for synth pads in a3. Built by layering several sine-wave generators to create the note a and some of its overtones. It was then drowned in reverb. The sine-generators played just a short impulse, what you hear is the tail of the reverb, to give it more richness. Post-production: reverb.

Ambisonic b-format recording recorded with the coresound tetramic in pittsburgh, pa. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in first inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is first-root-first-second/first-root-first-second-first)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in root position and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is root-second-root-first/root-second-root-first-root)

Recorded with zoom h2n ambisonic b-format (no z track), airplane cabin with passenger chatter. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files converted from ambix format.

This is me playing the ancient (very rare) notes which bach created being really drunk. I'm a classics master, so i worked really hard to play it perfectly just as the note sheet says. Feel free to use anywhere, it's classic!(created with care using ableton, grand piano and 2-octave keyboard).

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in second inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is second-first-second-root/second-first-second-root-second)

Self recordedbass type: hohner professional pj-s. The last recorded single note (my bass was stolen on sept. The 23 in 2012).

Self recordedbass type: hohner professional pj-s. The last recorded single note (my bass was stolen on sept. The 23 in 2012).

Mysterious crackling noise. Possibly rain, or turntable static, or crumpled plastic?! i didn't make notes when recording this, so i have no idea. :).

Sound effect originally used in a rhythm game for when a player hits the correct note at the correct time.

Some piano notes recorded to a bad tape with panasonic rq-a220 player/recorder/radio.

One long note (b2) produced through feedback with microphone. 41khz/24bit.