4 366 pistes audio libres de droits pour "Midi"

It's zynaddsubfx custom patch piped through a ir convlolution reverb played with a midi keyboard. Eqd, compressed and limited using audacity.

Minor seventh chord on d (ii7) in C. Created by Hyacinth (talk) 07:23, 14 August 2011 (UTC) using Sibelius 5.

Jesus lebt, mit ihm auch ich; Gotteslob (2013) 336

Mit Fried und Freud ich fahr dahin (Evang. Gesangbuch 519)

Ich ruf zu dir, Herr Jesu Christ (Evang. Gesangbuch 343)

Im Frieden dein, o Herre mein (Evang. Gesangbuch 222)

Minor major seventh chord on IV in C. Created by Hyacinth (talk) 11:19, 1 July 2011 (UTC) using Sibelius 5.

*Lesser septimal tritone on C = G♭ (Ben Johnston's notation). 7:5 = 582.51 cents. Limit: 7-limit.

Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.

Singt dem König Freudenpsalmen, Eichsfelder Melodie, Gotteslob (1975) Hildesheim 825

Gib dich zufrieden und sei stille, Evang. Gesangbuch 371

Die beste Zeit im Jahr ist mein, Evang. Gesangbuch 319

Hymn The Church's One Foundation Die Kirche steht gegründet (Evang. Gesangbuch 264; Gotteslob (2013) 482)

Borrowed chord (viio 4 3) in Bach's Prelude in C Major from The Well-Tempered Clavier, Book I, BWV 846, mm. 13-15.

I recorded this in my back yard. Birds can be heard, as well as children playing. The sound of a distant train horn can be heard. An airplane passes overhead. The neighbor's swimming pool filter is faintly audible. Recorded with a zoom h1.

A combination of two recordings to create the experience of listening to an afternoon storm.

I was outside in my backyard on a windy day. I recorded the sound with a zoom h6. I was jumping from a bench.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland sh-2patch name (pack): s&h res action 96bpmishnote: e#3midi note: 53midi velocity: 96.

Synthesized MIDI rendering of Guillaume Dufay's "Ave Regina", c.1450, Ox. Bod. Can. misc. 213 f.62, after facsimile in W. Apel, The Notation of Polyphonic Music (1960), facs. 26. Created with Lilypond.

Wie herrlich gibst du, Herr, dich zu erkennen (Evang. Gesangbuch 271); Gott rufet noch (Evang. Gesangbuch 392)

Danket dem Herrn, denn er ist gut; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 814

Power chords in progression create parallel fifths, though the prohibit is not relevant since there is not intention to create independent voices. Created by Hyacinth (talk) 03:21, 29 January 2012 (UTC) using Sibelius 5.

Wohl denen, die da wandeln, Gotteslob (1975) 614; Gotteslob (2013) 543

Ave Maria zart (Gotteslob (1975) 583; Gotteslob (2013) 527)

Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.

Singen wir mit Fröhlichkeit, Gotteslob (1975) 135; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 736

Time is running out track with nice and warm sound. Track features piano and guitar. Space pad. Plugins omnisphere. Ableton 9, 11 midi channels. Bpm 103.

Auf dich allein ich baue; Gotteslob (1975) 293; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 838

Gott sei gelobet und gebenedeiet (Evang. Gesangbuch 214; Gotteslob (1975) 494; Gotteslob (2013) 215)

Schlesisches Volkslied Wenn mer suuntichs ei de Kerche giehn (Vorlage für Wir sind alle kleine Sünderlein)

Michael, row the boat ashore Hört, wen Jesus glücklich preist, Evangelisches Gesangbuch (Regionalanhänge)

5:7:9 is the first inversion of the major triad. Title refers to harmonics (fundamental=1:3:9:etc.).

Heilig, heilig, heilig ist der Herr, Gott Zebaot; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 715

Ehre sei Gott in der Höhe, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 816

Sagt an, wer ist doch diese (Gotteslob (1975) 588; Gotteslob (2013) 531)

Auf, Christen, singt festliche Lieder, Melodiefassung Gotteslob Eigenteil Freiburg/Rottenburg-Stuttgart

Komm, Heiliger Geist, Herre Gott (Evang. Gesangbuch 125; Gotteslob (1975) 247)

C Phrygian dominant scale. Created by Hyacinth (talk) 00:37, 5 July 2010 using Sibelius 5.

Beer tent in munich during the oktoberfest in the year 2000. Recorded with a sony dcr-pc100 video-camcorder.

Using my recently purchased zoom h4n, i recorded the birds from my window early afternoon in belfast using the standard mic's on the recorded. A bit short, but i hope you get some use out of it :).

Field-recording of the ambience in a small rural village in nicaragua. You can hear a car, near and distant birds, kids and fathers voices, the waves from the near managua lake, and some other bugs typical of the afternoon sounds.

A warm late afternoon field recording along an almost empty stretch of highway in western australia. Recorded with an olympus ls-100. Feel free to comment and use as needed.

Mache dich, mein Geist, bereit (Evang. Gesangbuch 387); Herr, ich bin dein Eigentum (Gotteslob (2013) 435)

Ihr Engel, kommtIhr Engel, kommt, zu hindern,wo irgend Gottes Kindernein Unheil drohtmit Leid und Tod:Ach helft, die ihr's könnt lindern!

Vom Tode heut erstanden ist (Gotteslob (1975) 224; Gotteslob (2013) 324)

*Quarter tone on C = C/D. Equal-tempered: 21/24:1 = 50 cents. Preceded by:'

Combinatorial tone rows from Moses und Aron by Arnold Schoenberg pairing complementary hexachords from P-0/I-3.

Tritone substitution and altered chord as, "nearly identical". Chords: C7, F♯7, and C7 +9 +5: Root 3rd 5th 7th 9th 11th 13th C

Simple duple drum pattern: divides two beats into two. Created by Hyacinth (talk) 02:19, 20 July 2009 using Sibelius 5.

Syncopation (sfz) in Beethoven's String Quartet in A Major, Op. 18, no. 5, III, variation I, m. 7-8.