408 pistes audio libres de droits pour "Impulsion"

Unit impulse 48khz, 120 bpm.

Rise. Fall. Impulse. Wav.

This is the impulse response of my bedroom in my home!recorded with zoom h4n.

1 sample of audio with 1 signal. Used for convolution.

Impulse basic waveform 12 bit recorded.

A sound made with csound using impulse generators modified by sinusoidal envelopes.

Impulse response of the cabinet simulation on the ax1500g unit. These are sounding really nice.

Impulse response of interior of a parked 2007 kia cee'd estate, recorded with a zoom h1n on 28/01/2021.

Phase impulse waveform 12 bit recorded, looped at 300 bpm.

Used ableton by me.

Experimental irs for convolution reverbs.

This is a small impulse response of a large room.

Creating an impulse response from zt lunchbox amplifier, recorded with rode nt1000 microphone.

A digitally modelled impulse response of a location. I use these impulse responses for sound implementation in games, but some of these work great on musical sources as well.

Recorded a clap in a quiet winter snow-covered forest in rural ontario. Can be used for an impulse response. Not ideal, but interesting anyway! recorded with a zoom h2n recorder.

Reversed soft impulse on metal.

Ir-like sounds that were made digitally via buffer priming.

Fostex 31801980's spring reverb studio effect. Impulse response taken with sine wave sweep and deconvolved using reaper. 44. 1khz 24-bit flac.

An impulse response made and edited in audacity. I was originally trying to make an outdoor ir, but it ended up sounding like a cave or tunnel. If you're interested, you may want to check out my impulse response pack for more ir's. Thank you!.

Impulse hits and stamps from within my upstairs bathroom.

Impulse responses based on public domain recordings of historical events from around the world and from space. Some processed to stereo artificially. Gun shot in texas.

Impulse response of liverpool philharmonic hall. .

An impulse response recorded in the front half of st andrews cathedral in sydney australia.

Information encoded with some sort of impulse modulation.

Impulse response of a 1986 alesis microverb on the large 2 setting. Recorded through a tascam us-1641 into studio one 2, convolution done with voxengo deconvolver.

A couple of impulse responses from the capricorn caves in central queensland, australia, nice for anything.

A couple of impulse responses from the capricorn caves in central queensland, australia, nice for anything.

An impulse response i made of the spring reverb found in the roland re-301 chorus echo (1977) running into a mackie 8bus desk at "optimum" levels. Made and processed in reaper.

Sci-fi effect, some kind of shooting, laser, impulse, plasma.

Foley audio sound.

An impulse response recorded using an exponentially swept sine tone. Recorded in st andrews cathedral in sydney, australia.

Small water impulse created from a variety of water sounds layered. Microphone used: b-1 behringuer. 48000khz.

Ignition of my gas cooker with electric impulses. Recorded with olympus ls-5.

Violin processed samples remix.

Here we have de convolution between some drums and the impulse response of a large and reverberant room.

Impulse response recorded in the nordea hall tallinn estonia. Great for orchestras, rubbish for rock/pop really. .

Impulse response of the famous digital reverb unit rmx16, in its most popular configuration: nonlinear.

A combination of several tube spring reverb units with a dark vintage character.

Clapping in echoey spots to capture the impulse-response. You can map the contours to make your own convolution reverbs.

An ir panning delay that might might give your mix a little extra. An ir whith both delay and reverb. Created by recording the impulse response of a signal going through echo farm and revibe.

These are impulse responses of the reverb unit within the korg d888 multitrack recorder. .

I recorded me clapping in my favourite tunnel of my village and made irs of it.

Convolución.

One of a series of heavily processed sounds of me ripping various objects off a sticky surface. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, layering and sculpting the sounds into short impulses that are suitable for ui sound design.

This sound is a 1-sample long impulse at 48 khz. It covers the whole frequency range with equal power. This is a perfect sample for exciting your guitar amp or reverb unit to capture it's impulse response (ir). You can also play it through a speaker in a reverbant room to capture it's reverb characteristics. Remember that the ir sample will be no flatter than your speaker's performance multiplied by your microphone's performance (frequency response characteristics). The sample has exaclty 1 second of silence, then the impulse, then another second of silence to ensure the impulse will be played clean and untruncated on any sound system or device. My test with ir lv2 convolution plugin have proven, that this sample has absolutely flat frequency response - convolved signal was identical to the source signal. After normalization and sample-alignment of the sound clips i have inverted the polarisatin of one of them and summed them - result was absolute silence, even no hiss was present as a result. This shows the accuracy of the convolution process and proves this sound to be perfect for sampling ir. The impusle was generated with c* dirac ladspa plugin. Created using audacity.

Information encoded with some sort of impulse modulation. This one was transmitted via gsm cellular network and corrupted in a creepy way.

Impulse response of a 60s tube spring reverb unit, fisher k-10 in stereo at 96khz. It is very versatile it looks good on drums, guitars, percussions, synthesizers and vocals, in addition to the beautiful spring sound in stereo.

Impulse response of a large concrete stairwell in an industrial shopping center. Use this file in conjunction with "stairwell 1 (xy stereo). Wav" for a 4 channel surround recording. You can deconvolve all these recordings with the original sweep file in this pack. Happy deconvolving!.

Impulse response of the guitar loudspeaker captured by the audix i5 microphone.

Convolution with the impulse response of the 3r floor from pompeu fabra university (poblenou, barcelona) and https://www. Freesound. Org/people/inspiredfunk/sounds/66352/.