4 366 pistes audio libres de droits pour "Midi"

Du König auf dem Kreuzesthron, Gotteslob (1975) 553; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 803

Inamorata melodie nuptiale for piano' 1913 by George De Cairos Rego (1858-1946) Inamorata [music] : melodie nuptiale for piano / by G. de Cairos-Rego[1], Nicholson & Co, (Please provide a date or year)

*Octave, fourth, and just chromatic semitone/Compound just augmented fourth on C = F♯ (Ben Johnston's notation). 50:18 = 1768.72 cents.

Three beta chords on C♯. C♯, E, G, B♭, C♮; C♯, E, G, C♮; and C♯, G, C♮.

Heilig, heilig, dreimal heilig, Gotteslob (1975) Hildesheim 801; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 718

Harmonic seventh chord on C. Equal tempered major chord with quarter tone flat minor seventh (950 cents). Created by Hyacinth (talk) 18:56, 10 November 2011 with Sibelius 5.

Ich will dich lieben, meine Stärke (Gotteslob (1975) 558; Gotteslob (2013) 358)

Wo Gott der Herr nicht bei uns hält (Evangelisches Gesangbuch 297)

Die güldene Sonne bringt Leben und Wonne, Ev. Gesangbuch 444

D♭7♯11 chord = G7alt chord. G7alt chord = G,B,F,Ab,A#,C#,Eb. D♭7♯11 chord = D,F,Cb,Eb,G.

Afternoon suburb. Sunny. Crickets, chirpy birds. Hammers can be heard far off on roof construction. Door closes in the distance. A car goes by and then you hear faint discussions. Recorded with h4n with rycote windjammer. No more wind noise! yay! :d.

Some birds chirping, recorded with a zoom h6 x/y mic. The file was recorded in an open field in vorarlberg/austria.

Two neumann km76 set to omni, protected by a dead cat. Placed in a garden under a tree one sunny and slightly windy saturday afternoon. Recorded to nagra lb.

Early spring afternoon, urban residential, house finch and sparrows. Stereo em172s.

Vater unser, der du wohnest, Gotteslob (1975) Hildesheim 850; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 846

Sei gelobt und hochgepriesen, heiligste Dreifaltigkeit; Gotteslob (1975) Hildesheim 839; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 790

132 bpm in c minorjust simple chords in a quick patch i made in sylenth1. Cant imagine what anybody will do with this but might as well just leave it here for the good people of freesound. :d.

Lob und Ehre sei dir, Gesalbter, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 769

German Church Hymn "Mein schönste Zier" (Gotteslob (1975) 559; Gotteslob (2013) 361; Ev. Gsb. 473)

In dieser Nacht sei du mir Schirm und Wacht, Gotteslob (1975) 703; Gotteslob (2013) 91

Jetzt ist die große Gnadenzeit (Gotteslob (1975) Hildesheim 819; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 753)

O Mensch, bewein dein Sünde groß (GL 166); Herr, deine Güt ist unbegrenzt (GL 289)

Dich, König, loben wir; Gotteslob (1975) Hildesheim 853; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 798

Der hat hingeben das ewig Leben, der nit die Musik liebt

Hymn tune Duke Street ("Jesus shall reign where'er the sun") Jesus hat seine Herrschaft bestellt, Evang. Gesangbuch (Rheinland/Westfalen/Lippe) Nr. 610

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

Send deinen Geist, Herr Jesus Christ, Gotteslob (2013) Paderborn 764; Gotteslob (1975) Hildesheim 836

Jesu, zu dir rufen wir; Gotteslob (1975) Osnabrück 861; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 751

Das ist der Tag, den Gott gemacht; Gotteslob (1975) 220; Gotteslob (2013) 329

Meerstern, ich dich grüße; Gotteslob (1975) Diözesananhänge; Gotteslob (2013) 524

Adagio (2nd movement) from Beethoven's Piano Sonata Op. 22, bars 31–33

Twelve Variations on "Ah vous dirai-je, Maman", K. 265 by Wolfgang Amadeus Mozart; 11:51 minutes

Herr, gib Frieden diesem Menschen; Gotteslob (1975) Hildesheim 893; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 923

Christi Mutter stand mit Schmerzen, Gotteslob (1975) 584; Gotteslob (2013) 532

Jesus, meine Zuversicht (Evang. Gesangbuch 526); Jesus lebt, mit ihm auch ich (Evang. Gesangbuch 115)

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

Single note sampled from a deckard's dream diy analogue synthesizer that i built myself. Deckard's dream (ddrm) is an 8-voice analogue synthesizer designed by black corporation and inspired in the classic yamaha cs-80. The ddrm (and cs-80) is all about live performance and expressiveness via aftertouch and modulations. Therefore, sampling the notes like i did here does not make much sense and by no means makes justice to the real thing. Nevertheless, i thought it could still be useful and would be nice to share. Synthesizer: deckard's dream (ddrm)factory preset #: 14note: c-1midi note: 0midi velocity: 16.

This loop is from my new loop kit called "cloudy loop kit". You can get sounds similar to this one and a bunch of midi files as well. Here- https://www. Adamjudyproductions. Com/sound-kits/cloudy-loop-kit-25452.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

Vergiss nicht zu danken dem ewigen Herrn (Evang. Gesangbuch Bayern-Thüringen 602; Gotteslob Würzburg 811)

Melodie von Heinrich Schütz (ursprünglich Psalmlied) zu Ich weiß, woran ich glaube, Evang. Gesangbuch 357

Ehre sei dir, Christe, Gotteslob (1975) 499; dort als ö-Lied gekennzeichnet; gleichlautend im altkatholischen Gesangbuch Eingestimmt.

Major chord on C in 19 equal temperament. 0,6,11. All notes within 8 cents of just intonation (rather than 14 for 12 equal temperament).

This was created with sampled percussion from the keyboard in adobe audition cs6 and recorded via logitech webcam mic. The sound was further de-noised and cleaned in audition's spectral view and effects applied to make the arrangement work. Hopefully this will prove useful to some.

Hitting a coffee can with a small rubber mallet. Cleaned for use in a sampler, and recorded with a zoom h6 with x/y 90 degree spread. Close range.

MIDI synthesized rendering of a 14th-century Rondeau, "Doulz viaire gracieus" by Guillaume de Machaut. Produced with Lilypond, after an edition of the piece in Eggebrecht, Hans Heinrich Musik im Abendland, Munich: Piper, p. 237

Misheberak scale on D. Created by Hyacinth (talk) 07:50, 18 April 2011 (UTC) using Sibelius 5. See: :Image:Misheberak scale on D.png

Du, aus Davids Stamm geboren (Josefslied); Gotteslob (1975) Hildesheim 885; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 915

Gen Himmel aufgefahren ist; Evang. Gesangbuch 119; Gotteslob (1975) 230; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 781

7-tone equal tempered scale represented in traditional notation. + and - indicates approximate distance above and below notated pitch. Pitch bend matches intervals.