88 pistas de audio libre de derechos para "Ver"

Fuego.

7. 62x51 nato m134 minigun burst fire, 500 rounds (approx. ) from 200 feet. Sony ecm-672 shotgun microphones, into shure field mixer and then digital video camera. Sample rate is 48k, from original source. Other automatic fire can be heard in-between bursts. This footage was from my camera/gear working on a mg shoot promo video which can be seen on youtube. Use it however you need.

Fast steps on wood.

Pickup item (ver. 1).

Niña asombrada al ver algo raro.

Somebody open door.

Fast steps on wood by child.

Niña que se trastorna al ver algo muy tierno.

Electronic landline phone ring ver. 3.

Better version of my jump sound. Made this with jew's harp. Qubodup has cleaned one of the jump sounds so check it out here.

A little tune where uoki-toki polivoks vcf and intellijel μvcf are acting as vcos. I use one more sound source and that’s noise for the rhythmic sound. No sequencer. No midi. No keyboard. No over dub. Don’t know why i write this… it’s an nice experiment anyway.

Yee, pills.

Crop ver from "coronavirus" track.

Writing with pen short ver.

Recorded with zoom h1 (ver 1) and a monopod.

Writing with pen long ver.

First part of Flute-Sonata Nr. 1 in D-Major

Pickup item (ver. 2). You can edit this sound in chiptone with the following setup code:enpjymjxnm7owwzkzwafdfumdgompxjvm_6v_2_pygqmetzjg0rpimqu_r8eaognjwrli4j93x4qa6wjegba5tolwew8twzibxjkq9xanwaaamuyyg. .

No, it's not beautiful but its a generative feedback patch.

Walking in medium length dry grass, mic was close, some birds in the bg.

Goofy western music i made on gibson les paul. Donate doge: dbsbgyyumwjhd9xk8bthqqqaykhzlibdhp.

Walking on a gravel path. Medium pace, some birds in the bg. Recorded on a zoom f8 with a mkh50 mic.

Walking at a medium pace on a dirt / gravel hiking track, some birds possibly in the bg. Recorded on a zoom f8 with a mkh50 mic.

Algorithmic modular music program ver. 2 (man2v2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. Admit, the spring reverb makes a nice job!. 00 rem -------------- man2_2019 --------------00 rem ------------------ v2 -----------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)00 rem line 08 in ver. 103 rnd frq lfo_1 (run speed)00 rem [less secitive for cv change]04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)00 rem [added some offset with attenuverter]06 trg short env (vco_2): rnd pitch @ eoc (vco_2)00 rem [long env in ver. 1 - with long env i seldom reach eoc]07 if (lfo_2 = high) then goto 01 [= reset]00 rem line 02 in ver. 108 [07] trg short env (vco_3): rnd pitch @ eoc (vco_3)00 rem line 07 in ver. 100 rem [long env in ver. 1 - with long env i seldom reach eoc]10 goto 01.

Garbage can on wheels is brought up the driveway. Light rain in background.

Entropical bla bla bla. . . Read in 211. Here i'm using just one (1) sequencer :tu:.

Version 2. . . Of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. . . Or maybe version 34. . . . It's not better but a little different. More dynamics. Softer. But still i have the clicks :-/have to work on that. It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.

Engine control unit ecu crc atv utv super fraser lens light beam dual carb high level battery rack aa aaa autocom security life keeper road survival autopilot driver trail map.

Engine control unit ecu crc atv utv super fraser lens light beam dual carb high level battery rack aa aaa autocom security life keeper road survival autopilot driver trail map.

Wooden crate impact (ver. 2). You can edit this sound in chiptone with the following setup code:enpjyuh62azexjmaxgafdfwodklmu5lfmf_xz9vgfcajecwqgnbnfcd0jegixzyce2dkb9gd_ha-ywwdtkgqqwsf65ysieieg4rm_wwiysqwqqvioycm22kq-iu_hg6tgdd_fsc0elkqbjgpgfiqn9anaadqytal. Chiptone by sfb games: https://sfbgames. Itch. Io/chiptone.

Wooden crate impact (ver. 1). You can edit this sound in chiptone with the following setup code:enpjyuh62azexj6axgafdfwodklmu5lfmf_xz9vgfcajecwqgnbnfcd0jegixzyce2dkb9gd_ha-ywwdtkgqqwsf65ysieieg4rm_wwiysqwqqvioycm22kq-iu_hg6tgdd_fsc0elkqbjgpgfiqn9anaadofzaj. Chiptone by sfb games: https://sfbgames. Itch. Io/chiptone.

A boing sound made with a jaws harp. Recorded with a behringer c2 pencil condenser into an m-audio projectmix i/o interface. Ver little processing, just topped and tailed.

Simple cartoon style jump sound extracted and cleaned from tramppa34's jump sound ver 2. (cc0/public domain).

A distorted melody mixes in with creepy roaring sounds. This is a reversed version of another sound, about as unsettling. Makes your head pound. Original ver. : http://www. Freesound. Org/people/laiskvorst/sounds/194722/.

See the conqu’ring hero comes (from Joshua and Judas Maccabaeus) Tochter Zion, freue dich (Evang. Gesangbuch 13; Gotteslob (2013) 228)

Tochter Zion, freue dich

i see you in furbish.

Same patch as in electronic minute no 226 but on my real modular. I'm using a wave folder. Thats why i call this version additive. I'm adding timbre to a sinus wave. I will do an subtractive version next.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

Near saint-nazaire in france, a march on rollers in the direction of the sea. Recorded with a zoom h4.

hey, i see you in furbish.

i can't see you in furbish.

Vögel zwitschern an einem frühlingstag am see.

Holy easter procession in araçuaí-brazil. Recorded with zoom h4n xy. Procissão da semana santa em araçuaí-brasil, com canto da verônica. Gravado com zoom h4n xy.

Paisaje sonoro de una campana de la basura y mi máquina de café, hecho para proyecto colaborativo de tramas, espacios de experimentación artísticahttps://www. Facebook. Com/tramas. Espacios/. Te invitamos a ver el proyecto en el que se te invita a colaborar interviniendo estos paisajeshttps://soundscapes-soundmemories. Tumblr. Com/.

Same patch as in electronic minute no 226 and 227 but on my real modular. I'm using a filter. Thats why i call this version subtractive. I'm subtracting harmonics from a square wave. Why are 226 blue? probably because i did it at work. . . Listening in bad earbuds. Makes you rise the bass. Lets see if i can make this wave ble at the end! i will slowly fade out the vco with high pitch. At the very end i'm switching the synth off.

Patrick saying farewell as he leaves. Recorded with iphone 11 internal mic.