4 366 pistes audio libres de droits pour "Midi"

Piano Sonata, K. 545 - Allegro 日本語: ヴォルフガング・アマデウス・モーツァルトのピアノソナタ K. 545第一楽章

Dominant seventh in Beethoven's Piano Sonata in B-flat major, Op. 22.

Komm her, freu dich mit uns, tritt ein (Gotteslob (1975) 519; Gotteslob (2013) 148)

Morgenlicht leuchtet (Morning has broken), Evang. Gesangbuch 455; Gotteslob (2013) Österreich 705

Trebor: Se Alixandre et Hector fussent en vie.

Ave Maria klare; Gotteslob (1975) 581; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 894

Ave Maria, gratia plena, so grüßte der Engel die Jungfrau Maria, Gotteslob (2013) 537

Pc speaker sounds, recorded by mic'ing the tower. Quite noisy, but still very funky in a beat. I used bawami to get my own midi files to play through the pc speaker in order to produce these sounds.

Was messing around on the piano and started fingering this line. Switched it over to bass. Combination of two basses and some plucking sound: all just sound card midi sounds. Tweaked the bass deeper with audacity. Peace out and enjoy.

A rhythm midi made at the keyboard then processed through the dn-e1 virtual synthesizer in magix music maker daw.

A calm sound for interfacing main menus. Created by accident in fl studio whilst editing a synth midi note. Reminds me of the early 90s-00's interfacing sounds which were quite placid, melancholic and tuneful.

The inspiration for this track came from a stereo cross-fading delay patch for modular synths i found, created using caustic 3. 2 with my akai mpk mini keyboard as usb-midi controller with a bit of a tangerine dream style.

Sequential modulation in Schubert, Piano Sonata in E Major, D. 459, movement III.

Primary triad in C in just intonation. Created by Hyacinth (talk) 11:17, 22 December 2011 (UTC) using Sibelius 5.

Sonne der Gerechtigkeit (Evang. Gesangbuch 262; Gotteslob (1975) 644; Gotteslob (2013) 481)

Mirror forms, P, R, I, and RI, of a tone row (from Schoenberg's Variations for Orchestra op. 31): "Called mirror forms because...they are identical."

Ausschnitte aus Beethovens Klaviersonate Nr. 31, op. 110, Dritter Satz Excerpts from the third movement of Ludwig van Beethoven's Piano Sonata No. 31, Op. 110

Seht, die gute Zeit ist nah, Evangelisches Gesangbuch 18; Gotteslob (2013) München-Freising 748

Example of syllabic and melismatic text setting. MIDI doesn't convey the quality of syllables flowing. Source: "Jesus Christ is Ris'n Today" (Methodist Hymn Book, 1933, No. 204). Created by Hyacinth (talk) 01:28, 18 July 2012 (UTC) using Sibelius 5.

*(Lesser) undecimal neutral second on C = D↓ (Ben Johnston's notation). 12/11 = 150.64 cents.

Es ist genug, Schlusschoral der Kantate O Ewigkeit, du Donnerwort BWV 60; Melodie: Johann Rudolf Ahle

An excerpt from the traditional Latin song "Adeste Fideles". Created by Hyacinth (talk) 22:50, 1 February 2012 (UTC) using Sibelius 5. See: :Image:Adeste Fideles sheet music sample.svg

5 25 {\displaystyle {\sqrt[{25}]{5}}} = 5:11/25 = 111.45 cents. Interval used in Stockhausen's Studie II, a compound just major third (5/1) divided into 25 equal parts.

Bells, drone and soft pad played on a usb midi keyboard triggering through a daw non sample based soft synths with non default parameter settings.

Die Sach ist dein, Herr Jesu Christ, Evang. Gesangbuch Baden/Pfalz 606

Kanon Danket, danket dem Herrn; Evang. Gesangbuch 336; Gotteslob (1975) 283; Gotteslob (2013) 406

O Sonn des Heiles, Jesus Christ, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 764

All Morgen ist ganz frisch und neu (Evang. Gesangbuch 440; Gotteslob (1975) 666)

First 4 measures of the first movmemt of Ludwig van Beethoven's Piano Sonata in C-sharp minor "Moonlight", Op. 27, No. 2.

Enharmonic scale [segment] on C. Quarter comma meantone temperament. Note that in this depiction C♯ and D♭ are distinct rather than equivalent as in modern notation.

Gegrüßet seist du, Königin (Gotteslob (1975) 573; Gotteslob (2013) 536)

Freu dich, du Himmelskönigin (Gotteslob (1975) 576; Gotteslob (2013) 525)

Piano Roll recording of Scott Joplin playing "Maple Leaf Rag" in 1916. The original Piano Roll had been scanned and converted to a MIDI file by PlayerRoll, but the work remains in the public domain. This is one of a number of rare recordings by Joplin. It also demonstrates the deterioration of his health, specifically its impact on his piano playing. Midi conversion by PlayerRoll, and found at: http://www.pianola.co.nz. Re-recorded as audio by Major Bloodnok using Cubase with a different piano sound. Slight echo added.

Partie de pétanque un après midi en été dans le sud de la france/part of pétanque one afternoon in summer in the south of france.

The Lord's My Shepherd (Crimond tune) Der Herr, mein Hirte, Evang. Gesangbuch Bayern-Thüringen 594

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 05:08, 14 July 2011 (UTC) using Sibelius 5.

Jesus, meine Zuversicht (Evang. Gesangbuch 526); Jesus lebt, mit ihm auch ich (Evang. Gesangbuch 115)

Jesus Christus, unser Heiland, der den Tod überwand (Evang. Gesangbuch 102)

Erhalt uns, Herr, bei deinem Wort (Ev. Gsb. 193), Kirchenlied von Martin Luther (T+M); Satz: Peter Gerloff

Heilges Kreuz, sei hochverehret (Gotteslob (1975) Diözesananhang Hildesheim 823; Gotteslob (2013) Diözesananhang Kirchenprovinz Hamburg 759)

Nun freue dich, du Christenheit (Gotteslob (1975) 222); O Licht der wunderbaren Nacht (Gotteslob (2013) 334)

Heilig, heilig sei gepriesen, Gotteslob (1975) Hildesheim 802; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 720

This tune is called Winchester New in English hymnals.Zum Mahl des Lammes schreiten wir; Gotteslob (2013) 642

Ist Gott für mich, so trete gleich alles wider mich (Evang. Gesangbuch 351)

Es geht bei gedämpfter Trommel Klang (Ein Gotteshaus steht zu Köln am Rhein)

Preis dem Todesüberwinder, Gotteslob (2013) Kirchenprovinz Hamburg 778 Halleluja, lasst uns singen, Gotteslob (2013) Freiburg/Rottenburg-Stuttgart 796

Er freue dich, Himmel, erfreue dich, Erde (Gotteslob (1975) 259; Gotteslob (2013) 467)

Die helle Sonn leucht' jetzt herfür (Evang. Gesangbuch 437; Gotteslob 667)

Forest drum sound similar to the old donkey kong style sounds with some atmospheric sound that carries on after using a cement mixer and some rain. If some aspects of this sound are not to your liking there's a couple variations on my page.

Ich will dich lieben, meine Stärke (Gotteslob (1975) 558; Gotteslob (2013) 358)