A hip hop beat made with audacity's risset drum and a recording of a midi high hat. I don't know the bmp, i arranged it in audacity. Because of this, it may be slightly off beat, which gives it more swagga.
Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland sh-2patch name (pack): s&h res action 96bpmishnote: e#3midi note: 53midi velocity: 96.
Using my recently purchased zoom h4n, i recorded the birds from my window early afternoon in belfast using the standard mic's on the recorded. A bit short, but i hope you get some use out of it :).
Field-recording of the ambience in a small rural village in nicaragua. You can hear a car, near and distant birds, kids and fathers voices, the waves from the near managua lake, and some other bugs typical of the afternoon sounds.
A warm late afternoon field recording along an almost empty stretch of highway in western australia. Recorded with an olympus ls-100. Feel free to comment and use as needed.
Synthesized MIDI rendering of Guillaume Dufay's "Ave Regina", c.1450, Ox. Bod. Can. misc. 213 f.62, after facsimile in W. Apel, The Notation of Polyphonic Music (1960), facs. 26. Created with Lilypond.
Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.
Auteur: The original uploader was Hyacinth at English Wikipedia.
Power chords in progression create parallel fifths, though the prohibit is not relevant since there is not intention to create independent voices. Created by Hyacinth (talk) 03:21, 29 January 2012 (UTC) using Sibelius 5.
Time is running out track with nice and warm sound. Track features piano and guitar. Space pad. Plugins omnisphere. Ableton 9, 11 midi channels. Bpm 103.
