4 366 pistes audio libres de droits pour "Midi"

O Lamm Gottes unschuldig; Evang. Gesangbuch 190.1; Gotteslob (1975) 470; Gotteslob (2013) 203

Verleih uns Frieden gnädiglich, Gotteslob (2013) 475; Gotteslob (1975) 310; Evang. Gesangbuch 421

Der Tag der ist so freudenreich, Evang. Kirchengesangbuch 18, Evang. Gesangbuch Regionalteile Baden/Elsass/Lothringen, Nordelbien, Pfalz, Württemberg

Giovanni Benedetti's 1563 example of a comma "pump" or drift by a syntonic comma (21.51 cents) during a progression. Common tones between chords are the same pitch, with the other notes tuned in pure intervals to the common tones.

Wacht auf, ihr Christen! Seid bereit, Gotteslob (1975) Hildesheim 822; Gotteslob (2013) Hamburg-Hildesheim Osnabrück 756

Ihr Christen, hoch erfreuet euch; Gotteslob (1975) 229; Gotteslob (2013) 339Christus, du Licht vom wahren Licht; Gotteslob (2013) 546

Extended dominants/successive secondary dominants in Chopin's Op. 26, no. 1, mm.62-63. V/ii = V/V/V, V/vi = V/V/V/V.

Du mein Schutzgeist, Gottes Engel; Gotteslob (1975) Hildesheim 882; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 906

In Gottes Namen fahren wir, Gotteslob (1975) 303; Gotteslob (2013) Freiburg/ Rottenburg-Stuttgart 858

Auf, Christen, singt festliche Lieder, Originalmelodie Fulda 1778

Heilger Bernward, groß im Leben; Gotteslob (1975) Hildesheim 888; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 919

This was created with sampled percussion from the keyboard in adobe audition cs6 and recorded via logitech webcam mic. The sound was further de-noised and cleaned in audition's spectral view and effects applied to make the arrangement work. Hopefully this will prove useful to some.

Hitting a coffee can with a small rubber mallet. Cleaned for use in a sampler, and recorded with a zoom h6 with x/y 90 degree spread. Close range.

MIDI synthesized rendering of a 14th-century Rondeau, "Doulz viaire gracieus" by Guillaume de Machaut. Produced with Lilypond, after an edition of the piece in Eggebrecht, Hans Heinrich Musik im Abendland, Munich: Piper, p. 237

Misheberak scale on D. Created by Hyacinth (talk) 07:50, 18 April 2011 (UTC) using Sibelius 5. See: :Image:Misheberak scale on D.png

Kommt her, ihr Kreaturen all, Lied zur Sakramentsverehrung

Du, aus Davids Stamm geboren (Josefslied); Gotteslob (1975) Hildesheim 885; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 915

Gen Himmel aufgefahren ist; Evang. Gesangbuch 119; Gotteslob (1975) 230; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 781

7-tone equal tempered scale represented in traditional notation. + and - indicates approximate distance above and below notated pitch. Pitch bend matches intervals.

Das Zeichen ist geschehen, Gotteslob (1975) Hildesheim 807; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 728

Wir wollen alle fröhlich sein (Evang. Gesangbuch 100; Gotteslob (1975) 223; Gotteslob (2013) 326)

Christe, du Lamm Gottes (Evang. Gesangbuch 190.2; Gotteslob (1975) 482; Gotteslob (2013) 208)

vi-IV-I-V chord progression in C. Created by Hyacinth (talk) 23:43, 25 March 2010 using Sibelius 5. vi-IV-I-V progression resolving to I.

Danket Gott, denn er ist gut, Gotteslob (1975) 227; Gotteslob (2013) 402; Evang. Gesangbuch 301

Hier liegt vor deiner Majestät im Staub die Christenschar, Gotteslob (2013) Regensburg 918

Nun saget Dank und lobt den Herren (Evang. Gesangbuch 294; Gotteslob (1975) 269)

Schumann, Sechs Fugen for organ, Op. 60, No. 5, mm. 1-4. Created by Hyacinth (talk) 00:19, 18 April 2010 using Sibelius 5.

Melodiefassung der Antiphon In paradisum zum deutschen Text Zum Paradies (Gotteslob (1975) 84; Gotteslob (2013) 515)

O Mensch, bewein dein Sünde groß (Gotteslob (2013) 267); Herr, deine Güt ist unbegrenzt (Gotteslob (2013) 427)

Midi recorded at the keyboard and processed through music maker's virtual drum synth. One of ten electronic drum loops with a tribal beat and human sound.

I was walking on grass in my backyard, the grass is short. I shuffled my feet in the grass. The sound makes a crunch like sound.

Example of a tonal answer in J.S. Bach's Fugue no. 16 in G minor, BWV 861, from the Well-Tempered Clavier, Book 1 Comienzo de ejemplo de una respuesta tonal en una exposición fugada. este fichero Midi corresponde a la exposición de la Fuga número 16 en Sol menor (BWV 861) extraído del libro 1 de la obra El clave bien temperado de Juan Sebastián Bach

My attempt at simulating a football(soccer) stadium pa announcement. The ding dong. Played in using a midi keyboard and a vst and effected heavily to try and achieve the effect of the pa. For a request http://freesound. Iua. Upf. Edu/forum/viewtopic. Php?t=1626.

Sliding bassline in wet format, check my account for the dry signal. Fminor > g#major > d#major > d#majorfminor > g#major > d#major > cminor.

Sliding bassline in dry format, check my account for the muffled one with reverb added. Fminor > g#major > d#major > d#majorfminor > g#major > d#major > cminor.

Pange, lingua, gloriosi corporis mysterium (Gotteslob (1975) 543/544; Gotteslob (2013) 493/494)

Aus hartem Weh die Menschheit klagt; Gotteslob (1975) 109; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 727

*Septimal third-tone on C = D♭- (Ben Johnston's notation). Just: 28:27 = 62.96 cents. Limit: 7-limit.

Bach - Well-Tempered Clavier, Book I, Prelude I (C major, BWV 846), opening bars.

Sei uns willkommen, Herre Christ, Gotteslob (1975) 131; Gotteslob (2013) Limburg 757

Nun bitten wir den Heiligen Geist (Gotteslob (1975) 248; Gotteslob (2013) 348)

The most basic ride pattern in rock and other styles. References: Schroedl, Scott (2001). Play Drums Today!, p.9. Hal Leonard. ISBN 0634021850 Eighth-note ride pattern played with triplet swing.

Aus tiefer Not schrei ich zu dir, Melodie von Wolfgang Dachstein, Evang. Gesangbuch 299, zweite Melodie

Kommt mit Gaben und Lobgesang (Ev. Gsb. 229), Text Detlev Block, Melodie Jamaica (trad.: Linstead Market Jamaican Folk Song , Calypso), Satz Peter Gerloff

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit.

Bis hierher hat mich Gott gebracht (EG 329); Wenn ich, o Schöpfer, deine Macht (EG 506; Gotteslob (2013) 463)

Ein Lämmlein geht und trägt die Schuld (An Wasserflüssen Babylon), Evang. Gesangbuch 83

Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.

Aus tiefer Not schrei ich zu dir (Gotteslob (1975) 163; Gotteslob (2013) 277)

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit.