361 pistes audio libres de droits pour "Image"

Sound effect (bumper, sweeper, drop) to be used in radio jingle production. Separate elements also included in the wav file. 16bit wav file, normalized to (around) -20db rms. Still plenty of headroom to insert voice.

A picture sliding on a wall.

The sound of a canon 60d's shutter clicking as it takes a picture.

Sound effect (logo, bumper, sweeper) to be used in radio jingle production. Separate elements also included in the file. 16bit wave file, normalized to (around) -20db rms. Still plenty of headroom for voice.

Synthesized string ensemble short. Long decay, wide stereo image. Made to help you build tension in your amateur movie. Synthesized with zynaddsubfx inside lmms (96khz/32-bit). Edited and normalized with audacity, then saved as 24-bit flac.

Elaboration of the tonic arpeggio as prolongation in Bach, BWV 801, measures 3-4, per Forte, Allen (1979). Tonal Harmony in Concept and Practice, p.426. Holt, Rinehart, and Winston. ISBN 0-03-020756-8; image/audio made from score at the IMSLP.

*Just augmented second (75th harmonic) on C = D♯ (Ben Johnston's notation). 75:64 = 274.58 cents. Limit: 5-limit. MIDI pitch bend: 111,55

*Perfect octave on C = C'. Just: 2:1 = 1200 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 3-limit. MIDI pitch bend: none MIDI.

Just some sounds a 650d does.

Field recording of an electric train passing by. Recorded fairly close, wide dynamic range. I had to reduce the input gain during the middle section of the recording to avoid overloading the adc. I think this a fairly good example of the spatial image binaural recording can provide. Gear: sharp minidisc, soundman okm binaural microphones.

Sound from a little toy bird whistle! chirpy blackbirdish song and a little bubbling from the water towards the end. Http://www. Gandharvaloka. Co. Nz/instruments/images/ic-twittering-birds-lrg. Jpgrecorded rode nt1000 / wendt 2x / mbox2 in reaper.

Elaboration of the tonic arpeggio as prolongation in Chopin, Op. 48, measures 1-4, per Forte, Allen (1979). Tonal Harmony in Concept and Practice, p.426. Holt, Rinehart, and Winston. ISBN 0-03-020756-8; image/audio made from score at the IMSLP.

My photo of mossy trees converted into a wav file. Fun with bitmaps & waves! sweet little program that converts bitmap photos into sound! added some reverb and stereo effects in ableton. To see this photo go to http://i65. Photobucket. Com/albums/h213/keweldog60/mossytrees_zpsd724a552. Png.

Me firing the shutter of a pentax me super slr at different speeds and operating the self timer.

Zenit ttl made in ussr. Recorded in my studio na_niepo, microphone: røde nt1, software: pro tools. Your comments are greatly appreciatedcheers, piotr zaczek.

A quick glissando (sweep) on an antique ferventia barrel piano that is out of tune. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

A taunted dark drone atmosphere, spooky string resonations with a disjointed piano in the background. A tense sound, perhaps for a scene of reflection or a disturbing discovery. Flickering black and white images. Created in ableton live.

Walking slowly along pacific beach, waves and water on one side of stereo image, various groups of people talking and playing on the other side. Voices speaking american english. Mild wind noise.

Sound created from using the rings of saturn as a spectral source to a series of filters. When a 1 pixel high image of the rings is extracted it looks like a spectrogram (original: https://en. Wikipedia. Org/wiki/file:saturn%27s_rings_dark_side_mosaic. Jpg). The ring spectrogram was divided into three color planes, and the color intensity values were transformed into resonant filter cutoff frequencies. In essence one filter unit (per color plane) has 256 sounds playing simultaneously. The individual filters are placed along the x-axis so, that the stereo image consists of 256 steps from left to right. In this sound of the series the spectrum was compressed to a range of 20 - 1000 hz. A small variation in certain divider factor per color plane is introduced for a slight chorus like effect.

The sound of concrete and glass breaking inside of a steel dumpster can be heard. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

I found a program called "bitmaps & waves" today, and thought i'd take it for a spin, basically, what it does is convert any bitmap image into a waveform that you can hear. This is a screen shot from my computer interface. Get this program (yep, it's free!) at http://www. Elisanet. Fi/victorx/bitmapplayer. Htm. Made with bitmaps & waves.

*Minor sixth on C = A♭ (G↑ Easley Blackwood's notation). Equal-tempered: 28/12=10/15=6/9=48/72:1 = 800 cents. MIDI pitch bend: 0,64 MIDI.

16-tet scale on C (75 cent steps). Easley Blackwood, Jr.'s notation for 16 equal temperament. Intervals are notated similarly to those they approximate and there are fewer enharmonic equivalents. MIDI pitch bend appears to match intervals (0,56, etc.).

The University of Greenwich Choir sings In the Bleak Midwinter inside the chapel of the Old Royal Naval College in preparation for the annual carol concert. Also shows images of our snow-covered campuses.Discover more about the University of Greenwich Choir.https://www.gre.ac.uk/about-us/music/choir

Stereo field-recording of early morning (ca. 7:30 am) traffic on a rainy weekday in the little english town of goring-on-thames. The street is quite busy with traffic and has been mic'd close-range, giving quite a wide stereo image. One can clearly hear the rotten weather this clip was recorded in.

Diatonic scale on C in 15 equal temperament. C, D, E↓, F, G, A↓, B↓, C. If C=0: 0, 3, 5, 7, 9, 11, 14, 0. MIDI pitch bend matches intervals.

Stormy sea - picture on the wall.

Raw recoridng of the shutter from the pentax mz-7recorded at 32khz, 16 bit mono, 512kbps bitrate.

An audio recording of an analog camera.

Created for a trailer for a film. I used a grandfather clock for the main ticking of the hands but layered and added other sounds such as a heartbeat, hall kick drum with reverb and synthesis techniques. Please note: the ticking by note be in sync if you use and a countdown image i had to move the ticks to accommodate the wall clock i was working with due to the ticks where not always in time.

A canon 70d taking a photograph.

Sound of a canon camera shutter taking two pictures.

A box falls.

Recording of a dslr camera using auto focus several times. The camera used was canon eos rebel t5 dslr and was recorded in a lab learning audio booth using blue microphones yeti usb mic. Edits made were removing background noise and amplifying the audio. Http://www. Imaging-resource. Com/prods/canon-t5/zurfrontleft-l. Jpg.

Recording of a dslr camera taking several photographs. The camera used was a canon eos rebel t5 dslr and was recorded in a lab learning audio booth using blue microphones yeti usb mic. Only edits made was trimming away beginning and ending silence. Http://www. Imaging-resource. Com/prods/canon-t5/zurfrontleft-l. Jpg.

Noise created by individual oscillators, using audio paint, with different height images, to demonstrate what happens with too few oscillators vs. Plenty. In the end, the result is not random enough to be noise. The first 2-second burst is pure white noise for comparison. Then we have multiple 1-second bursts from audio-paint in a sequence of different image sizes: 50,100,150,200,250,350, 500, 700, 1000, 1350, 1750, 2200, 2700, 3250, 3850, 4500, and 9999 (this corresponds to the number of oscillators). The last burst is longer, and there is 1/2 second gap of silence after the first (reference) burst and before that last (9999) burst. The images other dimension was 20. The spacing of frequencies was exponential, between 40 hz and 18 khz. This is not intended to be useful, just an illustration during a discussion in a forum (http://www. Freesound. Org/forum/sample-requests/35199/?page=2#post75605). As mentioned there, i realized only afterward that exponential spacing would be giving me an approximation to pink noise instead of white noise, so the reference burst at the start is not really a fair comparison. Ideally, i would go back and re-do all this using linear spacing, but that's a lot of trouble. :-) i did, however, change to linear to get a white approximation, but that's a different sound i'll upload separately (c. F. Http://www. Freesound. Org/people/zimbot/sounds/242053/). I don't believe you can get true white noise without at least something being random in your synthesis method.

The sound of the belle of cincinnati riverboat engines idling on the ohio river while docked. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer, mounted on a tripod. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

21-tet scale on C (57.14 cent steps). Easley Blackwood, Jr.'s notation for 21 equal temperament. Intervals are notated similarly to those they approximate and there are distinct enharmonic equivalents (E-sharp-down = F-down). MIDI pitch bend matches intervals.

Bell tower of the basilica of the national shrine of the immaculate conception. Recorded on the catholic university of america campus with a zoom h2 in four channel surround mode. The front mikes faced the basilica. The rear mikes were fairly close to a building and captured an off axis recording of the original peals while the reflection off the building was on axis and is louder than the original peal. The two files can be combined for a surround image.

Files labeled "ms" correspond to mid/side recordings. This allows for adjustment and separation of the stereo image. To makes the most of these samples, i suggest you do, or the stereoness could sound exaggerated. Most daws and audio editors have this capability, or you can use any of several free applications, such as voxengo's msed (set to "inline" mode). The pack variations correspond to different recording techniques and microphone combinations.

This is a field recording taken in a suburban location in the city of cincinnati just over ten minutes in length. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer, mounted on a tripod. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

Sequence "Victimae Paschali Laudes", traditionally attributed to Wipo of Burgundy. For text, see Victimae Paschali Laudes. For an image of a score (not the one I performed from) see this gif. Recorded using GarageBand with some reverb added. Normalised using Audacity. It is a single continuous take. Time: 1:49.

Gear:. Sound devices 702sennheiser 416.

Iphone camera sound/click captured with zoom h4n recorder.

A canon 60d with an 18-135 ƒ/3. 5 - 5. 6 lens autofocusing.

Camera shutter noise.

The shutter sound of a jvc gr-d72u digital video camera. This sound plays when using the "snapshot" button to take a picture.

Pressing the shutter release button on a pentax k1000 slr camera. Recorded with a tascam dr-40.

Recorded next to a go kart race track with moderate kart traffic and sparse crowd noise. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

A stereo wav recording from a zoom h1n during a thunderstorm today. One siren picks up followed by several more producing a convincing stereo image. I have done a basic bass roll-off, but have left it otherwise untouched. If you have a spectral editor you can probably clean out more of the noise, but i couldn't do so and keep the sirens sounding good.