807 pistes audio libres de droits pour "Dur"

Multilayered heavily processed snare sample.

Heavily distorted synth stab.

Material from a waldorf q processed in live with a waldorf dpole, the uad helios69 eq and neve compressor. Gritty low fi shifting, high frequency lfo on a bpf. Hard digital distortion effects. Highest sample rate and quality of recording for this style of effect.

Various sounds together leaving an abstract full sound.

Heavily distorted snare, almost kick. Breakcore/tekno/etc.

Hard reese with notch filter and a phaser. Weird.

Heavily distorted snare, almost kick. Breakcore/tekno/etc.

I run my program 3 times and recorded. Joined, panned, added reverb and fade out. -----------------------------------import randomimport winsoundant = 1while ant < 25:ton = random. Choice([131, 165, 196, 247, 65, 262, 330, 392, 494])# c = 65. 41# c = 131. 8 : e = 164. 8 : g = 196. 0 : b = 246. 9# c1 = 261. 6 : e1 = 329. 6 : g1 = 392. 0 : b1 = 493. 9dur = random. Choice([2000, 3000, 4000])# duration in millisecondsprint ton, durwinsound. Beep(ton, dur)ant = ant + 1-----------------------------------.

The Fackeltanz No. 1 in B-flat by Giacomo Meyerbeer and scored for military band by Wilhelm Friedrich Wieprecht, played by the U.S. Marine Band for the album Courtly Dances. Эрзянь: Fackeltanz 1-це No. си-бемольсэ Джакомо Мейербер эйстэ, кона ульнесь сёрмадызе Вильгельм Фридрих Випрехтих. Ды сонзэ налксизе Courtly Dances Американь иневедень седямопурнавксось. Fackeltanz Nr 1 B-dur Giacomo Meyerbeera w aranżacji Wilhelma Friedricha Wieprechta na orkiestrę wojskową i wykonaniu Orkiestry Korpusu Piechoty Morskiej Stanów Zjednoczonych pochodzącym z albumu Courtly Dances.

This is a percussion beats made at tempo 124. It spans 8 bars and is ready to be looped in your daw. This is a sound i've found in my old foxdot projects, it has a really cool "ocean" or "wave" noise-like sound that repeats at the right then left of stereo, in the end of each 4-bar segement. It layers multiple kicks and snares, with one of the sounds being stretched, that produce this "wave" sound. It can be evaluated in foxdot with the following code to replicate this result. D1 >> play(p[" [--]o h: -"]. Layer("mirror"),dur=pdur(5,8), rate=expvar([0. 09,2],8),sample=2, pan=sinvar([-1,1],16),amplify=0. 5).

Hard bass sample.

Footsteps walk shoes street.

Heavily distorted hat, breakcore/tekno/etc.

A loop i made 4 drums.

You can use this as a intro for youre track , with a distorted vague sound coming up with volume.

This synth , is very good to put on a bassline of 180 bpmmostly used for hardcore electronic music like gabber.

A trance-type synth loop.

A trance-type synth loop.

A trance-type synth loop.

Verry good for hardstyle.

Field recording construction side train track bed industrial agressive massive hard.

Field recording construction side train track bed industrial agressive massive hard.

Hope u like it did on keyboard and beat on ableton live :d and did it in 171. 98-bpm :d.

Superbass.

A recording of an external hard drive spinning up. Recorded with an audio-technica at2020usb+.

Samsara ekd was used for the kick, sent through eq and a couple of distortion plugins. Black noh snare was used for the snare, with a resonator and reverb placed on top of it, as well as eq and compression. Hcx was used for the hihats, with one eq plugin placed on it. The master channel got brickwalled (or bricked) using compressivecm vst.

The raw data is result of this command in my linux command line shell:. Cat /dev/sda1 > my_hard_drive. Then the file my_hard_drive has been imported as raw by audacity sound editing program with attributes:. Signed 16 bit pcm with no byte order 2 channels (whatever. . . ) stereo, 44100 hz. This sound differs from that which can be played just by command "cat /dev/sda1 > /dev/dsp" - this last command plays sound through speakers instead of writing a file. The sound is closer to sound of 56k modem. Later i will upload it (i've just connected line-out of sound card to it's microphone slot).

One note slide of a acid. . Already distort and ready to make havoc in your song.

A very hard noise sample, generated with buzzmachines.

An another beat, hopefully good one.

It's a metal lunchbox with a slight ring to it.

Hard resonant bass with a pitch bend.

A simple 303 loop (not an actual 303, it's the nekobee softsynth). I recorded it in fixed point with a much too high input volume, so it was very distorted. It sounds kind of cool. You may use this sound for any purpose without attribution.

A trance-type synth loop.

Heavily distorted hat, breakcore/tekno/etc.

Wav file recorded in stereo, recorded on a zoom h6. Hard shell case being unlatched.

Dropping a 100 gb maxtor harddrive.

I recommend using reverb and echo to this. Loop is in 124 or something close.

A real recording of an external hdd (hard disk drive) getting turned on and off.

Phone vibrating on desk.

Field recording construction side train track bed industrial agressive massive hard.

Field recording construction side train track bed industrial agressive massive hard.

Dozy pilchard original hard kit.

A modern psytrance kick with some distortion to give it a nice rave bite that makes this kick perfect for techno rave music. This file have been corrected. Enjoy.

Kick made. In caustic.

My g-raid external hard drive turns on. I recorded this with my logitech webcam pro 9000 in audacity. Note: the hard drive isn't as laud as the recording is. I amplified it a lot.

This is record from line-out of soundcard connected to microphone in, when command "sudo cat /dev/sda1 > /dev/dsp" is running in my linux command line shell. Sounds really close to modem 56k. Unfortunately i've written it into 128 kbit mp3, so this is result of back conversion into wave.

Field recording construction side train track bed industrial agressive massive hard.

Made this in fl studio 10. Be free to download the sound and use it in a song.

Multisampled reese made with massive+cyanphase vdist+various other stuff.