4 366 pistes audio libres de droits pour "Midi"

Fantasie in B minor, Op. 28 (1900) by Alexander Scriabin, played by Jonathan Floril at the 2009 Minnesota International Piano-e-Competition

Die Jungfrau auserkoren; Gotteslob (1975) Hildesheim 872; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 904

Vom Himmel hoch, o Engel, kommt (Evangelisches Gesangbuch, Regionalteile; Gotteslob, Regionalteile)

Die Wollust dieser Welt ist Zucker unter Gallen (Krieger 1657 / Fritsch 1679) nach dem Darmstädter Gesangbuch von 1698

Wir glauben an den einen Gott; Gotteslob (1975) 467; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 791

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

Quartal chord on A equals thirteenth chord on B♭, distinguished by the arrangement of chord factors. Created by Hyacinth (talk) 13:55, 13 October 2010 using Sibelius 5.

This sound consists of sine waves only playing the musical note c, each for a total of 10 seconds. Rendered as a 200/32 wav file (linear pcm, 32 bit little-endian floating point, 200000 hz) in audacity.

And old synth that's inhabited many hard drives for a about twenty years and i finally gave it a whirl. Just some random keys played on a midi keyboard. Make what you will of it.

Thunderstorm recorded from a distance.

Recorded at 7pm in a calm countryside.

Recorded at 7pm in a calm countryside.

Walking inside the park, people playing tennis and various voices everywhere as i am walking. Recorder: mixpre 6microphones: oktavia. You can use this sound for your non-profit or for-profit projects. You can also help me directly on paypal:https://paypal. Me/federicocasazza?country. X=gb&locale. X=en_gb. Enjoy.

This started out as a really long jam session with synplant and a ton of randomized lfos and midi generators. I then resampled a snippet from it, drenched it in fx, threw ableton's resonator on it, then slapped on a utility that makes resonator play chords, which were generated from splash pro's ai keyboard.

I created a first rhythm track -> tempo 110. 0 bpm, beat of bar 3then a second pluck track in 60 midi pluck height and a steep fadei repeated the first track, driving the sound very low to give more rhythm to the sound.

O Welt, ich muss dich lassen (Evang. Gesangbuch 521); Nun ruhen alle Wälder (Evang. Gesangbuch 477)

Former national anthem of Afghanistan used from 1992 to 2006. Composed by Ustad Qasim in 1919; he died in 1957.

Tauet, Himmel, den Gerechten, Gotteslob (1975) Hildesheim 809; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 723 II

Wo die Güte und die Liebe wohnt, Gotteslob (2013) 442; Gotteslob (1975) Köln 861

Christe, du bist der helle Tag (Erasmus Alber nach Christe, qui lux es et dies), Evang. Gesangbuch 469

Komm, Schöpfer Geist, kehr bei uns ein (Gotteslob (1975) 245; Gotteslob (2013) 351)

BACH motif followed by transposed version from Schumann's Sechs Fugen über den Namen B-A-C-H, Op. 60, No. 4, mm. 1-3.

Für alle Heilgen in der Herrlichkeit (Gotteslob (2013) 548) Herr, mach uns stark im Mut, der dich bekennt (Evang. Gesangbuch 154; Gotteslob (2013) 552)

Dich liebt, o Gott, mein ganzes Herz, Gotteslob (1975) Osnabrück 860; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 750

Liebster Jesu, wir sind hier (Evang. Gesangbuch 161; Gotteslob (1975) 520; Gotteslob (2013) 149)

Großes Präludium in e-Moll von Nicolaus Bruhns. Source: http://www.free-scores.com/download-sheet-music.php?pdf=158, according to that page public domain. The instrument has been changed to church organ and the tempering to Werckmeister III.

Edited a default preset in bk-synthlab's free "vs-1 oscilloscope" synth and hooked it up with a free midi sequencer vst (hyperion) and placed thrillseekervbl on the master. This was done using headphones back then so the sound may not be optimal on some playback devices.

Loop from our last session (https://soundcloud. Com/tonux-gix/journey-to-dusk-yemptiness-2). Midi/osc lines generated with pure-data and then rendered it in muse-sequencer using deicsonze and zynaddsubfx synths.

Christus, du bist der helle Tag (Friedrich Dörr nach Christe, qui lux es et dies), Gotteslob (2013) 90

Singt: Heilig, heilig, heilig, Gotteslob (1975) Hildesheim 803; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 716

Auf, Christen, singt festliche Lieder, Melodiefassung Gotteslob Eigenteile Paderborn und Essen

This is some more edirol 'composing' this time using an arpeggiater and just really letting midi do its thing. I don't really remember how or why i composed this or what i used it for (if anything) but it's quite dramatic, isn't it?!.

Ein Herz ist uns geschenket; Gotteslob (1975) Hildesheim 856; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 800

Tag an Glanz und Freuden groß (Dies est laetitiae), Gotteslob (1975) 137; Gotteslob (2013) Essen 736, Trier 758

Jesu, meine Freude (Evang. Gesangbuch 396); Gnädigster Erbarmer (Gotteslob (1975) Diözesanteile; Gotteslob (2013) Diözesanteile)

Gelobt sei Jesus Christus; Gotteslob (1975) Hildesheim 854; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 799

Die ganze Welt, Herr Jesu Christ; Gotteslob (1975) 219; Gotteslob (2013) 332; Evang. Gesangbuch 110

Mein Hirt ist Gott der Herr, Gotteslob (2013) 421; Gotteslob (1975) Hamburg-Hildesheim-Osnabrück 849

Steht auf, ihr lieben Kinderlein, Evang. Gesangbuch 442; Ihr lieben Christen, freut euch nun, Evang. Gesangbuch 6; Du Morgenstern, du Licht vom Licht, Evang. Gesangbuch 74

Dir, dir, o Höchster, will ich singen (Evang. Gesangbuch 328; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 830)

Hymn tune St. Anne ("O God, our help in ages past") In Christus gilt nicht Ost noch West, Evang. Gesangbuch (Niedersachsen-Bremen) 573

A little tune where uoki-toki polivoks vcf and intellijel μvcf are acting as vcos. I use one more sound source and that’s noise for the rhythmic sound. No sequencer. No midi. No keyboard. No over dub. Don’t know why i write this… it’s an nice experiment anyway.

This is an extremely unconventional sound. I actually made two reeses in harmor but i didnt distort them. I made a pattern with them both having the same midi and then i recorded that. I then distorted and resampled that recording multiple times. This was the end product.

The melody of the folk song The Girl I Left Behind Me. Die Melodie des Volksliedes The Girl I Left Behind Me. La mélodie de la chanson populaire The Girl I Left Behind Me.

Wir rühmen dich, König der Herrlichkeit, Gotteslob (1975) 483; Gotteslob (2013) 211; Es sungen drei Engel ein süßen Gesang, Gotteslob (1975) 186

Deinem Heiland, deinem Lehrer, deutsche Fassung des Lauda Sion, Melodie von Michael Haydn (Gotteslob Diözesananhänge)

O Haupt voll Blut und Wunden, Ev. Gsb. 85, Gotteslob (2013) 289

Mir nach, spricht Christus, unser Held, Evang. Gesangbuch 385; Mach's mit mir, Gott, nach deiner Güt, Evang. Gesangbuch 525

Half time: notice the snare moves to beats 3 of measure one and two (beats 3 & 7) while the hi-hat plays only on the quarter notes. Note also, for example, that the quarter notes 'sound like' eighth notes in one giant measure.

Bei stiller Nacht, zur ersten Wacht; Gotteslob (1975) Hildesheim 824; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 763