4880 pistas de audio libre de derechos para "Ups"

I'm attempting to create a controllable thunderstorm for a film, and this is my first legitimate attempt. This recording consists of 4 samples of rain, and another 3 samples of rain+thunder that i recorded one afternoon. Equipment used was the inbuilt mics on a roland r-26, and a sennheiser me66 into a sound devices 702. The clips were recorded at 96khz/24-bit, and they were processed at 48khz/24-bit. For processing, i put the samples into kyma, and crossfaded for texture. The howling wind sound is an analog-style low pass filter's frequency, level, and resonance being controlled by a wacom intuos4 pen/tablet. The rain slowly swells, which was done by changing parameters of a granular reverb. The thunder was also controlled by the wacom tablet, with x, y, and z (pressure) dimensions mapped to making the thunder swell in level, density, and texture. This could have been output in surround, but i don't have that many monitors ;). This style of "rain-synthesis" can also go on indefinitely. Please let me know what you think of the quality of this track; eg, if it sounds real, if the wind sounds ridiculous, too much thunder, etc. Use this sound (wherever) if you want to, or let me know if you'd like an mp3 of this, or for it to last longer. I'd like some credit if you do use it, but it's no big deal. A blog is up explaining the method of creation here:http://www. Kylehughesaudio. Com/2/post/2013/02/tempest. Html.

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie up and to the left to the border on the top which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. This time the mic is sitting in the cubby so i get a much clearer and louder sound. When i stretch the string across the top it has a fairly long sustain, so i can play 4 notes on a single pluck.

As a professional dj, you know that having high-quality sound effects and drops can make all the difference in your sets. But where can you find these essential audio files?. Here at https://topdjdrops. Com , we have a huge selection of dj sound effects and drops to choose from. Whether you’re looking for a simple “hit” sound to punctuate a mix, or a more complex and layered soundscape to create an immersive experience for your listeners, we’ve got you covered. Https://topradiojingles. Com. Https://topdjdrops. Com. Https://sungfx. Com. And because we know that time is often tight for busy djs, all of our dj sound effects and drops are available for instant download. That means you can be up and running with the perfect sound for your set in no time at all. So if you’re looking for high-quality, professional dj sound effects and drops, look no further than http://topdjdrops. Com. We’ve got everything you need to take your sets to the next level. Top dj drops - #1 hot spot for dj drops and dj intro jingles in ghana and worldwide. | best dj jingles and radio imaging voice-overs, we have a wide range of voices that cut across chr,urban, hot ac, country and sports jingles. We reaching the world with world-class radio imaging as well as dj drops. #1 top dj drops: best custom jingles radio voice overs 2022custom dj drops, radio drops, dj intros with free dj sound effects around the world. Podcast intros, commercials, and concert & event promos 24 hour turnaround.

Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.

Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.

A reel by scanner, aka robin rimbaud. Formatted for use in the make noise morphagene. "a mixture of abstract melodic ambient and strange processed radio stuff and ‘scanner’ style sounds which should be fun. Keeping in mind that i want people to be able to use them as easily as possible and inspired. ". Scanner (british artist robin rimbaud) traverses the experimental terrain between sound and space connecting a bewilderingly diverse array of genres. Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums mass observation (1994), delivery (1997), and the garden is full of metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. To date he has scored 65 contemporary dance productions, including works for the london royal ballet and merce cunningham in nyc. In 2016 he installed his water drops sound work in rijeka airport in croatia, ghosts at cliveden national trust uk, and scored the world’s first ever virtual reality ballet, nightfall. He scored the hit musical comedy kirikou & karaba (2007) and narnia ballet (2015) based on the popular children’s book, philips wake-up light (2009), the re-opening of the stedelijk museum, amsterdam in 2012 and in 2018 released an app that measures the quality of soil in europe with live data with artist kasia molga. His work salles des departs is permanently installed in a working morgue in paris whilst vex house, the residential house he designed a permanent soundtrack with chance de silva architects, won the riba london award 2018. Committed to working with cutting edge practitioners he collaborated with bryan ferry, wayne macgregor, mike kelley, torres, michael nyman, steve mcqueen, laurie anderson, and hussein chalayan, amongst many others. Scannerdot. Com.

A late summer soundscape that is a favorite of mine. . Microphones set up in some mature woods about 60 feet from a large lake on labor day weekend. Most of the background is the insects, which are very obvious during this time of year. The swelling of their volume is nap-inducing (*at least to me in my opinion. )here is the midwest this swelling and subsiding of the insect wave tells me that summer is just about starting to go back downhill, after a feverish peak. Despite the covid-19 of the year, nature does not seem to have changed her soundscape. Life goes on in the forests. The birds, whose job of raising young is over, are still there. . . They're just resting and relaxing and listening to the insects as well i'm sure. Now of course you will hear a few prominent birds in this captured moment:(1) a great blue heron squawks out starting at 1:17 into this piece. (2) the alarm call of a red-headed woodpecker can be heard at 2:14. Other than that, just the insects singing their hearts out and the assortment of birds taking secondary place during this time of year. This was recorded on sunday september 6th 2020 at 8:30 in the morning in the forest in southern illinois. Equipment: zoom f4, microphone: sennheiser mkh 8060. Enjoy this audio snapshot of the subdued -- yet vibrant - sound color of late summer, finding comfort in the fact that, within four weeks, the colors of the leaves will be changing to oranges and reds and yellows. But, for now, there is still life to live in the insect and bird world.

Im sorry i haven’t been uploading lately… i really can’t give a reason as to why i haven’t been uploading any of the teaser kicks lately, nor have i given any download links for the actual xkicks volumes 1 or 2…. Ive actually finished xkicks volumes 1 - 6, each containing at least 250 unique distorted, hardstyle, gabber, obscure, noisy, nasty kicks, and i’m about to finish xkicks 7 real soon here. Ill be putting up the download links for xkicks 1 - 6 on my profile page on free sound:. Http://www. Freesound. Org/people/electroshocknetwork/. Here are various teasers from xkicks 1 - 6. Do you enjoy hearing incredible hard dance kicks? introducing the latest instalment of the xkicks series! xkicks edition 2 brings you 250 new, unique hard dance kicks that will keep you wanting more. Tweak them out with eqs, add effects to them, trim them to your liking, share your tweaked xkicks sounds. Only through the electroshocknetwork can you get sounds like this for free. Xkicks is back with an all-new package featuring 250 brand new, unique hard dance kicks. Xkicks edition 3 features kicks suitable for gabber, hardstyle, jumpstyle and any other harsh, raw sound. Add eq, trim them, add effects, change their pitch. Nothing is impossible to make now that xkicks has arrived. Native instruments meets electroshocknetwork in the latest instalment of the xkicks series! using the incredible “battery” to unleash the full potential of xkicks, electroshocknetwork has never made better raw, xtreme kicks. Featuring 250 unique hard dance kicks, xkicks edition 3 will leave you mesmerized and the crowd cheering as wave upon wave of awesomeness crashes over you.

88 piano keys, long natural reverb: up to 13 seconds per note. This is me giving back. I love freesound. You guys saved my bacon back in the day. Recently i searched for free piano notes for a game i'm making, but the only ones i could find ended too quickly. I need long reverb! luckily i have an old piano, so i made my own. So this is me giving back. This is an old piano!!!. We had the piano tuned a year ago, but it is well over 60 years old, so be warned! these notes have character! if you want perfect tone, either edit them individually, generate something artificially, or buy a professional set. But if you want a piano with personality, this is for you. Being an old piano, it only has 85 keys. So i created the highest 3 notes by speeding up previous notes, to make the modern standard 88 keys. How the notes were created. The notes are created on an old (well over 50 years) steinhoff upright piano. It only has 85 keys, so i faked the highest 3 keys by taking previous keys and changing their pitch. I opened the top, balanced my trusty everesta bm-800 condenser microphone across the top near the high note end, and held down the "loud" pedal. Each note was then hit and kept pressed down until i could no longer hear any reverb. Notes were saved as mp3 using my laptop, using free sound recorder on the highest quality settings. Yeah, i know it isn't flac, but i am strictly amateur with budget to match, and that was the best i could do. After that, all editing was of course uncomopressed until the final save. How the notes were edited. Editing was kept to a minimum, mainly to enhance the reverberation. All editing took place on audacity on linux mint. First i cropped any silence from the start. Next, used the envelope function to gradually increae volume to 200% over a couple of seconds. That is, the quietest part of the reverb is twice as loud as you might expect. Because for my game i sometimes need a single piano key to last ten seconds. Next i maximised the volume. If there was just a single stray waveform that stuck out then i reduced that by 2db or so then maximised again. Because like i said, i want to hear that reverb! i then found the part where background noise starts to be noticeable, and faded out over 1 second or so. This meant that the lowest notes had as much as 13 seconds of reverb, whereas the highest notes might only have 2 or so. Finally i checked the result, and edited three or four notes that i felt were just too ugly (badly tuned, or for some reason the software suddenly got hissy when the note became too quiet. Weird. ) i also slightly changed the pitch of a couple of notes that were slightly out of tune but otherwise ok. No doubt a better ear than mine could teak all of the notes. But as i said, it's an old piano and we're keeping it real. Finally, files were compressed to ogg at the highest quality setting, using soundkonverter. Why not flac?. I live in the countryside with very slow broadband, so i apologise for including more of the original files. But as it was, uploading this zip file took about an hour. Enjoy. Legal. Use this for anything you want, commercial or not, credit me or not. Consider it public domain. My main concern is that i had completely legal sound for my game, with nice long reverb and character. Uploading it here provides proof that i created it first, just in case anybody comes back and says "those are mine" (it happens).

This is a reading from the second chapter of "nathaniel's nutmeg: or, the true and incredible adventures of the spice trader who changed the course of history", by giles milton. It is also intended for the freesound sound museum to represent books as what is fading rapidly into obsolescence. By the time you read this, you may not even know what a books is. Books are when the written word is compiled onto sheets of paper in a long-form volume. You may not know what paper is. Paper is commonly used to write on or make oregano cranes with, being flat and thin rectangles made from trees. You probably won't remember what a tree was. That is a very sad thing. They are all gone now, destroyed in feckless deference to paper. When the paper runs out, there will be nothing left to write our collective histories on, what we desperately need. When this occurs, it will stand as the moment our past was truly lost, leaving us lost the same, drifting in circles. Until another man or woman rises up to invent trees again, thus beginning the cycle anew. It's a beautiful idea. We should always be moving towards the future, not lost in syrupy memories of old forests not seen for what they really are: petrified wood and amber. Leave that with the other fossils and relics. Let it be the final page written on the last book until it crumbles to dust. Let it go. The file was recorded using a mid/side stereo technique at 24bits, downsampled to 16bits under the loving care of gaussian dither. The room was treated as best i could to be acoustically pleasing and quiet. I think you will find the noise floor to be particularly well balanced and textured, suitable for post-production tasks, or just for relaxing with at home. .

We are writing the end of the 20th century _ _ _ cheer up !. After a nice concerto @ the charlatans, ghentduring the infamous ghentse fiestas ! ! ! ! !one of the guitarists of the band torturadodrives back home,. . . 72h after the concertthat is. . . He don't remember having slept. . . Ghentse fiestas are hardcore, he does rememberthe hamburger @ the vlasmarkt though. . . &he thought he heared 'vree wijs' like a thousand timesbut back then he couldn't decifre the real meaning of thosemumblings. . . So he always answered back to the girls, with 'i'm latino !' ( the usual reply). Hm,. . . Suddenly on the radio he hears musicwhich strangely seems familiar to himwhen the radio host describes the artisthe seems to be talking about the torturado boi ??!!!!##is he ??!!!!!#é"'((('à)§!(çà. Is this some kind of message from the future ???. The reference of glenn branca is there, but 2015 ??? never happened yet. . . Wooooooojoo !!!!. There is also this clear 'why nut' 2020 duyvisch nuts publicity reference !!!that he obviously doesn"t get yet, but an invisible force, makes him grab some nuts (not what you think), he bought just before entering the car ??!!! (you see!). Is this some kind of message from the future ???. No ! as the host continues the little descriptionhe makes a t e r r i b l e trabalengua or you knowknot explosion with the tongue & has to repeatthree times the sequence of the stroboscope. Wtf is going on here. . . The future seems to besending a very unflattering non elegant message to him _ _ _. It just seems to be just a rehearsal for a descriptionof the solo artist he is going to be. . . What the fuuuuuuuuukkkkk ?!!!èy"é'!'"''çé'ç"'à"'"é'é")*¨%££££££=:;ù%%%%. -----------------------------------------------------------------------. Recorded with my new dpa 4060very happy with iti can write a whole essayabout how i found it & stuffbut i think it's better totell you live in a barwith a beer or 5 ! ! ! ! ! !. 11112020josé !. P. S. All references to real persons/situations/musicians/latino's/birthdates, es-pe-cially for tindr dates / ! \ are very fictive, jaja !.

Johann Sebastian Bach (1685-1750) Cantata BWV 125: Mit Fried und Freud ich fahr dahin (2 February 1725) 1. Mit Fried und Freud ich fahr dahin (Chorus) 2. Ich will auch mit gebrochnen Augen (Aria: A) 05:27 3. O Wunder, daß ein Herz (Recitative: B) 13:19 4. Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden (Duet: T, B) 15:36 5. O unerschöpfter Schatz der Güte (Recitative: A) 20:55 6. Er ist das Heil und selig Licht (Chorale) 21:37 Soloists: Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Performed by Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "Bach composed the cantata 'Mit Fried und Freud' for the feast of the Purification on 2 February 1725. Here, the opening chorus is in 12/8 time, which is almost always associated with a peaceful, pastoral mood. Here it is the expressive key of E minor, which, raised to monumental heights, will re-appear in the opening chorus of the St. Matthew Passion. The chorale is sung in long note values by the soprano accompanied by the lower voices of the chorus in densely textured imitation, and which takes up the serenely elegiac movement of the instrumental ritornello theme. Only twice does Bach interrupt the pattern: at the words 'sanft und stille' all the voices drop into a sudden 'piano' and even the lively rhythm of the vocal part gives way to a more tranquil measure. The contrast of the 'forte' on the next words, 'wie Gott mir verheißen hat' is all the more convincing in relation to the preceding words. Once again Bach leads the vocal part into a quiet, even tenor for the final line of the chorale, 'der Tod ist mein Schlaf worden.' " - Thomas Seedorf Painting: Still Life with Three Medlars, Adriaen Coorte

It's a 15-minute long drum improvisation. It contails a lot of different beats and rhythms played so you might cut-out some loops for your needs. The kit has:- single kick- snare- hihat- 3 toms- broken crash that sounds really short- ride. The kit was old and not in perfect condition. I also used my sticks to play on some other part of the drumkit, like metal stand for the crash etc. I also got up and stated running around in a circle hitting sticks together and afterwards hitting drums and cymbals while running around the drumkit. I took my shoes off before i started so you can't hear my footsteps. I didn't use a metronome and i know i don't hold the tempo and it's a bit wiggly sometimes. I think this performace was inspired by band mr. Bungle. I recorded this with zoom h2 handy recorder's front stereo xy mics. It was standing on a table about one meter above the floor. Facing the drumkit and me. It was captured into a 48khz/24-bit wav file, then i trimmed the ends and converted this to flac using audacity. No processing applied, though i think it sounds nicer when you put these effects:. 1. A compressor:-attack: 10ms-release: 50ms-ratio: 2. 5:1-treshold: around -24db2. A reverb:-decay: 1. 5 to 2 seconds-dry: 0db-wet: around -15 db. It amazes me how much energy compression actually adds to drums!. I made this with my podcast (http://unfamusic. Com/fnr/) in mind. I want to overdub guitars, vocals and make it one big schizophrenic song. If you're interested to hear it, leave me a comment so i can find you, or just subscribe to my podcast's rss (http://feeds. Feedburner. Com/unfa-fnr/).

This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.

Save A Little Dram For Me song from United States prohibition era. MEDIUM: 1 sound disc : analog, 80 rpm ; 10 in. CREATED/PUBLISHED Orange, N.J.: Edison. Lyrics: (spoken) In the middle of the sermon, Parson Johnson rose and started sniffing the air. There was a peculiar smell tricklin’ up the parson’s nose. That told him that gin was ‘round somewhere. And he closed his Bible gently in the middle of the psalm and started figurin’ mentally where that smell was coming from. His eyes scanned every pew, and then he did declare, he says “I announce this meetin’ through… (sung) …until you kick in with my share.” Oh Bretheren if you want more preachin’ Save a little dram for me. Glory hallelujah Why drinkin’ gin ain’t against my teachin’. Treat me with equality. (spoken) From this here smell it’s very plain to see That somebody here’s been holding out on me. (sung) For Bretheren if you want more preachin’ Save a little dram for me. (spoken) Now when they passed the bone dry law, I was the very first to say that it never would stay And neither did I think the law could regulate our thirst. That’s why I’ve got some stored away. Now since prohibition’s got us drinks is few and far between. Of all the stingy brothers you’re the worst I’ve ever seen. But I insist on my share. Don’t say it’s all run out Or else you’re going where-- You know that bad place I been preachin’ ‘bout? (sung) For Bretheren if you want more preachin’ Save a little dram for me. Glory hallelujah Why drinkin’ gin ain’t against my teachin’. Treat me with equality. (spoken) I’ve shared your joy and I’ve shared your sin And believe me brothers I’m gwine to share your gin. (sung) For Bretheren if you want more preachin’ Save a little dram for me. Українська: «Збережи для мене трохи драм», пісня з епохи сухого закону США, випущена в 1922 році.

The same as my other fire whoosh sound, but i used a hi-pass eq at the 50hz mark to take out some of the "mud. ". --. This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 165 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

I invited a lady friend over to netflix and chill. When we were about to sit down, i casually asked if i could change into something more comfortable, wearing jeans and really just wanting to fuck. I wear plush pajama pants like i don't give a fuck but she didn't know. I came out with these zebra-like striped plush shiny pants and at first she laughed. I asked if it was because of the plush pjs and she gave a weird smile and said yeah, it was a little weird. Old me would have been taken aback, but i knew that girls liked soft things. I figured what she thought was weird now was going to turn her on right quick. We started watching brooklyn 99 and i put my arm around her to cuddle. She put her hand on my chest. It wasn't long before she went to adjust and her hand brushed against my pj pants. "ooo. . . Those are really soft. . . !" she commented. Next thing i knew, her hand was on my outer thigh, rubbing the pjs. I secretly smiled, since i figured it she didn't find it so weird after all. Within a minute, her hand had moved over my crotch. The first episode wasn't even halfway through. I got rock hard, as i always do when a females playing with my dick through my pants. Next her hand went in my pants, then she poked the head out while stroking, then pulled it enough the front of my pjs slide down the shaft. I knew she was about to give me a blowjob and at first i was like "meh. . . This is alright" because i hadn't received a good blowjob to rave about in literal years and gave up on it. But damn was this an amazing blowjob and revitalized my hope! i had to ask her where she learned to suck dick like that and her response? "i learned studying porn. Was i good?" you certainly were!.

My first upload! this sound i made using the zmors synth on my ipad air2 - i used audiobus which is a great routing software allowing many of a lot of awesome sounding synths that are now on ipad and can be played professionally via a usb keyboard controller (very handy for gigging) okay this is getting too wordy. . . I used audiobus overall with zmors in the first slot being routed through the wonderful aufx eq app in the center (effects) slot then ran the most useful of all ---> audioshare app in the 3rd or output slot to record it all. . . Keep in mind that the number of devices you can run in these three slots is virtually limitless - as much as your device can handle so you can get really nuts with several synths, a drum machine, etc all routing to the middle (fx) stop in the chain and picking up a fat 3 or 4 nice sounding effects devices then on to output to audioshare or you can now use just audioshare as host and run zmors in it directly (and probably more smoothly). I chose zmors because on a couple of other ipads (ipad mini, ipad 2 especially, and ipad air a little bit) i was noticing that it was a resource hog and was not playing correctly or there was a huge lag in the latency so with the new(er) ipad air 2 i wanted to hear the zmors synth and it really is an underappreciated majestic sounding beast if you ask me. I am going to experiment further with it as the unique architecture and just the way it sounds is totally different from any other synth i've yet to hear on ipad or in general. It kind of reminds me of a fatter, more modern. Sequential circuits 6 track. Which i've had a couple of and have a thick layered sound - kind of like a really nice turkey sandwich with a good portion of swiss cheese then you notice that there's still some roast beef left and put a good amount of that between bread as well. Hell, that's a sandwich that's gonna be filling! thanks for reading.

Recorded in my dad's bedroom with lifecam hd3000 webcam. This is a much better recording than my previous oxygen concentrator file, as i hauled my desktop into the bedroom at the other end of the apartment where the machine now is, when i was home alone. The webcam is on the bed about 3 or 4 feet from the machineat the beginning of the file you hear me flip the big switch and the machine comes on with a long on beep and thumps. I edited it to start then. At 00:1. 8 what i suspect is the water pump comes on, though i may be wrong. That's when the gurgling starts though. The machine has a small reservoir for distilled water to moisten the airflow. A cup or two lasts several daysyou'll hear various hisses and thumps in a 15. 6 second cycle as it runs. At 03:03 i flip the big switch to shut the machine off, and it bubbles and gurgles away for the rest of the file, as water i assume slowly perculates back into the reservoir, the bubbling getting quieter and quieter until it doesn't even sound like bubbling anymore, until it finally ticks to a stop. At 03:16 you hear me step as i get my foot loose from the mic cord lol. At 04:13 the furnace shuts down as a car finishes going by outside in the bass register, faint traffic noises and the furnace being the only background noises you'll hear aside from my moving around a couple times, and a faint bluejay at the end. At about 07:00 you can barely hear the machine anymore, but i could hear a faint ticking with my own ears. At 07:04 the furnace comes back on. At 07:08 you'll hear a bluejay faintly calling outside and a car going by outside after, which finishes the file at 07:20. I edited out my walking to the computer to shut the recording down. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.

This sound was created using audacity. First of all i chose a frequency of 432 hz ( a number which includes the golden rule/proportion), then i created a gradual rise in the first 4 seconds, leading into a peak which descends so it can go up again, creating an effect of confusion. At the end, the sound raises gradually and rapidly to reach its peak once again. This sound recreates, for me, a fast- moving ufo (unidentified flying object) and includes the notion of conspiracy in our society- the changing of the frequency of the tone “la “ from 432 hz to 440 hz in 1953 by the nazis. La règle d’or- 432 hertz. Le ton « la » est une pointe centrale dans le réglage des instruments musicaux. Le ministre de la propagande en allemagne pendant l’époque des nazis a fait un décret général avec lequel il a changé la tonalité « la »de 432 hz en 440 hz. On utilise cette hauteur à partir de 1939 jusqu’à nos jours. Il y a eu des protestes de la part de professeur dussault de la conservatoire parisienne qui a fait une pétition signé par 23 000 artistes françaises mais sans aucun résultat. L’organisation internationale de standardisation(iso) a accepté en 1953 les changements et on utilise la valeur de 440 hz depuis. Des recherches montrent que ce changement a des effets incontournables sur le corps et le cerveau humain- les gens entrent dans un chaos. Ce changement a été caché du monde entier parce que c’est le point de la balance dans la nature. 432 hz est la vibration qui inclue aussi le règle d’or (ou la proportion de dieu). Quand on écoute de la musique en 440 hz la première chose qu’on remarque c’est une fatigue, aucun envie de faire n’importe quoi et beaucoup d’autres ( y inclus le mouvement de notre adn) une étude récent montre que l’utilisation de 440 hz crée des mouvais effets dans la nature et dans toutes les êtres vivantes. Cette article m’a inspirée à recréer un son avec une fréquence de 432 hz qui monte et baisse graduellement. C’est un son seul de type complexe(nodal). Il est de type v( continu varié), il est éclatant,clair et lisse. L’attaque du début est graduelle et violente. Le son varie en « hauteur » de plus fort au moins fort et l’inverse, recréant un effet d’un ovni qui passe à côté de vous.

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie to the border on the left which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. The recording starts with me standing up from my chair. In the first part until 01:54 i am playing the string at maybe 30° from horizontal. It has a buzzy quality that reminds me of an african folk instrument i can't remember the name of. From 01:33 to 01:54 i'm trying to imitate a korean folk vibrato kind of thing. In the second part until 02:29 i am playing 45 to 60° from horizontal and it sounds like a full-bodied string bass with no buzz. In the last part beginning at 02:34 i am playing about 75° from horizontal across the top border of the cubbie on the left so it sounds buzzy and african again, and i'm just going crazy goofing around with a crazy bluesy rock sort of rhythm. There didn't seem to be any homemade 1-stringed wall-cubbie basses on this site so here is mine, have fun. I don't play it if mom is home because the living room is on the other side of the wall and she can't hear tv. Also my neighbor can probably hear it in the next apartment lol. Recorded with microsoft lifecam 3000.

If there is one man, white western historyhas neglected, it must be james baldwin (1924 - 1987)known to many as writer, novellist, essayistplaywright, poet. . . Surely unknown to all asactivist, as frontfighter, as luchador of theanti-xenophobic anti-discrimination discoursin general & more specific of the north-american'negro'. His father was a slave & as a childat the tender age of 10, he was teased and abusedby 2 new york police officers, an instance of the racistharassment by the nypd that he would experience againas a teenager and document in his essays. Why isn't his history & discours teached at school ?. Anno 2020, i learn to know him & his eloquent rhetoricalcapabilities through the also fenomenal moving & breath-takingperformance of tawiah + myrrh for the refraction festival, takingplace online of course, due to the ever infamous covid-19. . . An audiovisual délice, in which visual artist myrrh, places tawiahin subtle superposition with james baldwin & his 1965 debate with mr. Buckley ! in the cambridge union ! !! ! ! ! while performinglive one of the most delicate concerts i have seen during corona. . . A must see+hear _ _ _ https://www. Youtube. Com/watch?v=h5l2lssdzro. Being totally absorbed by this performance, i discover as an artist myselfone of the reasons i bind so much with this piece of music is that i myselflike to use the same harmonies, apparently, which i did indeed in 2015https://soundcloud. Com/torturado/eternal-void-the-fall-back& in the mid nineties, that is 1990's. . . A long forgotten piece of me, performed that time during my ritcs studies, as my band torturado, no recordings from then helas online, but gracias a la discovery of tawiah+myrrh & james baldwin picked up again what i remembered from that time & made a 2020 version of it. . . A small visual document of this: https://vimeo. Com/450004585. As from the moment, i discovered james baldwin, i integrated also his powerful 1965 debate in my performances during covid times. . . To spread his word ! to inspire others, to confront others. . . I told myself covid or corona is not going to stop me playing & performing music, which comes natural to me, so i looked for ways to perform outside, in plain nature, with batteries. . . Guitars, 9v fx, fx without 9v compartment, battery based amplifiers, battery based kassette walkmans. . . & it is on kassette that i put an edited full version of the james baldwin vs buckley debate of 1965. . . For this exercice of the sound design formation, we had to upload a sound that intrigues, well, james baldwin eloquent voice, litteral & metaphorically inspired & triggered me. . . Also the sound of electro-magnetic technology called tape is something i have always been fond of. . . So i made an edit of an edit of the james baldwin debate of +- 10 minutes !. Spread the word !a+. Actually this could also serve the exercice of recording a sound that comes from a certain place, or is part of a bigger thing , or personificates a certain place. . .

El furruco o furro es un tambor con cuero y una varilla, suele utilizarse en la música tradicional navideña, así como en la gaita zuliana y los aguinaldos. Tambien se utiliza, en algunos pueblos, en la parranda. Está constituido por una caja de madera, cilíndrica y ligeramente cónica, está cubierta por una membrana de cuero seco, vibrante. Fijada al tambor con tirantes metálicos, de modo de poder templarla de acuerdo a las necesidades y gusto del intérprete. En el centro de la membrana va fijada una espiga de madera, de poco más de un centímetro de diámetro, cuyo extremo, romo, va engastado en el cuero, y es atado fuertemente por el lado opuesto de la membrana. Dicha espiga de madera, de unos 7 centímetros de longitud, tiene forma cónica, y va aguzada en la punta. Esto tiene por objeto el que en el extremo libre va colocada una varilla de caña, de unos 125 centímetros de longitud. Esta caña es la pieza que apropiadamente manipulada por el ejecutante vibra con la caja de resonancia, produciendo un sonido ronco, profundo, de registro grave, de gran sonoridad. Pudiera decirse que el furro es el bajo en la ejecución de la gaita y de la parranda. Este sonido fue grabado como parte de una entrevista realizada por rafael rondón, director del grupo "el valle". Se realizó una grabación simple con un celular sony y luego se editó con audacity, se ecualizó y normalizó. Ver la entrevista a rafael rondón en https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica. "the furruco or furro is a drum with leather and a rod, it is usually used in traditional christmas music, as well as in the bagpipes of zulia and christmas bonuses. It is also used, in some towns, in the parranda. It is made up of a wooden box cylindrical and slightly conical, it is covered by a vibrant, dry leather membrane. Fixed to the drum with metal braces, so that it can be tempered according to the needs and taste of the interpreter. At the center of the membrane is fixed a wooden dowel, a little more than one centimeter in diameter, the blunt end of which is set in the leather, and is tightly tied on the opposite side of the membrane. Said wooden dowel, about 7 centimeters long, has a conical shape and is pointed at the tip. The purpose of this is that a cane rod, about 125 centimeters long, is placed at the free end. This reed is the piece that appropriately manipulated by the performer vibrates with the soundboard, producing a hoarse, deep, low register sound, with great sound. It could be said that the furro is the bass in the execution of the bagpipes and the party. This sound was recorded as part of an interview conducted by rafael rondón, director of the group "el valle". A simple recording was made with a sony cell phone and then it was edited with audacity, it was equalized and normalized" see the interview with rafael rondón in https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica.

This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).

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Created from roughly 256 sounds in reaper by looping and batch actions. All sounds came from a folder of freesound cc0 sounds i've been collecting. Here is the file list if you are curious:. 103117__geronimo83__elephant. Mp3107216__keithpeter__birmingham-botanical-gardens-mains-hum-from-tannoy. Wav110456__sagetyrtle__wings-121110. Wav119161__reinsamba__110419-000-sheep-bleating. Wav120107__toc1__bird-wings. Aiff134025__danielrutterfilms__necksnap-build. Wav135506__chriddof__heavenly-computer. Wav14102__adcbicycle__15. Wav146558__john129pats__hybrid-monster-growl. Wav146957__zabuhailo__systemload. Wav151641__jamesmontour__8mm-film-camera. Aiff152317__logos-chroma__arp-odyssey-wind. Flac155800__mario1298__elevator-the-sixth-floor. Wav156522__timbre__retro-video-game-sweep. Flac165486__venaportae__wild-bees. Wav16793__pushtobreak__earth1. Aiff170761__esperar__bees. Mp3178995__beatproduction__emotional-string. Wav182110__qubodup__film-countdown. Flac184700__lloydevans09__spooky-love. Wav187373__shapeshifterd__wee. Wav188388__wubitog__mid-high-tone-button-click. Wav190504__fk-prod__baby-dinosaur. Mp3192155__hitrison__picking-at-a-giant-fan. Flac19433__heigh-hoo__drumroll. Aiff198367__blumo__beam-sequence. Wav200813__jotliner__quindar-tone. Mp3202876__augustsandberg__african-savanna-2. Wav204725__dneproman__trailer-end-4. Wav211870__tubbers__airplane-flyover. Mp3219943__qubodup__dragon-scream. Flac222528__queen-westeros__woman-scream. Wav234681__odilonmarcenaro__nash-point-foghorn. Wav235845__hermengarde__cartoon-spin. Mp3240134__richerlandtv__factory-atmosphere. Mp3240715__deleted-user-2906614__dragon-roar. Flac245381__davidthegreat14__film-score. Mp3248121__wjoojoo__lightning. Flac249686__cylon8472__cthulhu-growl. Wav253567__schafferdavid__cartoon-4. Wav253638__wolfey1923__scuttling-across-wood-floor-w-reverb. Wav255883__dontgothere__funny-cartoon-robot. Wav262755__bigpickle51__stereo-jet-landing-sample-2. Wav263967__scotcampbell__funny-evil-cartoon-voice-with-laugh. Wav264593__vacuumfan7072__cheap-tv-static. Mp3267584__schafferdavid__cartoon-8. Wav272037__aldenroth2__sipping-coffee. Wav277279__thiagoassis82terror__metal-gate. Wav288941__toefur__rat-squeak. Wav315768__bevibeldesign__dragon-growl-sad. Aiff316744__bird-man__big-splash. Wav320345__999999990__dino-hiss-dragon-roar. Wav329033__humanoide9000__coin-rolling-1. Wav330638__leonelmail__cloth-flapping-on-a-clothesline-thickly. Mp3330639__leonelmail__cloth-flapping-on-a-clothesline-gently. Mp3331134__maurolupo__rolling-coin. Wav331337__julius-galla__transmission-error-loop. Wav332711__amicasys__glitch. Wav333832__nick121087__demonic-woman-scream. Wav334980__paulocorona__office-ambient-sound. Wav335727__rolar-dnb__a-rain-thunder-lightning-close-cars-sirens-loop. Wav335889__yoyodaman234__wind-through-trees. Mp3340940__chesshunter__screech. Wav341610__pureaudioninja__electricity-2. Wav341612__pureaudioninja__electricity-4. Wav341666__jeremysykes__electricity00. Wav349693__drmaysta__cartoon-arrow-hit. Wav350965__e1ectr0n1cf4n__very-intense-hell. Mp3353416__squashy555__seagull-on-beach. Mp3353849__dtmp__alien-voice. Aiff354012__kingroyal__strings2. Wav354013__kingroyal__basss. Wav361564__matthewwong__ding-dong. Wav363169__samsterbirdies__hammering-on-anvil. Wav369859__splicesound__digital-computer-blips-and-pops. Wav369910__germanio__mug-hit. Wav371120__samsterbirdies__blast4. Wav371177__samsterbirdies__alert. Wav371290__mlppeace__foghorn. Mp3371603__jacksonmiller0__odd-glitch. Wav372181__amholma__ocean-noise-surf. Wav376708__fthgurdy__crinkling-dried-flowers. Wav37732__longhairman__1khz-1ds-peep. Wav380023__sapisvr__earbleed2. Wav380124__mia28portman__eagle. Ogg380397__avantdebris__botanical-gardens. Wav382444__omarie__waiting-4. Mp3382944__alancat__deepbreakers1a. Mp3382948__prim-ordial__blips-and-bloops. Wav383654__deleted-user-7146007__electricity. Wav389633__stubb__wing-flap-2 (1). Wav389633__stubb__wing-flap-2. Wav389634__stubb__wing-flap-1 (1). Wav389634__stubb__wing-flap-1. Wav393067__wakerone__electric-zap-electricity. Wav394592__asteroiderer__noise-cache. Wav394673__ihitokage__scary-old-rusty-gate-squeaking. Ogg395242__digpro120__wings-flapping. Mp3396678__dbspin__quiet-berlin-cafe-1. Wav397082__relwin__digitalradio-noise1. Wav398274__flashtrauma__electricity. Wav399272__cetsoundcrew__catapulted-animals. Wav399273__cetsoundcrew__cow-and-catapult. Wav406924__kyles__botanical-gardens-park-tropical-jungle-birds-crickets-flies-open-air-tone-entebbe-uganda-africa-2016. Wav409391__asteroiderer__wave-sequence. Wav411651__evanjones4__film-for-a-music. Wav411926__asteroiderer__sacrificial-summons. Wav412145__stefan021__film-projector-long-run-with-finish. Wav412429__florianreichelt__mysterious-accoustic-guitar-film-sound. Wav413680__asteroiderer__fidget-prop. Wav414818__bokal__office-chair-rolling. Mp3416873__simonlabelle__delicate-horse. Wav420728__claypipe__realitycoming. Mp3425787__thatkellytrna__wrinkle-bag. Wav428076__pschrandt__sad-blub. Wav432817__harlemdaw__happy-tune. Mp3435082__piwikiwi__film-tape. Wav435692__samsterbirdies__bbang. Ogg437968__craigsmith__g12-35a-eagle-cries. Wav438620__craigsmith__g39-03-cartoon-boings. Wav438932__vykroft__large-creature-vocals. Wav441966__detringer__glitch-1. Wav442773__qubodup__big-water-splash. Wav444241__asteroiderer__last-out. Wav44429__thecheeseman__hurt2. Wav444494__breviceps__cartoon-smoochy-squeak-plop. Wav445048__bassboybg__touchscreen-keyboard. Wav445117__breviceps__cartoon-splat. Wav445958__breviceps__cartoon-bat-mouse-squeak. Wav445960__breviceps__cartoon-duck-quack. Wav446930__sofial1224__20-suspiro-consolidated. Wav447458__florianreichelt__paper-money-sound. Wav448089__breviceps__zombies-eating. Wav448090__breviceps__theremin-horse. Wav448375__audionauten__robot-moves-his-arm. Wav448621__neilsher__ambient-creepy-soundscape. Mp3453388__breviceps__drifting-into-dreamland. Wav454259__kyles__tv-channel-change-static-blips-scanner-cb-radio-tuning-static-blips-static-sharp-scanner-cb-radio-blips-on-off-good2. Flac454476__asteroiderer__alduin-s-face. Wav454477__asteroiderer__alien-stalker. Wav454478__asteroiderer__tri-sci-fi. Wav454886__asteroiderer__longest-word. Wav455309__the-sacha-rush__empty-coffee-machine. Wav455906__jhennaside__dinosaur. Wav456246__tc630__terminal-velosity. Flac456761__sieuamthanh__ai-bang-con. Wav458627__tetrisrocker__clock. Wav458711__fabrizio84__waterfall. Mp3459573__dougbarrett123__cafe-recording-take-1-zoom0047-lr. Wav459983__florianreichelt__rain-water-dripping-softly. Mp3462889__mycompasstv__frogs-croaking-crickets-at-night-in-jungle-swamp-africa. Mp3462958__bastianhallo__cartoon-jump. Wav467882__samsterbirdies__beep-warning. Ogg468080__kinoton__seagull-swarm-at-port. Wav477643__richwise__foggy-morning-at-weston-shore. Wav479380__breviceps__dragon-several-roars-growls-and-snarls. Wav483473__nfsmaster821__owo. Wav483883__samsterbirdies__charge-up. Ogg485802__grez1__scream14. Mp3489999__deleted-user-8803593__elevator-music. Wav491407__samsterbirdies__jet-engine-startup. Flac492378__nicknamelarry__spaceship-take-off-sound-effect. Wav494497__pianofarm__farm-summer-ambience-07-09-2019. M4a495656__aunrea__dog-whimper-1. Wav495711__tosha73__strange-digital-noise-003. Wav495712__tosha73__strange-digital-noise-002. Wav495713__tosha73__strange-digital-noise-001. Wav500146__phonoflora__foghorn. Wav501328__asteroiderer__ballistic-travel. Wav502889__d592677__power-star-rumble. Wav504571__thebluerat__glinting-pitch. Wav504574__thebluerat__tone-sequence. Wav504575__thebluerat__polar-bell. Wav504598__thebluerat__effect1. Wav504600__thebluerat__erika-s-foot. Wav504608__thebluerat__liar-synth-black-background. Wav506157__sifujordan__big-splash. Wav507471__danjocross__long-distant-foghorn. Aiff507472__danjocross__great-echoing-foghorn. Aiff509440__claudiachaveslopes__teclado-sms. M4a511485__mlaudio__cartoon-wink-magic-sparkle. Wav512370__asdfgort__siren-2. Aiff512450__aemyn__empty-soda-can. Flac514234__nicknamelarry__sound-effect-flight. Wav514486__whammy__office-stamp. Wav515164__stuntstudio__1920s-style-cartoon-motif. Wav515293__breviceps__propeller-plane. Wav516895__shortrecord__horror-ambient-factory-2. Mp3516928__mariethompson__waterfall4. Mp3518037__rvgerxini__fan-motor. Mp3521967__kastenfrosch__megaphone-radio-gibberish-4. Ogg522567__samsterbirdies__horror-sting. Flac52284__trip2000__gun-shot. Aiff52760__heigh-hoo__drumroll-for-ceremony-long. Mp352780__guitarguy1985__data. Wav527845__d-jones__elephant-trumpets-growls. Flac529031__szegvari__storm-cave-reverb-fantasy-field-recording-200726-0021-01-01. Wav530078__snail-legs__flapping. Ogg531482__nataliabm09__oven. Wav533146__mattfinarelli__drop-water. Mp3535211__anaponce__typing. M4a537591__dauzkobza__beeps. M4a541506__se2001__cartoon-quick-zip. Wav541606__d4xx__stir-mug. Wav541664__mamie-wilhelm__mamie-gibberish-2. M4a541796__zoshp__telephone-ringing-digital. Wav544260__walthamstow-walker__a-bit-like-a-film-projector. Wav546391__dreeme__dragon-roar. Wav547016__neopolitansixth__classic-computing-sound. Wav556627__cookies-policy__power-switch-on. Wav563021__cookies-policy__water-puddle-splash. Wav564166__aemyn__crashing-starship. Flac565404__vineorange4__kskq. Aiff565405__vineorange4__falling-down. Aiff565411__vineorange4__mmcdona1-sound-17. Aiff565562__vineorange4__clap. Aiff565569__vineorange4__i-m-not-playing. Aiff565579__vineorange4__weirdsirentest. Aiff565580__vineorange4__eows612-1. Aiff565837__vineorange4__project2929. Wav568034__krotlitn__broken-radar. Wav569326__gosiives__pier-jismein-1. Wav569590__gosiives__siren-non-functional. Wav569598__gosiives__siren-start-deal. Wav569667__gosiives__untitled-327. Aiff569668__gosiives__untitled-326. Aiff569809__gosiives__. Aiff569811__gosiives__untitled-285-3. Aiff569823__gosiives__una. Aiff570622__canimalsozseries__movie. Aiff570781__canimalsozseries__city. Aiff570831__canimalsozseries__civil-defence-test. Aiff571117__canimalsozseries__file1717. Wav571544__monosfera__human-engine-02. Wav571974__soundmast123__monster-pain. Wav571977__soundmast123__monster-roar. Wav572276__rabbitglobe__alien-goose-call. Wav573684__lpsfriend123__canimals-oz-whispering. Aiff578523__samsterbirdies__birds-singing-dawn-chorus. Flac581151__chunaawchika09__goose-and-duck. Aiff581152__chunaawchika09__bored-goose. Aiff609250__aemyn__journey-to-the-interweb. Mp3613603__asdfgortazertoat__alien-data-voices. Aiff613604__asdfgortazertoat__alien-broke-67-watts. Wav613605__asdfgortazertoat__tmsd-2016-2018. Aiff613606__asdfgortazertoat__300-milkshake-rsvp-reverse. Wav613643__asdfgortazertoat__1-bits. Wav621004__samsterbirdies__scary-shrieking-monsters-in-a-cave. Ogg647288__deleteduser__scopophobia-images-with-uncanny-sounds. Aiff65428__gumballrimpoche__glitchys. Wav69570__bidone__lion-loud. Mp378674__joe93barlow__on0. Wav80401__steveygos93__explosion2. Wav81874__stevebob69__foghorn2. Wav82610__indigosierra__scribble. Mp385568__joelaudio__dragon-roar. Wav87785__graygaffer__ferry. Wav91555__polymorpheva__inside-tangara-syd. Mp393337__polymorpheva__cicadas-rbg. Wav.

Start sound of mac ii iix iicx iici se/30. Create by dissessemble rom code and use wave table algorithm write c program write wav file. C program below:. /* mac_ii. C *//* boot beep mac ii *//* 2558/09/06 */. #include. #define knumber_samples 30000#define kdelay_note 300#define kwave_table_value 0x30013f10#define ksample_rate 22257 // hz. Void preparewavetable( unsigned short *wavetable, unsigned int value );void updatewavetable( unsigned short *wavetable, unsigned short chiso );void savesound( char *filename, short *sounddata, unsigned int numberframes, unsigned int samplerate );. Int main () {. // ---- wave tableunsigned short wavetable[256];// ---- sound data, stereoshort sounddata[knumber_samples << 1];// ---- increment array (16/16 bit fix point integer)int arrayincrement[] = {3 << 16, 4 << 16, (3 << 16) + 0x2f2, 6 << 16};// ---- prepare wave tablepreparewavetable( wavetable, kwave_table_value );. // ---- array phase (16/16 bit fix point integer)unsigned int arrayphase[] = {0, 0, 0, 0}; // set all = 0. Unsigned int samplenumber = 0;while( samplenumber < knumber_samples ) {. // ---- calculate sampleunsigned int channelleft = 0;unsigned int channelright = 0;unsigned char notenumber = 0;while ( notenumber < 4 ) {// ---- see if should update phase for note, only do if play noteif( samplenumber >= notenumber*kdelay_note ) {// ---- up date phase beforearrayphase[notenumber] += arrayincrement[notenumber];// ---- not let out of range [0; 255]if( arrayphase[notenumber] > 0xff0000 ) // 0xff0000 == 255 << 16arrayphase[notenumber] -= 0xff0000; // return to begin of wave table}unsigned short mauvat = wavetable[arrayphase[notenumber] >> 16];. // ---- add sound componentsif( notenumber < 2 ) // ---- first 2 notes left channelchannelleft += mauvat;else // ---- last 2 notes right channelchannelright += mauvat;// ---- next notenotenumber++;}// ---- save left and right samplessounddata[samplenumber << 1] = (channelleft << 9) - 0x8000; // use << 1 for 16 bitsounddata[(samplenumber << 1) + 1] = (channelright << 9) - 0x8000; // use << 1 for 16 bitupdatewavetable( wavetable, samplenumber & 0xff );samplenumber++;}// ---- save wav filesavesound( "mac ii. Wav", sounddata, samplenumber << 1, ksample_rate ); // multiply 2 because stereo. Return 1;}. Void preparewavetable( unsigned short *wavetable, unsigned int value ) {. // ---- prepare wave tableunsigned short index = 0;unsigned short wavetablevalue = value & 0xff;while( index < 64 ) {wavetable[index] = wavetablevalue; // << 8; // for 16 bitindex++;}. Wavetablevalue = (value >> 8) & 0xff;while( index < 128 ) {wavetable[index] = wavetablevalue; // << 8; // for 16 bitindex++;}. Wavetablevalue = (value >> 16) & 0xff;while( index < 192 ) {wavetable[index] = wavetablevalue; // << 8; // for 16 bitindex++;}wavetablevalue = (value >> 24) & 0xff;while( index < 256 ) {wavetable[index] = wavetablevalue; // << 8; // for 16 bitindex++;}}. Void updatewavetable( unsigned short *wavetable, unsigned short index ) {// ---- get value from wave tableunsigned short value = wavetable[index];// ---- calculate new value for wave tableif( index == 255 ) { // careful at last element of wave tablevalue += wavetable[0];value = (value >> 1);wavetable[0] = value;}else {value += wavetable[index+1];value = (value >> 1);wavetable[index+1] = value;}. }. #pragma mark ---- save wavvoid saveheader( file *filename, unsigned int samplerate );void savesounddatainteger16bit( file *filename, short *sounddata, unsigned int numbersamples );. Void savesound( char *filename, short *sounddata, unsigned int numberframes, unsigned int samplerate ) {// ---- open filefile *file = fopen( filename, "wb" );if( file ) {// ---- "riff"fprintf( file, "riff" );// ---- length sound file - 8unsigned int lengthsoundfile = 32;lengthsoundfile += numberframes << 1; // một không có một mẫu vạt cho kênh trái và phải// ---- save file lengthfputc( (lengthsoundfile) & 0xff, file );fputc( (lengthsoundfile >> 8) & 0xff, file );fputc( (lengthsoundfile >> 16) & 0xff, file );fputc( (lengthsoundfile >> 24) & 0xff, file );// ---- "wave"fprintf( file, "wave" );// ---- save headersaveheader( file, samplerate );// ---- save sound datasavesounddatainteger16bit( file, sounddata, numberframes );// ---- close filefclose( file );}else {printf( "problem save file %s\n", filename );}}. Void saveheader( file *file, unsigned int samplerate ) {// ---- name for header "fmt "fprintf( file, "fmt " );// ---- header lengthfputc( 0x10, file ); // length 16 bytefputc( 0x00, file );fputc( 0x00, file );fputc( 0x00, file );// ---- method for encode, 16 bit pcmfputc( 0x01 & 0xff, file );fputc( (0x00 >> 8) & 0xff, file );// ---- number channels (stereo)fputc( 0x02, file );fputc( 0x00, file );// ---- sample rate (hz)fputc( samplerate & 0xff, file );fputc( (samplerate >> 8) & 0xff, file );fputc( (samplerate >> 16) & 0xff, file );fputc( (samplerate >> 24) & 0xff, file );// ---- number bytes/secondunsigned int numberbytessecond = samplerate << 2; // multiply 4 because short (2 byte) * 2 channelfputc( numberbytessecond & 0xff, file );fputc( (numberbytessecond >> 8) & 0xff, file );fputc( (numberbytessecond >> 16) & 0xff, file );fputc( (numberbytessecond >> 24) & 0xff, file );// ---- byte cho một khung (nên = số lượng mẫu vật * số lượng kênh)// ---- number bytes for sampleunsigned short bytesoneframe = 4; // short (2 byte) * 2 channelunsigned char bitsonesample = 16; // shortfputc( bytesoneframe & 0xff, file );fputc( (bytesoneframe >> 8) & 0xff, file );. Fputc( bitsonesample, file );fputc( 0x00, file );}. Void savesounddatainteger16bit( file *file, short *sounddata, unsigned int numbersamples ) {fprintf( file, "data" );unsigned int datalength = numbersamples << 1; // each sample 2 bytefputc( datalength & 0xff, file );fputc( (datalength >> 8) & 0xff, file );fputc( (datalength >> 16) & 0xff, file );fputc( (datalength >> 24) & 0xff, file );unsigned int sampleindex = 0;while( sampleindex < numbersamples ) {short shortdata = sounddata[sampleindex];fputc( shortdata & 0xff, file );fputc( (shortdata >> 8) & 0xff, file );sampleindex++;}}.

What i hear in this sound is a crashing starship as you regain consciousness surrounded by chaos of the crew and emergency systems. At 00:52 there's a really cool explosion hit that fits the starship in danger vibe. Created from roughly 230 sounds in reaper by looping, batch actions and modulated filtering. All sounds came from a folder of freesound cc0 sounds i've been collecting. Here is the file list if you are curious:. 103117__geronimo83__elephant. Mp3107216__keithpeter__birmingham-botanical-gardens-mains-hum-from-tannoy. Wav110456__sagetyrtle__wings-121110. Wav116395__dean-raul-diarchangeli__tv-static. Wav120107__toc1__bird-wings. Aiff132843__cactus2003__creepy-ambience-background. Wav135506__chriddof__heavenly-computer. Wav138156__triad__hair-clippers-2. Wav14102__adcbicycle__15. Wav145094__crashoverride61088__whoosh-and-vacuum. Wav146957__zabuhailo__systemload. Wav151641__jamesmontour__8mm-film-camera. Aiff152317__logos-chroma__arp-odyssey-wind. Flac152455__dayvonjersen__long-sweep. Wav153277__gerardcatala__beating-wings-of-a-pigeon. Wav155800__mario1298__elevator-the-sixth-floor. Wav162493__tasmanianpower__vinyl-rewind. Wav165486__venaportae__wild-bees. Wav170761__esperar__bees. Mp3174278__voluntaryzonkey__horror-film-beep-sound. Mp3174718__paespedro__single-water-drop. Wav178995__beatproduction__emotional-string. Wav182110__qubodup__film-countdown. Flac187373__shapeshifterd__wee. Wav188197__splicesound__tv-television-on-off. Wav188388__wubitog__mid-high-tone-button-click. Wav192155__hitrison__picking-at-a-giant-fan. Flac194304__jmbphilmes__factory-machine-01. Wav19433__heigh-hoo__drumroll. Aiff195260__kayceemixer__fx-drone-kc-low-tone-mech-drone-pulse-tlspc-02. Wav198818__yuval__butterfly-wings. Wav202876__augustsandberg__african-savanna-2. Wav204725__dneproman__trailer-end-4. Wav211870__tubbers__airplane-flyover. Mp3234524__foolboymedia__notification-up-1. Wav235845__hermengarde__cartoon-spin. Mp3238251__steaq__dark-ambient-backgrounding-001. Wav240134__richerlandtv__factory-atmosphere. Mp3240476__godowan__wings. Wav242048__turrus__lightning-strike. Wav243011__tom-woysky__bees-in-hive-beehive. Wav243728__jarredgibb__drone-010. Wav244980__ani-music__wing-flap-flag-flapping-7a. Wav245381__davidthegreat14__film-score. Mp324795__reinsamba__scissors1. Wav248021__sophiehall3535__rusty-creak. Wav248121__wjoojoo__lightning. Flac249707__brunoboselli__paddles-rowing-on-a-calm-water-stream. Wav253567__schafferdavid__cartoon-4. Wav253638__wolfey1923__scuttling-across-wood-floor-w-reverb. Wav255883__dontgothere__funny-cartoon-robot. Wav259706__davidbain__fm-radio-tuning-sweep. Wav262755__bigpickle51__stereo-jet-landing-sample-2. Wav263892__jarredgibb__sub-rush-1. Wav263967__scotcampbell__funny-evil-cartoon-voice-with-laugh. Wav264442__geerose__harmonium-drone2. Flac264593__vacuumfan7072__cheap-tv-static. Mp3267584__schafferdavid__cartoon-8. 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Flac529031__szegvari__storm-cave-reverb-fantasy-field-recording-200726-0021-01-01. Wav530078__snail-legs__flapping. Ogg531482__nataliabm09__oven. Wav533146__mattfinarelli__drop-water. Mp3535211__anaponce__typing. M4a541506__se2001__cartoon-quick-zip. Wav541606__d4xx__stir-mug. Wav541664__mamie-wilhelm__mamie-gibberish-2. M4a541796__zoshp__telephone-ringing-digital. Wav543111__clusman__bird-flapping-5. Wav544260__walthamstow-walker__a-bit-like-a-film-projector. Wav545611__bandslam33__wings-03. Wav545613__bandslam33__wings-04. Wav547016__neopolitansixth__classic-computing-sound. Wav551748__jpbillingsleyjr__finger-banging. Aiff65428__gumballrimpoche__glitchys. Wav69570__bidone__lion-loud. Mp382610__indigosierra__scribble. Mp385568__joelaudio__dragon-roar. Wav87785__graygaffer__ferry. Wav91555__polymorpheva__inside-tangara-syd. Mp391919__filipe-chagas__water-lapping-rocky-beach-ambiance. Wav93337__polymorpheva__cicadas-rbg. Wav.

hey everybody, let's just get up and dance''. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Step, Wav, Foot https://freesound.org/people/raffs03/sounds/264890/ Footstep Raffs Freesound.org https://freesound.org/ freesound_org_ab3f16c3283f7e41c53d303310b5958e71ee630b ./freesound/264890__raffs03__footstep.flac flac ab3f16c3283f7e41c53d303310b5958e71ee630b Single foot step from the floor. . Public domain https://creativecommons.org/publicdomain/zero/1.0/ Drop, Bottlecap, Botte Cap https://freesound.org/people/Tokyoshowdown/sounds/264891/ Bottle Cap Drop Tokyoshowdown Freesound.org https://freesound.org/ freesound_org_0d2a6e1e9f81f2c36e8ab31a6a36c16a09ddbe6e ./freesound/264891__tokyoshowdown__bottle-cap-drop.flac flac 0d2a6e1e9f81f2c36e8ab31a6a36c16a09ddbe6e Bottle cap dropped on pavement. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Chink, Wind Chimes, Melt Water, Ice, Melt, Snow https://freesound.org/people/kvgarlic/sounds/264860/ Icefallingfromtreefebruaryst Kvgarlic Freesound.org https://freesound.org/ freesound_org_cd308336109e7b8be81f2c5832f947c658c2d575 ./freesound/264860__kvgarlic__icefallingfromtreefebruary21st2015.flac flac cd308336109e7b8be81f2c5832f947c658c2d575 Ice falling from trees. . . With a background of various birds including starlings, house finches and cardinals. Recording made with the marantz pd661 with the oade brothers pre-amplifier modification. Microphones: samson co-2 matched stereo microphone. At the very beginning you hear wind-chimes. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Open, Close, Vehicle, Taurus, Trunk, Car https://freesound.org/people/Tokyoshowdown/sounds/264892/ Car Trunk Tokyoshowdown Freesound.org https://freesound.org/ freesound_org_f26396ee4537e603ce670d8f6449b728541eb792 ./freesound/264892__tokyoshowdown__car-trunk.flac flac f26396ee4537e603ce670d8f6449b728541eb792 Opening and closing of ford taurus trunk. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Khz, Countdown, Pop, Tone, Pop, Beep https://freesound.org/people/Macfalcon/sounds/264897/ Pop Macfalcon Freesound.org https://freesound.org/ freesound_org_72be2e9e6254cb56409a9c4eea0b420699b2a928 ./freesound/264897__macfalcon__2-pop.flac flac 72be2e9e6254cb56409a9c4eea0b420699b2a928 1khz tone (-20 dbfs) length of 1/30 of a second (one frame) every second for ten seconds. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Open, Close, Taurus, Car, Glove Box, Glovebox, Rummage https://freesound.org/people/Tokyoshowdown/sounds/264893/ Glove Box Tokyoshowdown Freesound.org https://freesound.org/ freesound_org_9c82053bcd1f7f6bd8e7378795731e37b3360f50 ./freesound/264893__tokyoshowdown__glove-box.flac flac 9c82053bcd1f7f6bd8e7378795731e37b3360f50 Opening and closing of glovebox in ford taurus with rummaging around. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Bass, Lfo, Wobbles, Low, Dubstep, Free Bass, Edm, Effect, Dub, Wobble, Sub https://freesound.org/people/conaticsedm/sounds/264902/ Bass Pack Cygni Bass Conaticsedm Freesound.org https://freesound.org/ freesound_org_887465d4a2f2ba1b72b70a07aa224f568a27c655 ./freesound/264902__conaticsedm__cygni-bass.mp3 mp3 887465d4a2f2ba1b72b70a07aa224f568a27c655 This is a free bass sample by conaticsedm. Soundcloud. Com/conatics. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Pro Mod, Race Car, Drag Race https://freesound.org/people/akdanie/sounds/264913/ Drag Race Vehicles Pro Mod Idle Akdanie Freesound.org https://freesound.org/ freesound_org_a9c3e86f824fc577f1c400db14ac5b299da33f9a ./freesound/264913__akdanie__pro_mod_idle01.flac flac a9c3e86f824fc577f1c400db14ac5b299da33f9a Idling pro mod race caraudio ripped from hv40 video using premiere pro cs6taken at alaska raceway park. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Tape, Electrical, Video, Glitch, Machine, Vhs https://freesound.org/people/Sassaby/sounds/264935/ Vhs Glitch Sassaby Freesound.org https://freesound.org/ freesound_org_570f97f23aac5f67ac71af65fa308ed47c79c8b6 ./freesound/264935__sassaby__vhs-glitch.flac flac 570f97f23aac5f67ac71af65fa308ed47c79c8b6 A glitch in a vhs tape as it reaches the end of the recorded material. Recorded directly from the vhs player to my laptop using an rca cable. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Technology, Buzz, Static, Machine, Vhs, Start Up, Electric https://freesound.org/people/Sassaby/sounds/264934/ Vhs Startup Sassaby Freesound.org https://freesound.org/ freesound_org_5599172ce356c0c4a8f981799c99acbc30aa2acf ./freesound/264934__sassaby__vhs-startup.flac flac 5599172ce356c0c4a8f981799c99acbc30aa2acf Sound of a video starting to play in a vhs player. Good static sounds. Recorded out of the vhs player into my laptop using an rca cable. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Chords, Bpm, Untitled, Soundcreation, Loop https://freesound.org/people/matze73/sounds/264941/ Filterloop Matze Freesound.org https://freesound.org/ freesound_org_05b04aaf3abe8f819379c54a6185f03373ae9be4 ./freesound/264941__matze73__filterloop.flac flac 05b04aaf3abe8f819379c54a6185f03373ae9be4 This is a snipet i made from a lawn mover sample (you cant hear it anymore)10bars @140bpm(reaper, reasamplomatic5000, rez3 filter). Public domain https://creativecommons.org/publicdomain/zero/1.0/ Name, Tag https://freesound.org/people/gerudobombshell/sounds/264943/ Kelinthemix Gerudobombshell Freesound.org https://freesound.org/ freesound_org_030c327c893f30a7165d27a814298d692c029e6f ./freesound/264943__gerudobombshell__kelinthemix.flac flac 030c327c893f30a7165d27a814298d692c029e6f Tag for 'kel' to put over his songs. Public domain https://creativecommons.org/publicdomain/zero/1.0/ School, Chalkboard, Spelling, Chalk https://freesound.org/people/fattirewhitey/sounds/264944/ Chalk On Chalkboard Fattirewhitey Freesound.org https://freesound.org/ freesound_org_a6fe407eaf43ecaf34113f1d44e8c48f4229a5c1 ./freesound/264944__fattirewhitey__chalk-on-chalkboard.flac flac a6fe407eaf43ecaf34113f1d44e8c48f4229a5c1 This is a brief sample of writing with chalk on a chalkboard. It was created for a voiceover project i was working on feb. 24th, 2015. It was recorded with an akg c-214 large diaphragm condenser mic going into a focusrite 2i2. It was recorded and edited on adobe audition cs6 and uploaded as a. Wav file. Public domain https://creativecommons.org/publicdomain/zero/1.0/ White, Marker, Board, Erase, Paper, Draw, School, Classroom, Dry https://freesound.org/people/fattirewhitey/sounds/264945/ Marker On Board Fattirewhitey Freesound.org https://freesound.org/ freesound_org_5a37626d14b64ea210f3d4622f40f50381c6a24d ./freesound/264945__fattirewhitey__marker-on-board.flac flac 5a37626d14b64ea210f3d4622f40f50381c6a24d This sound is a felt marker on a slick piece of cardboard. It was recorded in my studio for a voiceover project i was working on feb. 24th, 2015. It was recorded using an akg c-214 condenser microphone and focusrite 2i2 interface. I used adobe audition cs6 to record and edit. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Answer, Spell, Reveal, Magic, Right, Chimes https://freesound.org/people/renatalmar/sounds/264981/ Sfx Magic Renatalmar Freesound.org https://freesound.org/ freesound_org_5ec5d98858e456b6203db4749d5e7fc6be6890bc ./freesound/264981__renatalmar__sfx-magic.flac flac 5ec5d98858e456b6203db4749d5e7fc6be6890bc Simple magic sound. Made in fl studio. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Script, Reading, Voice https://freesound.org/people/gerudobombshell/sounds/264985/ Script Gerudobombshell Freesound.org https://freesound.org/ freesound_org_d7b5cf529e2024bc98fd88ff0a25029962d48b67 ./freesound/264985__gerudobombshell__script.flac flac d7b5cf529e2024bc98fd88ff0a25029962d48b67 Short script reading. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Soundscape, Clack, Bottle Cap, Metal, Ping, Outdoor, Stone https://freesound.org/people/sethlind/sounds/264986/ Household Sounds Bottle Cap Dropping On Slate Stone Outdoor Ambi Sethlind Freesound.org https://freesound.org/ freesound_org_9c0f7f07c44e1b732e010e5ce8015e2217572c37 ./freesound/264986__sethlind__bottle-cap-dropping-on-slate-stone-outdoor-ambi.flac flac 9c0f7f07c44e1b732e010e5ce8015e2217572c37 A beer bottle cap dropping onto the slate stone edge of my balcony. Some brooklyn street ambience audible in the background. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Crackling, Bonfire, Serbian Tree, Crackle, Sparks, Badnjak, Tree, Burn, Serbia, Fire https://freesound.org/people/vikend_ratnik/sounds/265034/ Badnjak Burns Vikend Ratnik Freesound.org https://freesound.org/ freesound_org_402921ebd2046eb1013b80385055d3e2e300f10f ./freesound/265034__vikend_ratnik__badnjak-burns.flac flac 402921ebd2046eb1013b80385055d3e2e300f10f 48khz 24bit. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Forest, Woodcutter, Drvose, Chopping, Wood, Drvo, Sekira, Cut https://freesound.org/people/vikend_ratnik/sounds/265035/ Woodcutter Vikend Ratnik Freesound.org https://freesound.org/ freesound_org_a5db92e4bf4f194ac038ddbc7b72e7e5ec970519 ./freesound/265035__vikend_ratnik__woodcutter.flac flac a5db92e4bf4f194ac038ddbc7b72e7e5ec970519 48khz 24bit. Public domain https://creativecommons.org/publicdomain/zero/1.0/ River, Potok, Water, Flow, Liquid, Stream https://freesound.org/people/vikend_ratnik/sounds/265036/ Strream (Potok) Vikend Ratnik Freesound.org https://freesound.org/ freesound_org_12da502c8b987996609f25579370c7906877ba68 ./freesound/265036__vikend_ratnik__strream-potok.flac flac 12da502c8b987996609f25579370c7906877ba68 48khz 24bit. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Breathing, Breathe, Breath https://freesound.org/people/therisingorder/sounds/265040/ Normal Soft Breathing Therisingorder Freesound.org https://freesound.org/ freesound_org_5a260cafc034c598d7f92f389cb3a54e690936a9 ./freesound/265040__therisingorder__normal-soft-breathing.flac flac 5a260cafc034c598d7f92f389cb3a54e690936a9 Just everyday restful breathing. Nothing heightened. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Games, Ping, Tennis, Pong, Table https://freesound.org/people/fattirewhitey/sounds/265041/ Ping Pong Sample Fattirewhitey Freesound.org https://freesound.org/ freesound_org_902c0a840da01d89f5ea928da8ea5dd3c300b005 ./freesound/265041__fattirewhitey__ping-pong-sample.flac flac 902c0a840da01d89f5ea928da8ea5dd3c300b005 Ping pong game with my 9-yr old. Neither of us speak or react though so it's fairly clean except for some ambient steps. Recorded with adobe audition cs6 in a carpeted basement using a akg c-214 condenser mic into a focusrite 2i2, feb. 24th, 2015. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Hit, Quick, Knocks, Slam, Front, Door, Impact https://freesound.org/people/rcproductions54/sounds/265044/ Door Knocking Rcproductions Freesound.org https://freesound.org/ freesound_org_e49ff4e085a9defc0c70fa0e927ee692512b8d33 ./freesound/265044__rcproductions54__door-knocking.flac flac e49ff4e085a9defc0c70fa0e927ee692512b8d33 Three quick front door knocks. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Drops, Exterior, Outside, Water, Rain, Light, Liquid, Trickle, Raining https://freesound.org/people/rcproductions54/sounds/265045/ Rain Drops Outside Rcproductions Freesound.org https://freesound.org/ freesound_org_27e689354820582678131d5fcc0832049d56ade0 ./freesound/265045__rcproductions54__rain-drops-outside.flac flac 27e689354820582678131d5fcc0832049d56ade0 Light trickling rain drops. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Rest, Stop, Request https://freesound.org/people/wadaltmon/sounds/265047/ Stop, Rest Wadaltmon Freesound.org https://freesound.org/ freesound_org_f3561ac73743cda7c74768ae1df8941c7aa77fa2 ./freesound/265047__wadaltmon__stop-rest.flac flac f3561ac73743cda7c74768ae1df8941c7aa77fa2 Stop and rest, for a request on the forums. With blue snowball mic in audacity, there was some noise i needed to remove. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Trailer, Cinematic, Epic, Strike, Metallic, Dragging, Hit, Shed, Squeek, Bang, Percussion, Machine, Factory, Clang, Zoom, Metal, Recorded, Rattle, Door, Industrial, Clank, Impact https://freesound.org/people/EpicWizard/sounds/264889/ Sfx Metal Shed Door Hits, Clangs, Rattle Epicwizard Freesound.org https://freesound.org/ freesound_org_74438f0a3e2f9b42899508a3a579aebf0c118d68 ./freesound/264889__epicwizard__sfx-metal-shed-door-hits-clangs-rattle.flac flac 74438f0a3e2f9b42899508a3a579aebf0c118d68 Multiple impacts and rattles obtained from my metal shed door. Recorded with zoom h4 mic. I used these sounds in my project that featured a large metal factory building manufacturing construction machinery (through heavy pitch shifting and bass sweetening). With some effects processing, these recordings can create great cinematic impacts and atmosphere. Markers inserted through audition to mark out some of the sounds i found particularly useful. Would love to hear what you use them in. If you enjoy my sounds, considering making a donation to say thanks and receive a 1. 6gb collection of recordings. Https://gum. Co/jfrzw. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Background Sound, Local, Soundscape, Ambience, Ambient, Background, Atmos, Wild, Recording, Park, Ambiance, Area, General Noise, Atmosphere, Sound https://freesound.org/people/rcproductions54/sounds/265046/ Local Park Sound Ambience Rcproductions Freesound.org https://freesound.org/ freesound_org_93273f82cfb0dd8607f465f9dadcf1d92308581b ./freesound/265046__rcproductions54__local-park-sound-ambience.flac flac 93273f82cfb0dd8607f465f9dadcf1d92308581b Area recording of a local park. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Practice, Acoustic, Guitar https://freesound.org/people/AriaTJU/sounds/265049/ Part Ariatju Freesound.org https://freesound.org/ freesound_org_e261232ebce0e7bb60d809480aa7cad22407d0b8 ./freesound/265049__ariatju__part4.mp3 mp3 e261232ebce0e7bb60d809480aa7cad22407d0b8 Uploaded for introduction to guitar class. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Practice, Acoustic, Guitar https://freesound.org/people/AriaTJU/sounds/265050/ Part Ariatju Freesound.org https://freesound.org/ freesound_org_f7d70e69c4bb6b7ae66741dd3fdbb975906f88b0 ./freesound/265050__ariatju__part3.mp3 mp3 f7d70e69c4bb6b7ae66741dd3fdbb975906f88b0 Uploaded for introduction to guitar class. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Practice, Acoustic, Guitar https://freesound.org/people/AriaTJU/sounds/265051/ Part Ariatju Freesound.org https://freesound.org/ freesound_org_cbcc610f60af002306cb2db849f2b65ee6270dd0 ./freesound/265051__ariatju__part2.mp3 mp3 cbcc610f60af002306cb2db849f2b65ee6270dd0 Uploaded for introduction to guitar class. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Loop, Synth, Drums, Music, Program, Bed, Keyboard https://freesound.org/people/gerudobombshell/sounds/265075/ Program Music Loop Gerudobombshell Freesound.org https://freesound.org/ freesound_org_8280d747b629783b15ea0e67e7933f111021508d ./freesound/265075__gerudobombshell__program-music-loop.flac flac 8280d747b629783b15ea0e67e7933f111021508d Small program music loop, made with waves element + mixes of kick & snare samples from fl studio and a hat noise made with a microphone and 'ssss' sounds. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Telephone, Dialing, Ptt https://freesound.org/people/Lupardy/sounds/265079/ Dialing Old Ptt T Telephone Nine Lupardy Freesound.org https://freesound.org/ freesound_org_84d07bedadeff7557e53b8e29bda4b579a1adcbb ./freesound/265079__lupardy__nine.flac flac 84d07bedadeff7557e53b8e29bda4b579a1adcbb Dailing figure 9 on an ptt t65 telephone. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Loop, Drum Loop, Oldschool, Funky, Loops, Hop, Hiphop, Beat, Untitled, Bpm, Classic, Beats, Drums, Drum, Percussion Loop, Groovy, Hip https://freesound.org/people/Dodgy%20C/sounds/265076/ Dodgy C Laid Back Loop Dodgy C Freesound.org https://freesound.org/ freesound_org_d67ebc32fda46eeb77b1e7423f1cf43c245ff4f6 ./freesound/265076__dodgy-c__dodgy_c_laid_back_loop.flac flac d67ebc32fda46eeb77b1e7423f1cf43c245ff4f6 A nice laid back old school hip hop loop!!!. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Background Sound, Gothic, Dramatic, Drama, Sinister, Thrill, Atmospheric, White Noise, Background, Atmo, Ambience, Game Music, Field Recording, Terror, Terrifying, Atmos, Phantom, Soundscape, Ambient, Suspense, Bogey, Ambiance, General Noise, Atmosphere https://freesound.org/people/pipnone/sounds/265077/ Heart Stop Pipnone Freesound.org https://freesound.org/ freesound_org_0028d4fbc5a0fddb2e4a5c464f3c2d1b248a4b5d ./freesound/265077__pipnone__heart-stop.mp3 mp3 0028d4fbc5a0fddb2e4a5c464f3c2d1b248a4b5d A sound i made in audacity becuase i was learning how to use it!. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Tascam, Thump, Computer, Desktop, Field Recorder, Beat, Vibration, Dr , Hit https://freesound.org/people/MrCalum/sounds/265103/ Desktop Thump Mrcalum Freesound.org https://freesound.org/ freesound_org_b1e7b24a02e5c716b94dc48d6dda88323998ae4e ./freesound/265103__mrcalum__desktop-thump.flac flac b1e7b24a02e5c716b94dc48d6dda88323998ae4e One take of an old desktop getting slammed by a human fist and creating a short vibration. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Croaking, Ribbet, Frogs, Nature, Field Recording, Animals https://freesound.org/people/madbob69/sounds/265107/ Frogs Frogs, A Few, Minimal Traffic Noise Madbob Freesound.org https://freesound.org/ freesound_org_94b927a319223c77b50a9e08e9f9a4ceccbb68db ./freesound/265107__madbob69__frogs-a-few-minimal-traffic-noise.flac flac 94b927a319223c77b50a9e08e9f9a4ceccbb68db This is a recording of a handful of frogs. It was recorded on a tascam dr-05 field recorder. There is a little bit of traffic noise in sections. Feel free to use this recording without attribution, enjoy!. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Pop, Click, Snap https://freesound.org/people/udoxas/sounds/265115/ Popping Udoxas Freesound.org https://freesound.org/ freesound_org_f8c881faed14cc6261886b82ff77d431490f921d ./freesound/265115__udoxas__popping.flac flac f8c881faed14cc6261886b82ff77d431490f921d A little pop sound. Took me like, 15 seconds to make, so no credit is required. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Ambient, Ventilation, Noise, Outside, Tascam, Heat, Duct, Dr , Field Recording, Airflow https://freesound.org/people/MrCalum/sounds/265104/ Heat Duct Mrcalum Freesound.org https://freesound.org/ freesound_org_6cda6337afac01f4f66ba872bd7bb992e454f037 ./freesound/265104__mrcalum__heat-duct.flac flac 6cda6337afac01f4f66ba872bd7bb992e454f037 The heat rolling out of its duct besides my sisters house in the quiet new forest. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Wind, Tascam, Dr , Field Recording, Porto, Clippedlife https://freesound.org/people/MrCalum/sounds/265105/ Dom Luís I Bridge Mrcalum Freesound.org https://freesound.org/ freesound_org_cb4552b866fc001999d301381a733f98030f00ce ./freesound/265105__mrcalum__dom-luis-i-bridge.flac flac cb4552b866fc001999d301381a733f98030f00ce Centre atop dom luís i bridge in porto, early june. Full blown clippin'. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Processed, Nightmare, Sound Effect, Strange, Effects, Horror, Sfx, Sci Fi, Drain, Siren, Reaction, Synthetic https://freesound.org/people/Pub_Nation/sounds/265120/ Melting Drain Pub Nation Freesound.org https://freesound.org/ freesound_org_6edbbfcc923336d8ac0ecabc16069991f88f6bd3 ./freesound/265120__pub_nation__melting_drain.flac flac 6edbbfcc923336d8ac0ecabc16069991f88f6bd3 Great melting sound effect or even used as a nightmare siren. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Bass, Loop, Lfo, Electro, Breakbeat, House, Reese, Dubstep, Techno, Free, Glitch Hop, Dub, Wobble, Dnb, Drum And Bass, Drum, Bassline, Sub, Low https://freesound.org/people/dubbwebb/sounds/265152/ Reesey Bass , Bpm, D Dubbwebb Freesound.org https://freesound.org/ freesound_org_ed055d5f4a176c4f5fc48ed8d3b8a0f27d84ac64 ./freesound/265152__dubbwebb__reesey-bass-2-90bpm-d.flac flac ed055d5f4a176c4f5fc48ed8d3b8a0f27d84ac64 Another reese tyoe bass at 90 bpm, in key of d. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Reese, Loop, Loud, Thick, Untitled, Low, Dubstep, Bass, Glitch, Smooth, Wobble, Beat, Dnb, Sub, Bpm, Heavy https://freesound.org/people/dubbwebb/sounds/265151/ Reesey Bass, Bpm, D Dubbwebb Freesound.org https://freesound.org/ freesound_org_2f5d6600c16079aa071b838c8f762cd76baa14be ./freesound/265151__dubbwebb__reesey-bass-90bpm-d.flac flac 2f5d6600c16079aa071b838c8f762cd76baa14be Reesey bass at 90bpm, in key of d. Was gathering dust on my hd. . . Maybe someone can make some use of it. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Roll, Snare, Acoustic, Percussion, Drum Roll, Drum https://freesound.org/people/lucianodato/sounds/265179/ Snare Roll Lucianodato Freesound.org https://freesound.org/ freesound_org_dd2be765404fd4e0321a7c3d77b06f70dbcbd7ef ./freesound/265179__lucianodato__snare-roll.flac flac dd2be765404fd4e0321a7c3d77b06f70dbcbd7ef Pearl rhythm traveler snare with practice nylon drumhead recorded with flat samsung s2 mic 20 cm away. Edited with audacity (clipfix-eq-rolloff). Public domain https://creativecommons.org/publicdomain/zero/1.0/ Rain, Thunderstorm, Thunder https://freesound.org/people/VPDavo/sounds/265119/ Sfyfd Rain And Thunder Verandah Vpdavo Freesound.org https://freesound.org/ freesound_org_54496a3df86f41f263afafac907bc52580a92ae1 ./freesound/265119__vpdavo__rain-and-thunder-verandah.flac flac 54496a3df86f41f263afafac907bc52580a92ae1 Rain and thunder from a veranda under tin roof. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Loop, Roll, Drum, Snare, Percussion https://freesound.org/people/lucianodato/sounds/265180/ Little Snare Roll Loop Lucianodato Freesound.org https://freesound.org/ freesound_org_3526916c4da00e85ee251d0554f23a39b7fc431a ./freesound/265180__lucianodato__little-snare-roll-loop.flac flac 3526916c4da00e85ee251d0554f23a39b7fc431a Pearl rhythm traveler snare with practice nylon drumhead recorded with flat samsung s2 mic 20 cm away. Edited with audacity (clipfix-eq-rolloff). Public domain https://creativecommons.org/publicdomain/zero/1.0/ Loop, Roll, Drum, Snare, Percussion https://freesound.org/people/lucianodato/sounds/265181/ Little Snare Roll Loop Lucianodato Freesound.org https://freesound.org/ freesound_org_5958a7e603e69c8c7e72032a5a8c186f2309a82a ./freesound/265181__lucianodato__little-snare-roll-loop-2.flac flac 5958a7e603e69c8c7e72032a5a8c186f2309a82a Pearl rhythm traveler snare with practice nylon drumhead recorded with flat samsung s2 mic 20 cm away. Edited with audacity (clipfix-eq-rolloff). Public domain https://creativecommons.org/publicdomain/zero/1.0/ Room Noise, Inside, House https://freesound.org/people/MikaF/sounds/265182/ Door Slam Mikaf Freesound.org https://freesound.org/ freesound_org_5d2efed62842d445b98fa6bd0af9c6a9bc07f454 ./freesound/265182__mikaf__door_slam.flac flac 5d2efed62842d445b98fa6bd0af9c6a9bc07f454 Slamming wooden door, changing distance, mike and side. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Off, Click, Acoustic, Press, Switch, Lamp, Button, Light, Tap, Short, Real https://freesound.org/people/simonjsounds/sounds/265183/ Clicks And Switches Clickswitch Simonjsounds Freesound.org https://freesound.org/ freesound_org_1673801535374fa4a320798847494e1e9ad9ef42 ./freesound/265183__simonjsounds__clickswitch-04.flac flac 1673801535374fa4a320798847494e1e9ad9ef42 Recorded with zoom recorder. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Sounddesign, Abstract, University, Academy, Effect, Kennedy, Sound https://freesound.org/people/juanmpabon/sounds/265208/ Kennedy Mv Juanmpabon Freesound.org https://freesound.org/ freesound_org_129c6e533e1693f53ab2bed1b2ba6f293a92b9a1 ./freesound/265208__juanmpabon__kennedy-mv.flac flac 129c6e533e1693f53ab2bed1b2ba6f293a92b9a1 Edit audio about president kennedy's speech. . Public domain https://creativecommons.org/publicdomain/zero/1.0/ Scfi, Electric, Hum https://freesound.org/people/xixishi/sounds/265210/ Hum Scfi Electric Hum Xixishi Freesound.org https://freesound.org/ freesound_org_c051a8a5c90fefb72008ece38b2a7e6e8d184be8 ./freesound/265210__xixishi__scfi_electric_hum_01.flac flac c051a8a5c90fefb72008ece38b2a7e6e8d184be8 Haha. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Custom, Dj Drop, Voiceover https://freesound.org/people/larryatthecoast/sounds/265219/ Djfright Larryatthecoast Freesound.org https://freesound.org/ freesound_org_59f6fd9959a27e959d5075de23e1bbfac8bdcf4a ./freesound/265219__larryatthecoast__djfright.mp3 mp3 59f6fd9959a27e959d5075de23e1bbfac8bdcf4a Dj drop per request. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Creepy, Haunted, Scary https://freesound.org/people/Master550gamer/sounds/265209/ Creepy Atmosphere Mastergamer Freesound.org https://freesound.org/ freesound_org_8ce93ac158a07b66f93ead00723d9b494ad7b9dd ./freesound/265209__master550gamer__creepy-atmosphere.flac flac 8ce93ac158a07b66f93ead00723d9b494ad7b9dd This is a creeoy sound perfect for the making of horror games that are based outside i imagine this could be used in an outside snowyrecemended for indie horror games. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Custom Drop, Dj Drop, Voiceover https://freesound.org/people/larryatthecoast/sounds/265220/ Djjustin Larryatthecoast Freesound.org https://freesound.org/ freesound_org_f7b75f6eae12d9393659249bb0e3d14c5c6bb39a ./freesound/265220__larryatthecoast__djjustin.mp3 mp3 f7b75f6eae12d9393659249bb0e3d14c5c6bb39a Custom dj drop per request. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Untitled https://freesound.org/people/--DeletedUser--/sounds/265222/ Celtic Harp D Deleteduser Freesound.org https://freesound.org/ freesound_org_c391792003ec2e248b279e7271f982194c4db947 ./freesound/265222__deleteduser__celtic-harp-d5.flac flac c391792003ec2e248b279e7271f982194c4db947 The harmonics have a linear progression, so that the sample can be easily transposed. Created with audacity and some different samples frommy collection. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Voice, Politics, Human, Speech, Vocal, Spoken, Male, Communisem https://freesound.org/people/matze73/sounds/265224/ Communism Matze Freesound.org https://freesound.org/ freesound_org_ecb3136aa85feefac95f82500be0069c9a6d32fa ./freesound/265224__matze73__communism.flac flac ecb3136aa85feefac95f82500be0069c9a6d32fa As requestet here:http://freesound. Org/forum/sample-requests/36261/my recording of communism!"iam not shure if i pronounce it righthave fun.